[LIVE] Semi 2 : Dress Rehearsal 1 - live reporting

That's it for this rehearsal, people!
Was really fun to see how everything clicked together.

Me signing off!!

OUTRO
The 10 winning songs are being shown once more.

GOING THROUGH
-Israel
-Serbia
-Bulgaria
-Belarus
-Malta
-Ireland
-Austria
-Croatia
-Romania
and finally...
-Switzerland!

FAKE QUALIFIERS
Volodymyr announces Jon Ola Sand as the Mr. Miyagi of Eurovision. Does that also mean he can catch flies with his chopsticks? Before Eurovision once again turns into a cut-throat business, Volodymyr reminds the performers how amaaayzing they are and how great it is that they were allowed to perform in Kyiv.

INTERVAL ACT
The interval act is something dance-y. It's all very interpretative but looks slick because everyone is wearing black clothes with some red ribbon accent. In background of the predominantly percussion backtrack you can hear female voices singing Tatar-style melodic lines. Ukrainian horns warn us of Ruslana's arrival, but luckily for us, for the time being, she's not showing. Then it all ends.
Before we are officially introduced to the leftover finalists for next saturday, Timur gets to chat to Belarus.

VOTING COUNTDOWN
'They say time flies when you're having fun' Time was very slow today, I felt. Maybe there's a button to speed up time in a special app. The Eurovision App isn't the one though. After the countdown, they're talking to Macedonia.

VOTING REPRISE 2
Just before the second reprise Poland is being interviewed. Nothing earth shattering happening here...

VERKA II - The Rise
We now see Verka and mom live the independence of Ukraine, Dana International and eventually her taking part in Eurovision. Again, some of the years mentioned in the captions don't add up, but don't let that spoil your fun watching this.

VOTING REPRISE
Oleksandr and Volodymyr are bantering away as their life never depended on it. In any way the reprise soon follows.

HOST COUNTRY: UKRAINE
O.Torvald are bringing their show with gusto. They really enjoy performing out there. A bit screamy here and there, but I'm glad this type of song is in this year's final.

BIG FIVE: GERMANY
Same story for Germany in the camerawork department. But at least it starts really interesting enough. Sadly it quickly descends into dullness. Although I really like the stark architectural backdrop they've gone for, I feel a splash of ONE extra colour could've lifted it a bit. In this run there was new pyro too.

BIG FIVE: FRANCE
Alma is a bit breathy in the English bits during the first chorus. I feel that the camerawork could've been much tighter on Alma. The graphics are impressive in themselves, but do nothing to emphasize or help how amazing the song is. Instead it's almost off-staging the French entry.

ISRAEL
Imri's big hurdle throughout all of his rehearsals has been getting the vocals right. In this rehearsal he's much more in key. Occassionally 'just' getting away with sloppy singing. But dancing and singing at the same time is a challenge after all. If he repeats this in 6 hours, he'll be qualifying with ease.

ESTONIA-AH-A
What can I say, I love the 80s throwback. Koit seems to have finally mastered his cues and the entire thing is, to paraphrase mister Sofabet, a Telenovella fest. And they'll all repeat it on Saturday.

LITHUANIA
Victorija is wearing very long razorsharp white fingernails. If she would have a blackboard she could torture us all by scratching those of it. Instead she's singing her song. She sings it well though, and it's well performed. Well, as in, fully committed to annoy us for three minutes.

BULGARIA
I wish Kristian would stop hiding his mouth behind his microphone. Just keep it a tad lower. Still not sure of the line graphics that appear on-screen. I don't feel they add much. The more I hear the Bulgarian song, the more I feel it's a dull dirge. But he's quite good, being such a young singer.

BELARUS
The sound mix is off here once more. The male voice sounds much clearer. Kseniya is also a bit more shaky on the vocals. I would so love this to qualify, but they will need keep everything much tighter.

BREAK
Timur again singing his prepared script.

