Vienna - Questions and Reflections

As the 70th edition of our beloved Contest draws to a close, it's time to wrap up my second year of ESCNation blogging with some questions and reflections for your consideration.

Let's start with revisiting the Grand Final predictions I made Friday night after the Jury Show. I highlight if I got the countries' placing category right (✔️) or wrong (✖️) and if they ended up higher (⬆️) or lower (⬇️) than I thought.

1-5: Australia ✔️ / Bulgaria ✔️ / Finland ✖️⬇️ / France ✖️⬇️⬇️ / Israel ✔️

6-10: Greece ✔️ / Italy ✖️⬆️ / Moldova ✔️ / Romania ✖️⬆️ / Ukraine ✔️

11-15: Albania ✔️ / Croatia ✔️ / Czechia ✖️⬇️ / Denmark ✖️⬆️ / Poland ✔️

16-20: Belgium ✖️⬇️ / Cyprus ✔️ / Malta ✔️ / Norway ✖️⬆️ / Sweden ✔️

21-25: Austria ✔️ / Germany ✔️/ Lithuania ✔️ / Serbia ✖️⬆️ / United Kingdom ✔️

I was very wrong on France and think its televote result is a travesty. Romania and Denmark notably exceeded my expectations. I'm happy for a) overestimating Finland and b) getting Sweden right, also as a borderline qualifier.

I haven't been this excited about a winner since Salvador Sobral and even though I never really considered Bangaranga up until the Jury Show, I'm truly so delighted it won a much-deserved victory.

It's important to highlight I think how 'historic' in ESC terms this victory really is. For the first time since, coincidentally, Salvador Sobral in 2017, juries and televoters agreed on a favourite, a hopeful signal in fragmented times. Bulgaria also scored the highest average score from the public vote since Ukraine in 2022. Its lowest televote score, 4 points, also came from Ukraine.

And now, questions and reflections.

1) You want more?

Of this, no:

Now for the second year running, the question was not who would win, but rather if Israel would not win. If nothing changes, sooner or later, this will happen. I currently don't expect things to change.

How can they at this point? We are at the exact same stalemate as a year before, with the EBU allowing Israel to use Eurovision as a geopolitical platform to whitewash their atrocities.

2) Hello, my friend, is it the end?

The boycot of five nations, I'm very sorry to say, appear to have not changed anything meaningful in the grand scheme of things. Up until the second screenshot, everything in the Stadthalle, in Vienna and in the media centre was surprisingly calm and smooth.

A journalist I know who observed the public vote reveal within the arena saw sights of relief among EBU staff as Bulgaria was announced as winner. One cannot blame them.

Yet again: nothing meaningful will change unless more broadcasters band together and do something. Welcome to the riot!

3) Oh, what's the point of it, point of it?

But: the EBU and ORF did a terrific job of carrying on as if it was all business as usual. They did so good a job in fact that it makes me wonder if maybe it simply is business as usual and this is the new reality that we have to expect remaining a recurring thing. The next question, then, is to which extents broadcasters, fans and ESCNation bloggers alike will continue to live with this. The jury's still out on that one for now.

4) Miten tunteet vois jäädyttää?

(How could I freeze the feelings?)

I genuinely had a great time in Vienna, as weird as it may sound - I'm typing this blog from a laundromat near my hotel as I will continue my journey after this and I always travel with hand luggage only. This is a part of my life that I thoroughly enjoy, as weird as it may sound. I had a lovely week with wonderful people from the media centre, some of whom I by now call my friend.

I still love everything around the actual Eurovision Song Contest (see, of course, also our beloved Message Board), but I feel that my love for the real deal is slowly fading away, bit by bit, year after year. Maybe it's because I'm getting older. Maybe it's because I didn't enjoy watching Miriana Conte butchering Dhenghis Khan and I can't comprehend how anyone thought this was a good idea to fill air time during the world's largest entertainment TV show. Or maybe it's because yet again the political dimension has overshadowed such a vast part of the Eurovision experiences.

Over the past few weeks, I have been hearing from a few people that they increasingly refer to themselves as 'legacy fans', enjoying and rewatching old editions and geeking over them, while engaging less or not at all anymore even with the current editions. I'm nowhere near that stage now - but I feel that it's getting there, slowly but surely.

5) Kur po vjen, moj nan?

(When are you coming, my child?)

'My child' being the results.

I was critical about the semis but do think the Grand Final was actually solid television for a big part. The opening ceremony was gorgeous and I thought the pacing of the songs was better too. Victoria and Michael were less annoying, probably helped by giving greenroom host Emily more screen time. Her calmness was a breath of fresh air.

But four whole hours is such a terribly long time. We did not need a dj performing a song. We did not need a cover of Billy Joel's Vienna. Increasingly, I find the Grand Final becoming a total drag. We've seen all performances already at this point, so having to endure them once again feels more like a burden to me. All I want is the scoreboard (which I really liked this year actually) and the spokespersons announcing their douze points.

6) Da l' vas noću bude iz kolijevke krici?

(Are screams from the cradle waking you up at night?)

* cries in Jalla *

Seriously, how this managed to get more points from the professional juries than from the public vote in the final is total lunacy.

