Sunday, 9 May 2021

First rehearsals - the Semi 1 winners and losers

At the close of Day 2, all the countries of Semi 1 have had their first rehearsals on the Ahoy arena stage. Each of them got 40 minutes to do as many run-throughs as they wished, trying out their concepts and doing their best to ensure they're all brought across as well as possible on TV. Some of them may well be doing their own post-mortem and working out what needs to change, while others will be basking in the glow of a job well done. So let's do our own analysis of the winners and losers of Days 1 and 2.

(a quick note before we continue. This is all based on how the entries came across in the last couple of days compared to their perceived chances before they arrived in Rotterdam. Just because a song is doing better now than we expected, doesn't necessarily make it a qualifier - and vice versa.)

The big loser in the first half yesterday was Ireland. Not only did the performance come across as messy on the screens, with Lesley sounding ragged and not 100% on top of what's a very difficult vocal line to carry, but today Cyprus compounded Ireland's problems. Following directly after it, 'El diablo' could very well kill the Irish chances with sheer professionalism.

That said, Ireland apparently have something more to add into the performance that we haven't seen yet - some effects or a new backdrop maybe? In 2019, Norway's first rehearsal was slammed when their final backdrop wasn't yet ready - opinions soon changed after it was used later in the week. So Ireland could yet be the big winners of the second rehearsals.

Israel today scored some positive comments from those in the press centre and watching online. A song that many perceived as being chanceless among the big hitters of the second half is coming across well. Eden's professional, she's in great voice and the cameras love her. Coupled with the kind of strong routine we've come to expect of Israel in recent years, they certainly upped their chances today.

Comparatively, Croatia came here with a package that could perhaps best be described as 'competent' - the kind of thing that can either be a great positive and send you sailing into the final, or leave viewers cold. However, based on today's impressions it seems they may have squandered even that - they've got a staging that feels quite standard - a bit fifteen-years-ago if we're honest... *and* it's not executed well.


Those of us who watched last year's Romanian final, in which Roxen stumbled and mumbled her way through four songs she didn't want to win and gave a mediocre performance of her clear favourite can hardly be surprised by what happened today. 'Amnesia' has been given the kind of busy performance that needs a charismatic and vocally confident performer in order to pull it off - and that's not what they have.

By contrast, Ukraine has shot up in many fans' expectations after today. Always favoured by many, it's now being spoken about by some as a potential winner. If that's not winning the first rehearsal days, I'm not sure what is.

Day 2 | First Rehearsals | First Semi-Final | Second Half | ๐Ÿ‡จ๐Ÿ‡พ ๐Ÿ‡ณ๐Ÿ‡ด ๐Ÿ‡ญ๐Ÿ‡ท ๐Ÿ‡ง๐Ÿ‡ช ๐Ÿ‡ฎ๐Ÿ‡ฑ ๐Ÿ‡ท๐Ÿ‡ด ๐Ÿ‡ฆ๐Ÿ‡ฟ ๐Ÿ‡บ๐Ÿ‡ฆ ๐Ÿ‡ฒ๐Ÿ‡น

This will be a rolling blog, each country in running order, so please refresh  to update.

Good morning to you all, now finally from the Ahoy Arena! There was a bit of a queue at the security gate and the desk where everyone is allocated a table in the press centre. So in case you're missing reports from your favorite blog (which can't be because I'm right here ๐Ÿ‘€), they're probably still waiting outside. I've been a good boy by leaving a bit earlier, so I'm all set to report to you once again, as we start day 2 of the rehearsals!

My early predictions:
๐Ÿ‡ฑ๐Ÿ‡น Lithuania
๐Ÿ‡ธ๐Ÿ‡ฎ Slovenia
๐Ÿ‡ท๐Ÿ‡บ Russia
๐Ÿ‡ธ๐Ÿ‡ช Sweden
๐Ÿ‡ฆ๐Ÿ‡บ Australia
๐Ÿ‡ฒ๐Ÿ‡ฐ North Macedonia
๐Ÿ‡ฎ๐Ÿ‡ช Ireland
๐Ÿ‡จ๐Ÿ‡พ Cyprus
๐Ÿ‡ณ๐Ÿ‡ด Norway
๐Ÿ‡ญ๐Ÿ‡ท Croatia
๐Ÿ‡ง๐Ÿ‡ช Belgium
๐Ÿ‡ฎ๐Ÿ‡ฑ Israel
๐Ÿ‡ท๐Ÿ‡ด Romania
๐Ÿ‡ฆ๐Ÿ‡ฟ Azerbaijan
๐Ÿ‡บ๐Ÿ‡ฆ Ukraine
๐Ÿ‡ฒ๐Ÿ‡น Malta