SWITZERLAND
That yellow... thing. Someone get me a bucket of anthracite gray paint now. Vocally she's fine, though in the high notes she clearly lacks power. Or confidence. I like this song in fact, but the dress isn't helping her. After the bridge, she tries channel Mariah, but sadly only Isaiah shows up. Luckily only us press center fanalists are the one subjected to it. Gosh. Not sure about this one.

NORWAY
Joust and his song 'Grab The Moment' is of course the streetcred that Eurovision has been craving ever since the mid 70s. However after Croatia it just seems a bit too mellow. The boys themselves are doing it fine, but I feel myself getting annoyed by the long fast sweeping cameracrane shots. Also not helping Norway's chances is the mumbling during the bridge. At this point in the show, it comes across as filler.

CROATIA
If San Marino was the appetizer in the car crash department, then Croatia is a full-on three course meal. But I adore it. Hope it qualifies, because I feel saturday night needs this. To be honest, I don't think Croatia's camerawork has improved since the last rehearsals. Still Jacques pulls it off. What 'it' is exactly, still remains to be determined.

SAN MARINO
They are very good! 'Nuff said.

IRELAND
Brendan is not doing well vocally. He sprinkles his performance with singing 'just' under the melody. The backing vocals are also all over the place. He was MUCH MUCH MUCH better during last rehearsal session. At least he's a way better body language performer than some of his age cohorts in this competition. It felt as something was wrong in the sound mix.

DENMARK
The backing vocals open the song a capella and the vocal balance is not there. The female voices in there just sound too shrill. Anja is moving professionally on stage, selling the song well. A bit slippery on some of the end-notes, but she's a great singer anyway. Songwise it's such a shame, just because she is so great. Pyro-curtain to end off the song.

HUNGARY
Joci Papai still looks a bit 'Blanche-y' when he starts his song. But I feel that he, just like Blanche, seems to have found his comfort zone on stage. And at the latest by the rap bit he's actually winning me over with his performance. Happy for him, but not feeling the song. But that's only me.

BREAK
Gosh. Timur's English is horrible. As he rambles off his Eurovision facts, he sings his phrases in a totally artificial manner. Luckily his bits are being kept to a minimum.

NETHERLANDS
Talking about vocal powerhousing. Although one of the sisters starts a bit early. The trio seem a bit more nervous than they have been throughout rehearsal week. And it's a bit audible in the voices. By the bridge they've all composed themselves and are vocally back on track. I seem to have noticed a few faintly flat notes. But nothing to be worried about.

ROMANIA
Finally! It's Romania. And nothing too soon. Not really fond of Alex's sleeveless jacket. Nor am I wild about the child letters that spell 'Y - o - d - e - l - i - t' on the big screen. It's harmless, unpretentious fun until the bridge, where they show that vocally they mean business. This is sailing through.

MALTA
We got the wrong credits. Those of Romania.
Claudia still has her breasts projected on the gigantic videowall behind her. This is Slovenia 2017 territory. Competent, yet somehow sleep inducing.

MACEDONIA
Macedonia's postcard has a bit 'NOT FOR AIR' message slapped over it, meaning this isn't the definitive version for the show tomorrow.
Backings aren't pitch perfect, but to the untrained ear they'll sound okay. I think Jana is doing well in this rehearsal. The entire package isn't in the top tier though.

AUSTRIA
Nathan is his impish self throughout the entire performance. I feel that he'll go full on energizer bunny once the arena is filled with a responsive audience. For now the rehearsal is almost faultless. A bit slidey on the wailing, but apart from that smiles all round.

SERBIA
Tijana starts and the sound mix in the press centre is off. The music sounds way too harsh. She looks great this rehearsal. I wonder if the hair will stay the same. Vocally on the cusp of being shouty, but still powerful enough. Ok, now she does cross that line into shouty territory. She ends her song with overemphasizing the last 'p' in deep.