Bonus question: Where was Auri?

I asked the same about last year's hideous mascot - but we had previously established that I actually really like Auri. And in all efforts to make the ESC a more family-friendly show, incorporating the mascot that is very clearly geared towards children at some point in the liveshow would not be that far-fetched.

So why weren't they? Was Emily too worried to share coffee duties? Did Boy George chain them to a radiator? We'll never know.

***

Lots to think about and discuss, but for now, let us please just take a moment to enjoy Bangaranga again!

This concludes my ESCNation blogging for 2026. We'll see what 2027 brings and who will be where doing what. In any case, I thoroughly enjoyed doing this again. Thank you all for the comments and feedback. Regardless of agreement, I found them all relevant and useful. Tack och godnatt!

Grand Final - 2nd Dress Rehearsal + Predictions

This afternoon, I lasted for over three hours among a bunch of men. But enough about my love life, as Petra Mede would say.

I'm of course talking about the first dress rehearsal for the Grand Final which I observed from the Wiener Stadthalle this afternoon. No live blog, apologies, but the gist of it is: it was endless. ORF was testing your blogger's limits thoroughly.

Here's hoping that tonight's second run-through in a full arena will run smoother!

In preparation for this evening, I enjoyed a reception of ZOOP, a very new, very shady and already very controversial new social media platform created by the people who made OnlyFans which is somehow an official partner of this year's Eurovision.

Lots of critical questions to be asked later. But for now, we're all tired poor reporters here so we take free drinks and food, such as this Austrian charcuterie board conveyor belt. Because why not?

As I did on Wednesday, I will be blogging away in real-time for your entertainment to tell you what's happening when and which parts you can skip.

You've seen all performances, so I won't be describing them all in detail. Rather, I will focus on the general flow and a rough prediction of its chances.

21:00 Eröffnungszeremonie

We start with revisiting JJ's victory. He appears to forget his paper boat in Basel. It gets to lead its own life and spends the year in various different ownership structures before, of course, somehow through a myriad of wanderings making its way to the Wiener Stadthalle. It's really quite lovely.

From this we are treated to a concert of the ORF radio symphony orchestra, playing from the greenroom. It's all very bombastic and very Austrian but it looks really cool. Then we go to JJ on the main stage performing a snippet of the Queen of the Night aria.

Five minutes in and the flag parade commences. Giant red curtains are hanging on the sides of the stage.

After the first batch of ten countries, we're treated to JJ performing a remix of Wasted Love with a bunch of dancers and acrobats.

He does the entire song in the middle of the flag parade. Then the other fifteen countries are presented. We then return to JJ, who finishes Wasted Love on an elevated back side of the stage.

Clearly the money they saved on the second semi-final is being spent here.

Twelve minutes in and we are unfortunately welcomed again by our two hosts - or three, as barista/greenroom host Emily also returns. You'll be delighted to hear that Michael wears yet another iteration of the same circus director outfit, this time in purple. It's giving Hugo of Nicole fame.

More French-language banter or attempts thereof followed by regular voting information - like in previous years, voting opens in the beginning of the show. The lines are open by a watch party in Zaandam, the Netherlands. What a coincidence.

Seventeen minutes in and the hosts... start playing a game. They will weave title of winning Eurovision songs in their natural dialogue and give each other points for doing so. Before you ask, yes, they will keep this up all night. Yes, this includes an on-screen scoreboard. They're serious.

21:19 Dänemark

A rather peculiar choice for an opener if they want to go for the family-friendly vibe perhaps. That aside, the song's build is solid enough to get you pulled in the show. The vocals are good but he appears a bit out of breath and misses that big note again by an inch.

I like it as an opener, but also think it kills any competitive chances it may have.

As an aside, it is now made clear why we are treated to around ten seconds of the artists after their performance is finished; the phone numbers are displayed. Also during parts of the postcards. Anything for upping that much-needed revenue!

21:23 Deutschland

Obvious #2 is obvious. This should be a safe bet for a bottom three placing tomorrow night. It has no redeeming features whatsoever. In a few years from now I'll hear this again randomly, not having any memory of its existence.

21:27 Israel

Phil's excellent OnEurope blog will tell you all you need to know about this.

21:32 Belgien

I had this as a definite NQ on Tuesday and now I think this was solid. Must be Vienna Syndrome. Or Brussels Syndrome. ESSYLA is far more relaxed and enjoying herself on stage, which shows. This will be nowhere near victory in any way, but it's nothing to be ashamed about. (Yes, the Belgian bar is low.)

21:37 Albanien

The stage isn't ready yet for Alis so we're treated so random audience shots for half a minute or so.

I still think the subtitles work against this - it takes away the intimacy the performance wants to create. This is also way too much for me to take in, though Alis is undoubtedly a very good artist and the staging is gorgeous, if a bit much perhaps.

21:42 Griechenland

The stage isn't ready yet for Akylas so we're treated to Emily interviewing the Austrian fan who said on Tuesday Eurovision helped him with his coming out.

A much-needed energy boost, solid position in the running order for this. I still think this is one of the best crafted performances of the year, particularly the second half. It's made for TikTok and I think that's wonderful.