๐Ÿ‡ฒ๐Ÿ‡น | Malta
We see Destiny in front of a pink square that is depicted on the backdrop. She is standing before a LED-lighted ballerina barre and is wearing a pink outfit that looks pretty great on her. She has two dancers on each side and they are doing a playful dance routine in front of ''doors'' that are displayed on the backdrop. It is all very colorful and looks really good. At one point Destiny walks down a few stairs onto a lighted strip on the floor and it it's then when you realize she was standing on a platform that is relatively high. The whole routine is very playful and fun and Destiny is absolutely killing it vocally. Camera work isn't spectacular, but with a few split-screens here and there as fun as the rest of the performance. Winners vibers? Not instantly (but I never had those). Pleasantly surprised by the staging? Very much so! 

๐Ÿ‡บ๐Ÿ‡ฆ | Ukraine
The performance starts with a shot of Kateryna wearing a black dress and what appears to be a green wig on each arms and you're a little wtf? After that it's constant awesomeness. Kateryna is standing on a platform together with five others (all wearing white) on which they have recreated a forest by placing white wooden trees on it. On the side next to the platform there are two barrels filled with sand that are only being used for a shot in which two dancers grab sand out of it and let it running through their hands. The band members are placed between these trees I mentioned. Kateryna is standing in the middle between two dancers both holding something that appears to be a ring light. They keep playing/dancing with these ring lights throughout the entire performance. Kateryna remains very calm and hardly moves as the graphics that are being displayed on the LED screens go wild - and they look absolutely fantastic. These are probably the best graphics we've seen so far. There's so much going on in the graphics that it's hard to describe it, but at one point we see several graphically designed men run on a grid. Kateryna's vocals are as solid as expected. This might be a contender to win.

๐Ÿ‡ฆ๐Ÿ‡ฟ | Azerbaijan
Efendi's wearing a beautiful black dress covered in glitter with some sort of shoulder pads. She's surrounded by four female dancers who wear similar sexy outfits like stockings. The backdrop starts off with blue/pink effects. There's a golden globe on the backdrop that is central for the entire performance. In the beginning there's a lot of fire coming out of it, at some points there's a snake in it and towards the end it goes wild and explodes like a supernova. Next to the globe there are also these frames with patterns and embellishments (think the gates of Versailles). These patterns are also reflected on the LED-screens on the floor. All of it looks quite beautiful. The choreo is a bit pointless as it's basically just Efendi and her dancers spinning around her and doing some lame dance moves like in the music video. At one point they stand behind her in a row and do some arm movements (so revolutionary๐Ÿ™„). For some reason the stage also feels a little empty, probably also because there's no charisma to fill it up. Her vocals aren't great, but will probably be sufficient.

๐Ÿ‡ท๐Ÿ‡ด | Romania
For the ones who had hoped to see Romania winning, I have bad news. It ain't happening. Roxen is joined on stage by five dancers and together they are somewhat re-enacting the interactive choreo of the music video in which her dancers crawl and touch her. She's wearing an oversized sweater with some sort of cloak on top of it and given her outfit in the music video I'm not quite sure whether this is her actual outfit as it might just be. The performance starts with a stage filled with a lot of smoke and Roxen in the midst of all of it. Her dancers appear out of this smoke. Her backdrop is filled with shadows. At one point her dancers carry her and there's a shot from above. Towards the end the stage turns red and Roxen and her dancers move towards the second stage. At that point the backdrop displays a sunset on the transparent LED-screen. The performance ends with another lift by her dancers. The vocals are incredibly shaky and the performance as a whole is just too much of a mess at this point.

๐Ÿ‡ฎ๐Ÿ‡ฑ | Israel
The performance starts with Eden and her five dancers inside a cone-shaped ray of lasers. Eden is standing between her dancers and the camera is circling around here. She's wearing a white outfit with black stripes on it. Her dancers are wearing matching tops. It appears they have somewhat recreated the Tel Aviv stage as graphics on the floor and backdrop show triangle-shaped objects giving it the feel of the 2019 stage. The backdrop and transparent LED-screen show neon images of Eden. Israel appears to be the first country to use the additional stage in the ''audience''. There is a lot of fun and energetic choreo. At the end Eden's dancers take off her jacket and one of her dancers places some sort of dreadlock crown on her head. Although Eden struggles a little vocally at times, which makes sense given all the choreography that is going on, her high notes were spot on. I think Israel is in the game for qualification, y'all.