INTRO
The host boys are on stage now. Oleksandr takes the word. And again the guys try to be funny. They'll get it right by tomorrow evening. Also, they're still heavily relying on their cue cards.

Next they 'freestyle' with some musical instruments. Oleksandr is quite good with his flute. Volodymyr likes to handle an accordeon.

Hahaha! They're Ukrainifying some of Eurovision's best known hits. :-)
Awww... a glitch in the sound tape and they have to restart. Volodymyr calls out for his accordeon. Henrik keeps his cool as always. They restart.

Oleksandr's flute is called sopilka. Whatever you say Oleksandr. But keep playing it please.
So, the Eurovision hits... first Euphoria, which is actually quite nice and epic in traditional music style. Next up is Fairytale, which already sounded quite folksy. So not too much of a stretch there. Third hit is 'My Number One'. Think the male choir in 'Moja Stikla'. That kind of singing.
Wow. Even 'Rise like a Phoenix' gets a treatment. It's nothing short of impressive! I like!

As this is the first dress rehearsal, they get to do this intro act a second time. As the production team sets everything up for the second go, Oleksander occupies himself with the logistics of swapping his musical instrument with the cue cards. Quite ingeniously he suggests that one of the Ukrainian grannies has them stuffed in their skirt. It sounds more ridiculous than it is, really.

During the second go, 'Rise like a Phoenix' gets pyro during the final.
A few more hiccups in the transitions - The choir has to leave the stage immediately. But that's what rehearsals are for. Did you know that you can vote using the Eurovision App? It's like a Eurovision party.

16:05
The show starts with traditional dressed young Ukrainian ladies similar to Semi 1. I 'think' they're different but I can't be sure.

16:02
Still waiting. What did I rush for?

15:57
Right. So a bit later than usual.
I'm by myself this afternoon, so it won't be a verbatim report. Only the stuff worth mentioning.
Think performance, camerawork and the likes. For a description of the postcards, well, you'll have to wait for a bit more than a day.

The not-press opinion - FIN, GRE, MLD, HUN, CRO, NED, ARM, SMA, RUS, CZE, CYP, AUT, EST, AZE

OK, this was it for me. Nothing to do with Samra and my ears. If you want my opinion and some (badly written) info on the rest of Semi 1, refer to my previous blog post. If you prefer well-written posts, then try the other bloggers of this website. Will be back for the other semi and the songs I missed from them.

Azerbaijan

First live performance, like in the actual stadium, ever for me was Samra Rahimli performing amazing Miracle. Certainly not the wisest choise I've made. But since I really love the song... And then again, she improved each time, also having very weak moments though. Loved the pyro show in any case.

Estonia

I expected something darker from them, but instead they went city-lights and Casino Royale. The camera closes in on him and then there's some prop with a card appearing and disappearing a couple of times, before he throws it to our direction. The end shot is a close-up on his face, but he obviously doesn't know what to do with it. He tries to be still, then smiles, then does a half-wink (like something is irritating his eye). I need to see this once more to be more descriptive.

Initial shots are well thought of, he appears to the right side of the screen before walking towards us, while the camers pans from above. Some far shots are closing in on him from the side. He has some issue timing the hand moves, they are looking a bit weird. Far shot closing ing again for the second verse. Camera then rolls around him slowly. Then he does the card thing. The card is thrown better this time. A nice red spade/heart shape on the floor. Nicer ending shot.

Austria

Long break followed Cyprus, I think we won't see this many times actually. Camera zooms to her smiling face. Then approaches her again from afar as she's walking towards us. Another close-up during the first en chante. She's a bit breathy. Many close-ups again, usually zooming out and showing the wonderful flowery backdrop. It comes across very optimistic, but then she misses some notes and the feeling is gone. Camera switching from far to close shots regularly. Then some more mid-distance ones. For the last sentence, it zooms out quickly. From some point on she looks really straining with keeping up with the notes. Not very sure about this.