If Klavdia could end up 6th last year, Akylas should do at least as good. Yes, I said that.

21:46 Ukraine

Also well positioned in the running order. Having two power ballads back to back might be weird (looking at you, semi 2 draw), but at least there's a proper break in between here. Ukraine works very well here. This could end up top ten. Also bottom five. I don't know. Sorry for not being more insightful.

21:50 Pause

Professor Eurovision time! Today's question: What is the most successful Eurovision song ever? The answer is multi-layered and discussed from various angles (points, streams, record sales). This will be far too controversial for BBC to air.

21:54 Australien

ACPPS!! This could easily get 250 jury points and 25 televote points. But that moment where she is raised on the platform from within the piano and the pyro is *chef's kiss* Eurovision canon. I really really want this to win tomorrow, but I fully know and acknowledge that it won't. And that's okay.

21:58 Serbien

This final is one of the most difficult ones to predict in years and this one may be one of the toughest of them all. I'm inclined to think its overall appeal will be limited and this will end around 20th or so. But then it crawling up to 6th place also wouldn't surprise me. But what do I know? I want that final hurl as my ringtone. (I'm old and remember ringtones.)

We get a short host break as the Maltese staging is prepared. They're foreshadowing the endless string of interval acts coming up later. Note how we're over one hour in the show and only had nine songs thus far.

22:04 Malta

I think this is very good but appear to be in a minority. I also have no clue where this will end up. But the billboards all over Europe might help a bit. This could be a solid mid-table result waiting to happen.

22:08 Tschechien

Gorgeous. And so is the staging. I mainly love the fact that this qualified on its own merit entirely, which fills me with a bright glimmer of hope in dark Eurovision times. I hope the juries shower this with points tomorrow night. Daniel will need all their support he can get, I fear.

22:12 Bulgarien

I quite liked this song before Eurovision, considering it as something fun and catchy. But this performance elevates it so much. DARA is one of tonight's best artists and I hope she'll be rewarded handsomely for the effort. This deserves to do *very* well and I don't think victory is entirely out of the question. Fun fact: you think the chairs move around? They don't. It's the walls, pushed around by a string of stage hands. *Huge* cheer in the media centre.

22:16 Kroatien

Excellent vocals, might be their best I've heard them so far. Everything about this sounds and looks amazing. I also want this to do really well but fear it might be a bit too much also for the casual viewer of a light entertainment show on a Saturday night?

At this point, I'm convinced the jury vote will be extremely split this year as they are spoilt for choice, and the audience favourite will win almost by default.

22:20 Vereinigtes Königreich

During this afternoon's dress rehearsal, LMNC was not wearing his stage outfit and hardly sang anything. Interesting how he got away with that - but anyway, now we get the full monty. I think this has good parts and I want to like the approach. But it overstays its welcome for at least a minute and honestly, I'm just exhausted. Another nil points waiting to happen, I fear.

22:25 Frankreich

She's seventeen. Seven. Teen. Incredible.

If this doesn't come top three in the jury vote, I'll eat my Ferto beanie.

22:29 Pause

Break time. More winning entry competition jokes. Right after the French entry (performed by a 17-year old), we see the French winning JESC entry from last year (performed by a 12-year old).

The hosts then joke hosting Eurovision Asia this year and the silence in the arena is deafening. We are then introduced to a video promoting Eurovision Asia in Bangkok. They're serious about this.

22:33 Moldau

Slight technical hiccup displaying a test screen before the Moldavian postcard.

This is very well-positioned, right after a break and very much intended to bring the audience to life again. Also, this needs prep time on stage. A burst of uplifting politically-motivated energy.

At this point, I'm convinced the jury and public vote will differ enormously this year. I can see this doing a KEiiNO (aka winning the televote but barely doing anything with the juries).

22:37 Finnland

In all honesty: I'm getting tired of this. I never saw this as a winner and am still not convinced. Which means it likely will win.

But Pete sounds tired and really has to try very hard to reach the notes tonight, although he improves as the song goes along. Excellently positioned to keep momentum going in the second half of the show though. I think this has 4th place written all over it, but what do I know?

Short host break as the Finnish prop is removed. I already forgot what they were talking about.

22:43 Polen

I can see an Alika-esque result for this in the cards, despite not thinking it could actually make the final top 10. It does have 11th place vibes for me. Alicja looks and sounds amazing as before though. No sign of strain whatsoever.

22:47 Litauen

I don't understand what this is doing here, but I'm so glad it is nevertheless. Vocally Lion is a bit off in the second half of the performance. I don't expect this to get televote points beyond the Baltics and the UK.

22:52 Schweden

Felicia had reportedly lost her voice. I can now retrieve that she has retrieved it, albeit only partially. She's *very* off vocally unfortunately, notably in the first half of the performance. This is a shame as at least visually this is a highlight of the evening. Just a shame they forgot to write a song. It also works very well as the first proper uptempo song in quite a while.