๐Ÿž Lunch break - not so nomnomnom ๐Ÿž 

๐Ÿ‡ง๐Ÿ‡ช | Belgium
The rehearsal starts with a shot on the piano and the camera then being directed towards Geike. There are four small stages on stage with black velvet carpets. One for the piano and the guy who's playing it, one for the guitar guy, one for the drums and drummer and one for the backing singer who they've probably given a tambourine, so she's not the only one without an instrument. Geike is standing in the middle of these stages while the camera is spinning around focusing on Geike. She's wearing a black dress with sparks here and there, combined with long boots. It all looks pretty well thought out (the act, not the outfit, although it looks fine). At one point Geike's face is displayed on the backdrop. The camera work is really done well as there are some pretty slick camera shots, for example when the backing singer appears in a shot in which Geike is already visible. At certain moments the camera moves back towards the piano man so he can sing his ''you're in the wrong place'' lines. You might notice I'm talking about the camera shots a lot. Perhaps because this is the biggest asset to this performance. Towards the end the camera zooms out and we get to see some wide shots of the stage. The camera then zooms back in with some lights flashing towards the very end. Geike's vocals are crystal clear and probably the best we've heard so far. 

๐Ÿ‡ญ๐Ÿ‡ท | Croatia
Albina is wearing a gorgeous top with glittery silver embellishments on it. The first few moments there's an instant wow-moment as Albina and the backdrop, on which rays of blue and pink light being are being shot towards her, look gorgeous. Albina is accompanied by four other dancers who are also wearing silver outfits. So far silver seems to be be the standard today. The staging remains blue/pink'ish throughout the entire performance and looks really nice. The choreography of Albina and her dancers is playful and sensual but perhaps also a little lame. At one point two of her dancers carry her to circles depicted on the LED screen in the floor and there is a camera shot from above. In both runs we've seen so far this has gone wrong, so this will need a little more practicing. Towards the end the backdrop is filled with part of the lyrics. During the last chorus there is a little fireworks which is followed by a big splash of fireworks at the very end of the performance. Throughout the song Albina sounds relatively OK. The bits where she sings ''oh noo'' and ''don't go'' are an actual oh no moment, because she sounds terrible there. I find it hard to judge this, because one the one hand the staging is a lot better than expected, but on the other hand it's still a bit tacky and.. cheap? I totally understand why many people like this so much though, as it really is fun to look at.

๐Ÿ‡ณ๐Ÿ‡ด | Norway
This will be relatively short as the performance is almost identical to that of Norwegian NF. Two of the six demons have been sent back to hell, because there are only four surrounding Andreas on stage. There are lights shining on Andreas and his backings dancers right from above them. At one point there are light beams originating from the middle of the backdrop somehow closing in Andreas and his demons. During the last chorus the backdrop depicts heavenly skies with white/pink clouds. The edges of the stage have white lines and blink every now and then. Also Norway's using pyro as throughout the entire performane there are puffs of fire. Norway made good use of their time because it's the first time we got to see three runs (meaning they probably had four). I must confess I hadn't listened to the live performance before yet, so it all sounds a bit flat, but it's nothing too shocking. A solid rehearsal. This should sail through to the final fairly easy.

๐Ÿ‡จ๐Ÿ‡พ | Cyprus
The rehearsals started and we saw rather slick staging from Cyprus. The stage is mostly lighted in red (shocker), together with shades of white and black. Elena is wearing a beautiful silver-glittered dress (
ร  la Ani Lorak) with wisps. Elena is joined on stage by four backing dancers who are appropriately wearing shiny red leather(?) outfits too. Together they're performing a pretty cool choreo that reminds us of the epic performances by Helena Paparizou, Ivi Adamou, Tamta, etc. Unfortunately we didn't see more because Elena seemed to lose some of her equipment and the stream stopped. We then got to see another run and could see Elena starts her performance by laying on the floor playing with the camera. The camera shots seem pretty advanced already as Elena has no trouble finding the right angles. At one point Elena and her dancers are mirrored on the backdrop which gives an impressive sight. Although the entire performance is pretty much the same (Elena and her dancers doing their dance routines), it doesn't get boring at all. In the last run we saw that Cyprus makes use of pyro in order to bring hell to the stage. In the end Elena sensually walks towards the backdrop facing the camera with her back to end with a last turn staring into the camera, whispering ''el diablo''. Vocally this isn't very strong, but it'll do the trick. Elena is supported by a backing singer, which became painfully clear once she lost her equipment, stopped singing and the backing singer continued singing. All in all this was a fantastic rehearsal and it looks absolutely amazing on screen.