Last run and nothing much changed. A cute thing is her interaction with the backdrop during the second verse, where moving her hands creates red roses in the back. Vocals again a bit strained (but then this is her third run, so she is tired). For the bridge, the camera rolls around her and she makes good contact with it. The last part was really shouty and strained unfortunately. Must improve to qualify, I see it just missing out as it is now.

Semi-final 1 betting guide: Bets are like thunder*

Sure, you've made your predictions, but are you ready to put your money where you mouth is? Ahead of tonight's semi-final, I'm going to take a look at some of the betting odds available for various outcomes, and see if I can identify where the value is.

The odds I quote below are likely to change in the run up to tonight, so, as always, oddschecker is your friend.

Firstly, who will win the semi-final? There seems to be strong consensus from the press corps that it's between Estonia and Russia, with Russia nosing ahead quite considerably in recent days. If you're in agreement, the best odds you can get for Russia to win the semi is 1.83, at William Hill - this means that if you bet £10, you will get £18.30 back (i.e. £8.30 profit). On the other hand, if you feel Stig and Elina's duet will top Polina's big ballad, you can pick up odds of 4 at either William Hill or Boylesports.

With two such clear frontrunners, perhaps the more interesting money is available for a top 3 finish - i.e. who will come 3rd? 3rd place in the semi-final can often be something slightly surprising that then fails to score highly in the final, and therefore the front runners here (after Russia and Estonia) of Georgia (2.25, 888Sport), Greece (2.25, unibet) and Romania (3.5, bwin) would all seem worth a punt. Albania have fallen from grace during the rehearsals, and their odds of 3.75 (bwin) for a top three finish seem rather stingy. On the other hand, if you want to win some relatively safe money, you could opt to bet on Russia or Estonia to come top three. At odds of 1.18 and 1.4 respectively, you won't be making much, but if you're confident, it's effectively a very short-term-high-interest rate account!

Bear in mind of course that you won't see any of your winnings for winner/top three markets until the full results are published following the final. If you want a more immediate return, the place to look is the qualification market.

Most of the bookies are offering qualification odds, though there's considerably less value to be had than in previous years. Finland are one who have really fallen in recent weeks, and you can get odds of 2 (i.e. doubling your money) at Skybet or Ladbrokes if you think they'll make it through. I'd also argue that Denmark (1.91, Coral) could be worth a punt - they've often done rather better than fans expect, particularly in semi-finals. The biggest outsiders in the qualifier market are Netherlands (3.6, Boylesports) and Moldova (3, various sites). They're a risk, but as I wrote in my prediction piece, I do think there's a chance either of them could make it - and anyone who was brave enough to bet on San Marino or Iceland last year made a tidy profit.

On the other hand, if you're a negative person like me, there's fun to be had in the not to qualify market. I'm still quite sceptical about Armenia, and there are odds of 3.75 (at Skybet) if you feel that six people all shouting different songs at the top of their lungs won't engage with Europe's voters. And if you're not convinced Belgium is really connecting, Skybet will similarly give you 3.5 odds. And if you're crazy enough to think Russia might somehow fail to reach the final for the first time ever, Skybet will give you odds of 26 to throw your money away.

If you're serious about your betting, it's worth already thinking about the final. If there's a song you have your eye on tonight and you think you might want to take a punt on it making the final Top 10, Top 4 or even winning the whole thing, it's worth placing that bet now. After tonight you'll have a much better idea of its chances - but so will the rest of Europe. The people who won big on the Common Linnets and Conchita last year were those who were brave enough to place their bets before the semi-finals. I'll be taking a closer look at these markets closer to the final, but if you think that, for example, Georgia or Greece might be an outsider for the top ten, it could be worth getting on the betting sites now.

That's just a brief overview of what's available tonight - do have a browse on oddschecker, and do feel free to post any betting-related questions in the comments below and I'll do my best to answer them.

(* no, I know they're not, but then neither's time. Go complain to Belarus.)