22:56 Zypern

This is such a slick performance visually, but Antigoni, or as a TikToker called her, Antivocali, is getting hoarse and risks having no voice by tomorrow night. But in all honesty: I've heard her "sing" much worse the past few days. She also didn't fumble her own lyrics, which were so complicated that they needed to be co-written by *six* people.

This will get (close to) nothing from the jury and some dodgy high televote scores, enough for a lower mid-table result.

23:00 Italien

I don't mind straights getting married, but does it have to be advertised this much in what is supposedly a "family-friendly" show? How am I to explain this to children watching this at 11 PM?

Jokes aside, European mommy's and daddy's alike will eat this and vote en masse. Not competitive enough to snatch a victory, but this should be up there in the ranking. It's just *so* much fun to watch.

23:04 Pause

We get images of the opening ceremony on Sunday.

During the first run-through this afternoon we also got a *very* long video recapping the 1967 and 2015 editions which took as long as the actual editions, or at least felt as such. This was cut for now, which this blogger for one does not mind one bit.

23:08 Norwegen

Norway ups the camp but I think it works very well, coming after the final break and bringing some life to the show again - I have to say that a few hiccups aside, I do think the running order works very well.

Jonas was clearly holding back this afternoon but finds his strength again now, delivering a solid performance. I think this will be overshadowed mainly tomorrow, but that's okay, I'm very happy it's here.

23:13 Rumänien

The stage isn't ready yet for Alexandra so we're treated to Emily interviewing a random fan in the greenroom.

This has been building some momentum in the last few days - and I'm all here for it. Excellent position in the running order as Tanzschein mainly feels like an interval act, so this is a very nice dramatic finish.

Alexandra is on-point in every way possible. I'm not a big fan of this song, but as a package this works so well. Should also do very well (I've said that a lot of times I feel...)

23:18 Österreich

The stage isn't ready yet for Cosmo so we're treated so random audience shots for half a minute or so before being treated to Emily interviewing a very French fan called Benoît.

This is so non-competitive that I've started to like this in the past few days. Bless.

23:23 Recap 1

23:35 Interval act

No, the recap did not last for 12 minutes - I missed a few minutes heading for my hotel - I end up in the broadcast when I see Ruslana and Miriana Conte perform Slimane's Mon amour. Then it's Euphoria.

Next we get Alexander Rybak doing Celebrations. Silvia Night's version or Cliff Richard's? I won't spoil it all. I quite like it when Jeremy chastises me.

Queue Waterloo performed by Erika Vikman.

Then Volare performed by Verka Serduchka.

(I could be making all this up and you would just have to believe me.)

Apparently we've had 1,789 songs thus far.

23:40 Recap 2

23:44 Hosts advertising official merch

Pretty solid pun with Michael saying "no no later" as Non ho l'età.

23:46 Interval act 2

Parov Stelar. Think DJ Bobo but less fun. And longer.

23:50 Professor Eurovision (again!)

Asking: how does the voting system work?

Nerdy and much more to my liking, highlighting the 1969 and 1991 ties before clearly explaining how the voting works this year, also explaining what it means and does not mean to score 0 points in the public vote. Neatly done, I have to say.

23:54 Recap 3 (in reverse order)

23:59 Lines are closed!

23:59 Interval act 3

We see an interview with Billy Joel about this song Vienna.

Then we see Vienna performed by... Cesár Sampson.

00:06 Interval act 4

Set to an instrumental version of Conchita Wurst's Rise Like a Phoenix, who we have not seen or heard at all here anywhere the past week, a very quick overview is shown of all winners of the past 69 editions. In the final notes, Michael says "Here are the results".

00:07 Voting time!

The hosts are on stage this time, no longer in the greenroom. Michael has dressed up a bit but still shows too much chest.

We're not allowed to make recordings of any kind of these broadcasts, but I can describe it.

It's a step up from last year's monstrosity and almost a return to what we saw in 2024: the full scoreboard is shown the entire time with on the right-hand side of the screen the spokesperson and below the hosts. The hosts disappear when the topscore is announced.

The points 1-10 are shown on the full scoreboard immediately... but it doesn't adjust for the points. It only does so after the 12 points have been announced, and very slowly.

Also, the rankings which were visible last year and were the only good thing about that scoreboard, have sadly disappeared :(

That was it from me but I have one more thing to report on...

Predictions

How to predict this??? I will be very wrong but here it goes. Countries listed alphabetically per group of five placings in the total ranking. I predict France to win the jury vote and Israel the public vote.

1-5

Australia

Bulgaria

Finland

France

Israel

6-10

Greece

Italy

Moldova

Romania

Ukraine

11-15

Albania

Croatia

Czechia

Denmark

Poland

16-20

Belgium

Cyprus

Malta

Norway

Sweden

21-25

Austria

Germany

Lithuania

Serbia

United Kingdom

An intimate morning with Martin Green CBE

 

We need to talk about Martin Green, director of the Eurovision Song Contest.

This morning, he held a Q&A event with fans, OGAE representatives and accredited fan media outlets, this year called "Specialized media". Of course, I attended. Some things that were said were interesting. Some things that were not said were, of course, more interesting.

In a packed conference room of the Wien Museum, Green answered questions from people present and Rob Lilley-Jones, host of the Euro Trip Podcast. People could scan a QR code and put in questions, of which a few were picked.