Saturday, 8 May 2021

Day 1 | First Rehearsals | First Semi-Final | First Half | ๐Ÿ‡ฑ๐Ÿ‡น ๐Ÿ‡ธ๐Ÿ‡ฎ ๐Ÿ‡ท๐Ÿ‡บ ๐Ÿ‡ธ๐Ÿ‡ช ๐Ÿ‡ฆ๐Ÿ‡บ ๐Ÿ‡ฒ๐Ÿ‡ฐ ๐Ÿ‡ฎ๐Ÿ‡ช

This will be a rolling blog, each country in running order, so please refresh to update. 
 
Good morning and hello to you all, live from the Ahoy Arena in Rotterdam! Today, not counting Australia, six countries are about to set foot on the Eurovision stage to rehearse for the first time this week. Being the kind person I am, I've crossed three whole kilometers (I live nearby) and endured long sticks being stung and twirled around in my upper airways to be able to cover it all for you! Sit back, freak out a little because ZOMG Eurovision is back, relax and enjoy!
 
๐Ÿ‡ฎ๐Ÿ‡ช | Ireland
I'm struggling to decide what I find of this. The idea of Lesley's performance is to create a music video-like vibe. At first I thought they were partly using on screen projections, but it turned out to be on stage props, like a frame, that the camera films into. The props make it look like Lesley is inside some sort of viewing box with trees, waves and her face inside a book that's flipping pages. The props that are being filmed into, the props on stage and the backdrop make it seem like a multi-layered scenario in which Lesley is performing. The ending is very odd. At one point Lesley steps out of this music video-like scenario and we see wide shots of the entire stage. That's also when we see all the actual props that are being used and there's really no need to see those. It's definitely something we haven't seen before on a Eurovision stage - and although I believe this can actually be fun when they get it together - I must admit I'm a little underwhelmed. Taking into consideration that this is a first rehearsal and things are allowed to be messy (Duncan's IKEA light only worked properly during the jury show), I'm willing to give them the chance to get it together during the next rehearsals. Is it the master piece staging that some announced beforehand though? Definitely not. And Lesley's vocals are mediocre at best.
 
๐Ÿ‡ฒ๐Ÿ‡ฐ | Former Former Yugoslavian Republic of Macedonia (aka North Macedonia)
Me finishing lunch and seeing Vasil appear on the screen above me:

 
What the actual f? Vasil starts off with a dark stage and him being half-lighted (the bad half). He's wearing a dark suit hipster style (meaning with a pullover under it instead of an actual shirt). But that's not all he's wearing, because at one point during the performance he opens up his blazer and the discoball-pieced clothing he's wearing gets lighted with two giant spots and he's shining all over the stage Dotter-style. North Macedonia is using on-screen graphics. Vasil's heart and the veins attaching it are being projected on him. The projections don't really add much to the performance. The backdrop consists of orange/gold graphics and a display of what appears to be sound wave-like bars. At one point there are also several rays of light coming from behind him. Although it wasn't a total disaster vocally, Vasil lost his voice when he tried to reach the high notes and it wasn't a one time thing. He missed the notes for at least two runs in a row. It's not terribly bad, but incredibly corny and over the top.
 
๐Ÿ‡ฆ๐Ÿ‡บ | Australia
As Australia isn't here in Rotterdam, we're going backstage to the live on tape recording.

Update: we have now seen a bit more than is being displayed in the video that has already been uploaded on YouTube. There wasn't much more to see than in the video on e.tv, so it's hard to tell what this will look like from beginning till end, but my first impression is that Australia is disadvantaged by the fact they are not able to use the amazing features the stage is able to offer. Which was to be expected.

๐ŸŒฏ Lunch break *nomnomnom* ๐ŸŒฏ

๐Ÿ‡ธ๐Ÿ‡ช | Sweden
Although the performance is similar to the performance we've seen at MF there are several changes and I'd say it has improved. Tusse starts off standing before the backdrop that's displaying a split of an ocean/a pool of water (it's wet) from which light is raying. He's wearing a velvet red suit/dress-like outfit with a ribbon around his waist and black arm pieces that have silver embellishments on it. The backdrop shows light reflecting in that very same water. The floor LEDs are displaying a red carpet-like red strip at which actual lights have been placed on the sides. When the background dancers join him, who are are more prominently present than during the MF-performance, the backdrop displays scattered stars. Sweden makes good use of the backdrop because when Tusse and his dancers get to the part where they march, they are being joined by twelve virtual dancers on the screen. Before the key change (YAY) the stage turns red and is followed by a burst of flashes. Although Tusse sounds a lot better than during his last performance that got many of us worried about how he might sound, he is still struggling at parts.