"The same countries qualify every year!"

It's that time of year again, the time when fans from around the continent complain that the fact that their favourite song didn't qualify means that Eurovision is all a fix, that SVT planned it for their own favourites to succeed, and that neighbourly and diaspora voting means that some countries always get through, and others never had a chance.

What a load of rubbish.

Firstly, the Nordic countries. Though they have a strong record, it's certainly not a given for any of them that they will make it to the final. In recent years we've seen high-profile casualties like Stella Mwangi and Anna Bergendahl missing out, and Finland tend to only qualify one year in every two.

Much of the fire for this criticism has come from the result of the Israeli entry, which was a surprising non-qualifier last night - and it was Israel's third non-qualification in a row, a fact that has prompted fans to assume that Israel will never get through, whatever they send. This ignores the fact that they had had three straight qualifications prior to that, and that the songs they sent in the last two years were either poorly performed or just plain inaccessible for the contest.

Going through some of the others, it's particularly unbelievable that some fans are crying foul and claiming that the same countries always qualify in a year when both Belgium and the Netherlands have made it to the final. For once, both sent strong songs with good performances, and were justly rewarded.

That's the underlying thing - it's about sending a good song and a good performance and being rewarded for it. Yes, there are countries that 'always' qualify, like Azerbaijan, Russia and Ukraine, but they are also countries who take the contest most seriously and put a huge amount of effort into their song selection and staging. They've never seemed unlikely to qualify for the past few years, simply because they've always entered sure-fire qualifiers.

On the other hand, one could argue that they 'always' get through because of geographical and neighbourly voting. Of course, this does play some role, but it's simply impossible to argue that all the ex-Soviets will always qualify thanks to friendly votes. Take Belarus - seen as one of the bad guys in this scenario, they're hardly a consistent qualifier, with only two successful entries before now. Armenia has missed out before, even with heavy diaspora support, and Latvia has never qualified in recent years, despite having the same theoretical neighbourly support that sees Estonia and Lithuania through. It all comes down to the song.

Particularly interesting is the fact that, this year, none of the ex-Yugoslav songs qualified to the final, and two of these countries haven't seen a final in a number of years now. The thing is, if we were having this discussion five years ago, the argument would be "but the ex-Yu countries always qualify, whatever they send". That assertion has now been proved very firmly wrong... and so it goes on.

Quite simply, if you want to be a sure-fire qualifier every year, send something good every year. And yes, there are countries who it seems have absolutely no chance of qualifying, whatever they send. But what else do you expect when what you're sending is Valentina Monetta?

ESC2013 infiltrates New York

While my dear colleagues slave away watching and reporting the rehearsals in Malmö, yours truly has decided to travel in opposite direction, only to discover that even in New York City, the 2013 edition of the ESC is all but inescapable.
Like tiny nuggets, if you know where to look, these clues appear at the weirdest places, but unmistakably, they ARE referring to the big event in Sweden. Proof is added below.

And it is indeed Sweden that is proudly advertising its colours all over town. The Konditori thinks the best brand to have is simply the Swedish flag. And right they are!

The first solid clue is this: The spiritual home away from home of the Swiss entry. If you'd walk in, you'd probably even find the uniforms.

Yes, that's right. Only Love Survives, even at the Bethesda Terrace fountain in Central Park, also famous from the movie When Harry Met Sally. But this couple clearly only had Ryan Dolan on their minds. 

Finally, tucked away at the back of the second floor of a large Barnes And Noble bookstore, you find an entire section named in honour of this year's Dutch entry. The management probably wanted to feature this more prominently, but the Mothers Day hallmark cards had to be sold by the weekend. The stand will likely get a better spot at the start of next week. Probably. Ish.

There are quite possibly even more examples of Eurovision 2013 invading the streets and stores of New York, but maybe you should show us, where you have spotted any references to this year's ESC edition! Send us your pics and we'll feature the best ones in one of our next articles. So start searching and snapping!