A question on the meeting of the former ORF president with the Israeli president was prominently featured as one of the top rated questions for most of the event, but was not addressed.

Nevertheless, Green offered some insights, summarised below:

• There was no direct vote on the participation of KAN at the EBU General Assembly in December last year as this has led to 'discomfort among several broadcasters'. The initially announced vote was cancelled in light of the Gaza ceasefire in October last year. Green also highlighted the precarious independent position of KAN as Netanyahu threatens to privatize it, which would also lead to their EBU membership (and thus Eurovision participation) revoked.
• He is "supremely confident" in the current voting system and has seen "no evidence of disproportionate advertising this year"
• He gave a few insights into voting patterns, highlighting how "most people now vote between one and five times, and for several countries". In the near future, he wants to have the public vote co-ordinated entirely through the Eurovision app, but national legislation on public televoting complicates this considerably.
• The preparations for the Asian spin-off in November are going "really well", with various participating broadcasters now present in Vienna to check things behind the scenes.
• Regarding further expansion and returning countries, he said Canada's CBC is mainly interested in joining the EBU as a Full Member with Eurovision not the key priority - and regarding a potential return of Hungary, he simply said "If it happens, it happens."
• By the end of this week, we will have more info on JESC. (Right now, no host country has been announced for the next edition.)
• He does not believe participation fees will go up next year as there is "a robust opt-in model" among broadcasters. They also want to have more revenue from ticket sales and merchandising to ease participation fees for broadcasters.
• Finally, he mentioned the Eurofan thing on Eurovision.com as a "great engagement tool" that is definitely "not Big Brother-y, but just a better way for fans to have a say". Make of that what you want.

When asked about possible outcomes of an Israeli or an Australian victory and other aspects related to the future of Eurovision, Green refused to comment several times, stating how he "does not want to talk about the outcome in any way".

The title of this blog post was not chosen randomly. When the moderator introduced a question on sponsor MoroccanOil with saying "This is something that many of us in the room are wondering", Green cut him off and said, and I quote literally (and I have it recorded), "Do you want it in inches or centimetres?".

This brings me to my conclusion: for someone who is actively disliked by many in the fandom (or so it seems at least), I must admit that he is not shy or hiding away. He is in the media centre all the time talking to journalists, easily approachable. During the Q&A he cracked several jokes which were crowdpleasers. He is a very smooth talker.

Please don't get me wrong though. I am not defending him - I still believe that under his auspices, the EBU and Eurovision organising body have made several key mistakes that have brought the Contest in the mess it currently finds itself in.

But at the same time, as counterintuitive as it may sound, Martin Green CBE does his public job very well. Even if he himself believes that some or most of what he says doesn't make a lot of sense necessarily, he does it well from a public speaking/PR standpoint. And that, I have to admit, is something I ultimately respect.

But please one person one vote okay thanks bye Martin xxx

Semi-Final 2 - 2nd Dress Rehearsal + Predictions

I want to return to the elephant in the room.

Auri let me know that he is not in any way offended by being referred to as an elephant. I know this because I asked him. I didn't *quite* understand his muffled cries completely but assume it's all good. He kept shrieking the colour green in anguish. I wonder what that might be all about. We'll never know for sure.

After someone chastised me for not giving sufficient warning to the show's contents, and after I was unfortunately unable to liveblog this afternoon (I was doing something else), I will be providing you with a detailed account of the jury show for Semi 2. I will include a full breakdown of when you can expect what in the show. That means: spoiler alert!

I can already inform you that Taylor Swift is no more... being played in the media centre. Instead, we now get a recap of all Eurovision winners from 1956 onwards. Several times a day.

Eröffnungszeremonie (21:00)

The show opens with Wasted Love... performed by our hosts of the evening in a clearly prerecorded segment. Of course, everything goes horribly wrong as they try to mimic JJ's Eurovision performance from last year. They nearly kill themselves multiple times and one can only hope for someting to go actually wrong at some point. I really hope Austrians find this funny at least.

The hosts then arrive on stage, in the ruins of JJ's stage performance and 'injured'. They also welcome an assistant in the greenroom as if we are supposed to know who she is already. I think her name is Emily? Not in Paris though. Viennese café, remember. Suuure.

More French language jokes. Mais oui.

01. Bulgarien (21:08)

Dara has four dancers who struggle to do their make-up and look somewhat like clowns. It looks daft initially, but then develops in a very slick visual and vocal performance. The five of them perform from what looks like a class or a waiting room until the final part of the song when they are on the main stage.

It's very impressive in terms of choreography, staging and camerawork. Again a solid start to a semi - the producers clearly know what they're doing in terms of running order this year. Dara's singing and dancing is truly mind-blowing.

02. Aserbaidschan ((lol)21:12)

Jiva starts all alone on stage in front of a screen with curtains, failing to hide the gigantic LED screen behind her. Our second performer also has weird make-up, but there is nothing else remotely memorable about this whatsoever. Which is truly a shame. In 2011 or so this could have worked quite well.