๐Ÿ‡ท๐Ÿ‡บ | Russia
Manizha is wearing a huge Russian doll-like dress in which she drives (yes, it has wheels apparently) around a bit on stage. At one point it opens up and Manizha emerges out of it wearing the outfit that we know from the NF. At that point the choreo is roughly the same as in the NF as well. The backdrop contains handpainted images of traditional Russian things/characters and both the backdrop and transparent LED-screen are used to display some of the lyrics of the song. When the backing singers kick in for the choir-like part in the song, some pyro appears in the form of flames. Towards the end the backdrop depicts pictures and videos of strong women structured in a Zoom-like way. These images are then embedded into the words ''Russian Woman'' at the very end. Manizha's vocals are alright, not better or worse than we're used to. I can't say I'm extremely impressed with the staging and we're used to better from Russia, but it's very playful and fun.

๐Ÿ‡ธ๐Ÿ‡ฎ | Slovenia
Ana's wearing a white outfit with a semi-cape and starts off looking straight into the camera with a black circle/planet behind her on the backdrop. Once she starts blasting the chorus this explodes into a bunch of stars which looks pretty amazing. The backdrop then continues to display the Earth and it's all a bit graphically underwhelming from that point forward, I must say. It's only until the part where the choir kicks when it finally gets interesting again. The transparent LED-screen is showing footage of landscapes (a beautiful forest, ocean etc.) and Slovenia is the first so far to make use of it. Towards the end it cultivates into one last explosion of stars and Ana singing her lungs out like we're used from her. It ends with a gentle close-up of Ana. Vocally this is very strong.

 ๐Ÿ‡ฑ๐Ÿ‡น | Lithuania
And we're off! A little later than expected and with technical difficulties because we have no sound. If you want to blame the Dutch, then know I heard production members speak Swedish. It's all Bjรถrkman's fault.
 
My first impression is that the stage looks amazing on screen. The LED screen is ridiculously sharp and the effects Lithuania has on the backdrop look fantastic. The backdrop is filled with squares/waves in a techno-like way. The Roop are wearing yellow outfits in the style that we know of them. The choreography is similar to that of the NF with a few new touches. At one point the lead singer follows the camera to heat up the crowd and it's all great fun. The camera shots look pretty advanced already, especially for a first rehearsal. They use several split screens to play around. The color combinations are mostly black/purple/white/yellow and I'd say they work good together. This is fun! There was no sound, so I'll have to get back to you on this (if they manage to fix it).





Friday, 7 May 2021

Getting all set up

Tonight I visited the Accreditation Centre to pick up accreditation and to get tested at the Testing Pavilion that is set-up right next to the venue. As everyone needs to be tested every 48 hours, I thought it was convenient to do it the evening before the rehearsals to avoid possible cues tomorrow morning. 

Apparently this idea was shared by other accredited press and delegation members, as I spotted the Swedish and Irish delegation in the Testing Pavilion. 


I must say I was pleasantly surprised by how efficient everything seems to be organized. After receiving my accreditation card, I was guided towards the Testing Pavilion where they used a breathalyzer followed by a PCR-test to get me tested. After waiting in a rather massive waiting room I got a text message with a link to the test-results.

As I fortunately tested negative, my accreditation card was granted 48 hour access to the Press Centre. Access I will richly use to keep you all up to date tomorrow when the rehearsals are about to begin!

Monday, 3 May 2021

Rotterdam is getting ready!

As the stage construction has completed and the 65th edition of the contest is about to errupt, Rotterdam is finalizing its preparations with some last finishing touches.

Waterloo-playing traffic lights ✅

Banners with classic Eurovision lyrics ✅

 
 Eurovision Covid-19 Test Pavilion ✅
 
 
Looks like they're ready - and so are we! ESC Nation will be live from the Ahoy Arena this year to report on the rehearsals, starting Saturday the 8th of May at 10:00 sharp. ๐Ÿ“ข

For an overview of all rehearsals click here.

Five more days to go, people! Let's consider this contribution of local artists the opening ceremony of the upcoming rehearsal week. 

๐ŸŽ‰ Eurovision. Is. Back! ๐ŸŽ‰


Now let's hope I don't get tested positive.