She switches to Azeri in the second chorus where she is joined by a man who casually walks on stage before being pushed away by Jiva. He just makes some weird movements on stage instead for the rest of the performance as if he is having a stroke.

She ends with thanking Austria and saying pussy. Mrs. Slocombe is unanimous in that she does not approve.

03. Rumänien (21:16)

Alexandra's performance starts beautifully, very dramatic with the wide strings attached from her outfit to the guitars of the two gentlemen joining her on stage. I'm not sure what the purpose of the White Lady is making a few random appearances but it looks pretty cool.

Impressive camerawork and overall very good vocals from Alexandra throughout but yet this still feels a bit... empty? It's not fully winning me over yet but it could very well do so later.

04. Luxemburg (21:21)

Eva Marija is very nervous tonight and you can hear and see it. Might be sound issues. She's all alone on stage which wasn't the best idea. They very clearly go for the effects onscreen and in the LED screens behind and below her to make it look visually appealing. The choreography is definitely there, and of course also the violin.

But it all falls rather flat unfortunately overall. It's all very endearing, but I doubt this will pick up many points across the board.

05. Tschechien (21:25)

Daniel is also alone on stage, but actually has a proper staging going for him, which makes it look like he's not alone. He's surrounded by mirrors which work very effectively and are constantly moved to create an array of neat optical illusions. This looks especially beautiful in the second chorus where the light design is also on point. The big climax is on point vocally, but I find this latter part rather disappointing visually. I'm very much torn on this one.

Michael Ostrowski 'slipped into something more comfortable' with a lot of feathers and now sports an offensive French accent, 'Allo 'Allo style. Guess which country is next? (21:28)

XX. Frankreich (21:30)

Monroe starts alone on stage dressed in white before being joined by five dancers dressed in black. She looks and sounds amazing. How is she only 17?

The kitsch factor is incredibly high with this and it's mainly vocal acrobatics, but by God, it works so well on screen. Awesome light design and use of smoke throughout the choreography.

This can win, peeps.

We are treated to another Professor Eurovision segment, asking the question: Why are there only gays at Eurovision? Yes, really. That's the literal question asked by a 'student'. Apparently Dany Dauberson (of France 1956 fame) lived with a female 'life companion'.

The segment literally ends with Victoria saying "I hope we can replace all letters in LGBTQIA with just one. H. For Human."

I'll stay polite: I appreciate what this tries to do. (21:34)

06. Armenien (21:38)

Simón (no need for the diacritic there whatsoever) starts with his five dancers and post-id-dotted jacket inside an elevator, quickly making their way onto the main stage. From there on, it's less coherent than I had thought this would be.  When the song is played at 2.5x speed he loses the jacket and invites Europe to 'go crazy' with him. Very cool visuals and use of light design in yellow, white and black. But I'm honestly not sure if this is very good or a total car crash.

07. Schweiz (21:41)

Veronica starts all alone in dark with a very long microphone thread that she appears to have stolen from Alexandra. During the first chorus this develops with some white added to it.

The second verse sees the introduction of four dancers wearing red strings and some hideous camerashots with *two* camera people visible at the same time. From the second chorus onwards the five of them move around in a red tangled web of which I'm not very sure what it is supposed to represent. The guitar solo shot looks really cool with Victoria caught in the web behind her.

I don't get this at all - but I think I like it more than I had expected.

Michael Ostrowski (who is wearing the same ensemble as on Tuesday although in a different colour) discusses becoming a 'eurofan', merely intended to promote Eurovision.com. He highlights that Cyprus holds the record for most appearances without a win, which is always nice to stress of course. (21:45)

08. Zypern (21:47)

I'm typing this while laughing obnoxiously in the media centre. Gurl can't sing to save her life but gurl is hot and mother nature, she knows.

Visually, everything about this is gorgeous though, including a Fuego shot in the bridge. The giant table works very well and the camerawork is amazing. I'm getting Quero ser tua vibes from this, and fear a similar result.

Fun fact: a journalist told me he overheard Antigoni telling a waiter at a restaurant that she is, and I quote, "allergic to vegetables".

Michael Ostrowski (who is unfortunately wearing the same ensemble as on Tuesday although in a different colour) introduces the host entry. This man seems incapable to speak at a normal level. (21:51)

XX. Österreich (21:53)

The host country needs more time; we get 30 seconds of audience shots after the postcard before the song starts.

COSMO (of Fairly Odd Parents fame) starts laying on the floor with four dancers, getting up towards the end of the first verse. The outfits from the national final have been upgraded but the first part of the performance aside, this also very much looks and feels what we saw there before. Silver is the key colour.

This is something the producers would put first to open the show to keep the show 'family-friendly' as it is quite childish in an endearing way. Cosmo is very nice and enjoyable to watch but it's more of a JESC thing - today walking outside the media centre I saw some children who were singing this very loudly, which I found so cute. But I'm not the demo for this, and I fear most adults watching won't be.

Austria has scored a total of two points in its two previous hosting gigs combined in 1967 and 2015. I wouldn't be surprised if that total remains unchanged.

09. Lettland (21:57)

Honestly, I'm not getting lazy, but the best way for me to describe this is: watch the national final performance. It's a virtually identical copy of what we're seeing here.

Atvara makes it all seem so simple and effortless. I appreciate this more than I like it, but genuinely hope this will qualify.

10. Dänemark (22:01)

A third consecutive performance that is clearly inspired by what we saw before in its national selection, but this one has clearly been upgraded. The visuals are different, and the choreography has also been altered to make it run more smoothly for Søren to be introduced in the box with his five dancers.

Uh-oh: he doesn't make the high note in the bridge convincingly and appears to be short on breath. I personally love this as a package but think I've seen him perform this better. 

Fun fact: earlier tonight I ran into Tim Schou (or at least someone who looked a lot like him) at a nearby döner shop. He smiled at me. I pretended to not know who he was.

Time for a second break where get various clips from artists reacting to their first time on stage and their first rehearsals. It's a very nice montage, doing what it has to do (aka filling time). They play Euphoria in the background. (22:05)

11. Australien (22:09)

We first see a harp being played before panning to Delta, surrounded by a moon-shaped prop behind her. Her outfit must be heavier than Salome's. She looks and sounds stunning. I am rapidly becoming a Delta Goodrem fanboy, please send help.

During the second verse, the stage looks dark red as she walks towards a piano on the centre stage which she 'plays' from then onwards. They needn't have asked for permission to play live. This is where the song comes to life, but the performance falls flat. We have another case of ACPPS or, as I call it, Autonomously Continued Playing Piano Syndrome as she walks away *in the middle* of the piano bridge.

In the final part, when you think it wasn't kitschy enough, she is literally lifted on stage on a small platform as fireworks fall behind her. This is chef's kiss, if only for future parody purposes.

12. Ukraine (22:13)

Leléka went for a totally different vibe in terms of look and feel than in the national final. She is joined on stage by a man playing a local instrument (I'm sure PhilC has the name of it in his excellent blog, but I'm not as well prepared).

This may be the most forgettable Ukrainian entry... ever? I forget what I'm seeing during the performance.

I'm honestly in doubt if this will even qualify. I don't see audiences going for this (diaspora excluded) and juries may punish that high note which is just impossible to reach.

In *another* break (as the UK needs *a lot* of prep time for all their enormous props), we see COSMO being interviewed by Victoria in the greenroom. She says "This is your applause" as if it's something people use in English and it isn't directly translated from "Das ist dein Applaus" in German. Michael now sports a leopard skin-patterned scarf. Don't say I don't update you about the show essentials. (22:17)

XX. Vereinigtes Königreich (22:19)

Honestly, I'm not getting lazy, but the best way for me to describe this is: watch this MGP 1988 performance and just add three more of them along with Look Mum No Computer, who is frantically running around the stage between them shouting in lieu of singing. This actually works a lot *better* than I would have expected - but it overstays its welcome quite a bit.

I don't think this is entirely DOA - I could see the Italian jury giving this 12 points easily.

13. Albanien (22:23)

Alis wears a dramatic silver robe. Dramatic is the word that I would use to describe everything about this. I'm watching it and I'm fascinated but also, strangely, bored. Mothers are projected on the screen to labour the point to its capacity. Alis ends surrounded by gigantic wings projected behind him and his mother joining him on stage. Watch and learn, Axel Hirsoux.

It's all a bit... overblown? So many acts in this semifinal went very big and all out and it's all a bit much for this poor blogger to take in.

The song is subtitled in English in its entirety which I'm honestly not sure is a great approach as it might distract from the performance - and not everyone speaks or understands English, after all.

14. Malta (22:28)

Essentially, like other countries tonight, this isn't that far away from what we saw in the national final - but like Denmark, the Maltese performance has been rethought and revamped, to its advantage. The intimate projections of the one dancer are now a swirling effect - and swirling is the word that I would describe everything about this. In the last minute, which is one shot only, Aidan is twisted and turned, blasted by a wind machine and surrounded by subtle yet gorgeous light projections standing in a gigantic circle.

It's all neat and nice, but I'm still not entirely convinced - the billboards all over Europe could push this over the edge.

15. Norwegen (22:32)

Honestly, I'm... pretty tired at this point, not gonna lie. Eurovision week wears one down. But again, this is almost exactly what we saw in the NF. Which is good, because it worked there very well already, so why change things around? Jonas is such a captivating performer, lifting this rather pedestrian song. A solid closer for the final that I can see ending top 3 tomorrow night while not making the final top 15 on Saturday.

22:36 Time for recap information. The lines are opened by a watch party in the UK (in a town/city called 'Woostah' or whatever? Probably spelled Worchester), which is a cute touch. Then it's time for our first recap.

22:43 After recap number one:

No one: ...

Michael: starts singing I'm So Excited by The Pointer Sisters. Later, Victoria joins him. They do the whole song, with a ton of dancers.

Warum nur, warum?

Immediately after this, recap two.

22:49 Michael asks around from what country people are in the arena. Victoria walks on stage and mentions how her boobs are falling out (literally).

They invite all audience members and artists in the greenroom to do a Viennese waltz, to Merci Chérie. I swear that my Udo Jürgens reference above was random, but it works out neatly.

It's like they threw out the script and had to improvise something on the spot at this point.

After this, the lines are closed by a watch party somewhere in Estonia.

22:54 Time for round two of the Eurovision quiz Douze points. The commentators from Norway and Denmark play against their British counterparts. I won't spoil the final outcome yet to leave something to imagination. (I'm mostly zoning out.)

23:01 (Yes, the quiz takes *seven* minutes. That's the length of the entire 1970 voting sequence.)

After promoting the official merchandise, JJ performs his new track, Unknown. It's okay. A lot better than Nemo's and Loreen's follow-up performances, at least.

23:05 Ah, Michael put his scarf on again. We're treated to a reminder of the already qualified songs.

23:07 The random person introduced in the very beginning, two full hours ago, and has not been seen or mentioned since once, is now out of nowhere seen interviewing Bulgaria's Dara in the greenroom - or her male stand-in tonight, at least. Who is this interviewer? Where did she come from? Where did the actual Dara go to already? Sag ihr, ich lass sie grüßen. No, I could not resist that one.

23:10 Time for the qualifier reveal. Song-wise and performance-wise this show is way more all over the place than semi 1, but at least it's a bit more coherent in terms of timing.

Now ending with my predictions... This semi is a hot mess and will be everyone's guess in terms of results. I expect to be very wrong here. Also, mind you, I was convinced Belgium wouldn't qualify on Tuesday.

The Yays

Bulgaria works amazingly as an opener. I see this as a likely winner of the semi, even.

Australia will be rewarded for its OTT-ness. And it's Delta Goodrem.

Norway works amazingly as a closer.

The Probablys

Romania would deserve to go through for their effort, but I'm still not entirely convinced, hence its placing.

Czechia would also deserve to go through for their effort, but I'm also still not entirely convinced, hence its placing.

Latvia will likely also be showered with points by the juries and should have a decent showing among the public.

Denmark would be my main guess for a shock non-qualifier, not helped by its not-so-flawless performance tonight. I still expect this to make this, though.

The Maybes

Armenia might be too hot of a mess to make it, despite the abs.

Switzerland would be my main guess for a surprise qualifier, predominantly thanks to the juries.

Cyprus will need televote support from drunk Love Island fans. But do they watch the semis?

Ukraine finds itself shocked to be positioned only here - but it's all so lacklustre that I haven't been this much in doubt for their chances since... ever?

Albania might also be too much of a good thing.

Malta could also go either way really - I can see this top 3 in the semi, but also 14th. Honestly, I'm clueless.

The Nays

Azerbaijan is doomed.

Luxembourg also appears to be pretty chanceless in this field.

... So yeah, almost anyone's game! Thanks for following along and enjoy the show tomorrow!

Semi-Final 1 - Predictions (+ A note)

We need to talk about the elephant in the room.

Of course, I'm talking about Auri, this year's mascot.

He was introduced during the first media briefing yesterday afternoon in the media centre. I genuinely think he's cute and hope we will see him at some point during the live shows. No appearance during semi 1 from what I could gather unfortunately, but we have two more shows to go after tonight.

Speaking about tonight, here are my qualifier predictions. Last year I was convinced Portugal would end last in its semi, so take that into consideration when reading further.

The Yays

Moldova works amazingly as an opener.

Greece gives us the best performance of the night in my humble opinion and will be rewarded for it.

Finland will qualify by default.

Israel will qualify by default too. Also, see below.

Poland delivers the best vocal performance of the night. This was my #34 before. Never change, rehearsals!

Serbia works amazingly as a closer.

The Probablys

Croatia gives us all the drama we can take in this year (oh, my sweet summer child...)

Portugal ought to make it (now watch them fail) for the contrast with the previous performances alone.

The Maybes

Sweden risks doing a Red Sebastian.

Lithuania will need all the jury support it can muster.

San Marino will get the camp vote, but its appeal is limited.

The Nays

Georgia falls completely flat, in every meaning of the word.

Montenegro just doesn't have a lot going for it in this field.

Estonia will only get appreciation from the wine mums.

Belgium tries its best, but it's just not good enough.

***

And to end, a personal reflection.

I am here in Vienna as accredited press for Songfestival.be. We months ago decided to cover Israel only when absolutely necessary and adding a disclaimer that we respect broadcasters' decisions to keep KAN in the Contest while being against it ourselves.

This was a compromise reached within our team, where we of course also have an array of different opinions.

Here is mine.

A broadcaster representing a country that commits war crimes has no place in a light entertainment show, especially not if it uses it for soft political gains through pinkwashing and intense lobby campaigns.

This is why, in this blog, I will not contribute to Israel's further normalization. I fully know and acknowledge that my individual actions in this nicher than niche blog have no meaningful effect in any way.

I blog here for my own pleasure, and hopefully that of some of you too. If this reflection ruffles your feathers, I of course fully respect that. But for me, this is integrity.

***

That was heavy-handed! Sorry for that! Spoiler alert, but the opening clip for tonight's first semi is already on YouTube. And I honestly believe it is a tearjerker, reminding us all why we love(d) this crazy thing called Eurovision. Enjoy <3