Fishy Predictions for the First Semi-Final

It's been a long two years, but finally a Eurovision Day has come again! 🥂 For the first time in over 15 years I won't be spending it on location or in Syden, but rather in a rainy (shocker) Bergen, but I'm not planning on letting that dampen the mood!

I've been twisting my slightly May 17th affected head to see if I could not only figure out which ten countries will qualify tonight, but also which order they'll actually turn out to have placed in, once we get ALL TEH INFO some time after Måneskin's Destiny's Fyr & Flamme's thank you speech very very early Sunday morning. So enjoy my mistakes, but most of all enjoy the show, because Eurovision is back!

1 Malta | It was my main contender for the win before the rehearsals started, but seems to have faded a little compared to the likes of Italy and France, and due to boots and wigs and colour debates. (My take: If in doubt, always go for the brightest colour!) I still think it has a chance on Saturday though - and certainly tonight.

2 Ukraine | That bit where it slows down and builds and builds and builds to PLING * POW * RUN gets all my geese out bumping every single time!

 

3 Cyprus | Solid feels like the word best describing this, I'm expecting it do to very decently with both juries and televoters, without anyone getting overly excited.

4 Russia | My favourite in this semifinal, but probably a bit too odd to go higher.

5 Lithuania | Had its moment to shine when it came out in January, but gosh, it feels like years ago... Still very obviously qualifying, still very obviously getting the 12 from Norwegian televoters tonight.

6 Israel | This keeps getting stuck in my head, which should be good. But seeing as there's no natural flow between all those individual bits of song, it just ends up being one little bit in an eternal loop I can't get out of, and I end up considering a head amputation to get rid of it. I've had it down as my tip for 'forgotten and ignored, accidental last place' in the semi for much of the season, but Eden and her boys are selling it well, so suddenly it feels like a qualifier, and somehow even a safer one than the following bunch.

7 Norway | I can never quite decide whether I think Tix is annoying, nice, manipulative, a hero, or just a combination of all, but at the end of the day I really do like the song.

8 Belgium | It's mix of boring, pretentious, dark, nostril and grumpy. It's Belgian speciality, you will enjoy.

9 Azerbaijan | If it hadn't been for the last 30 seconds of pyro extravaganza I'd say this was as dead as the Tix+Efendi relationship will be next week.

10 Romania | I originally had Sweden instead of this, but seeing as almost everyone else seem to have the same ten as me, I figured it was time for some risk-taking. And I can somehow see this working on some level for some people, despite the mainly quite awful singing.

11 Sweden | The exact opposite of Norway and Tix - I'm sure I like Tusse, but the song... Surely juries can't be quite as forgiving about Swedish averageness as they have been the last few years? And thinking back about it, I actually think both 2019 and 2018 are very good songs, so it shouldn't really be comparable at all. Could they possibly lose out...?

12 Slovenia | Probably getting 15 televote points in total, all from Croatia and North Macedonia, but I can see some juries appreciating the loudness here.

13 Ireland | I've been hoping and thinking this should make it all season, but no, it just isn't working, is it... What could've been a joyous, confident anthem of finding one's way in life just ends up being poor Lesley getting lost in a paper forest.

14 Croatia | I don't feel hate, but why would anyone vote for this when there are better songs, better singers, better dancers, better stagings, better backdrops... Even the other Tick Tock is better - a far worse song, but at least it had #hamsterbutt.

15 Australia | Very interesting entry, and I really appreciate it being there and Montaigne seems great when she's not dressing up as a clown. Just such a shame it's not, like, you know, good.

16 North Macedonia | I don't think they could've done much better with this than what they're doing on stage, but it's still the same song, so... I miss You :-(

ESC week | Monday | First Semi-Final | First Dress Rehearsal

It really is all about to happen now! In the next few days we will be blogging about all the dress rehearsals, starting today with the first dress rehearsal of the first semi-final.

It's again a rolling post, so keep your finger glued to the F5 button, or whatever you use to refresh on a Mac.

Thirty seconds past three ... Te Deum! We start with some Dutch scenery, we see sheep, Rotterdam Central Station, a windmill and more and after 1 minute 30 we're in the arena. Some quick lookback to 2019 and then Duncan's on stage dressed in red in an augmented reality setting, singing a new song (i.e. not 'Arcade') It's a pretty short performance .... the stage is revealed in a spectacular way before all four hosts come up on stage.

Hosts are full of energy, talking quite fast, Jan's English has definitely improved it seems. Chantal also speaks a bit of French. Hell, they're quick. 

After 7.5 minutes we start with the first postcard. 

Lithuania - Lithuania is 'virtually' on the Rotterdam central station square for the postcard. Before the song starts the stage lights take the colours of the Lithuanian flag. Not much to mention about the Lithuanian performance, it's not much different from what we've seen from them. There are some split-screen moments between Vaidotas and the backing dancers. The hall is empty - yet we're hearing 'fake' applause. But it sounded already a bit less 'fake' than in ESC 2015.

Slovenia - Postcard in the dunes. Stage is mostly golden with a globe projected in the background. During the bridge the transparent LED screen comes down and shows what I think is Slovenian mountain scenery. Decent performance but not as impactful as I would have thought. The ending was very abrupt. She just stopped in the middle of a sentence 'Hey Child ...' ... not sure if that was a failure or intended, but she didn't look really surprised ....

Russia - Bad Dutchie, I have no clue where this postcard was recorded. Egg-shaped houses? [I later learned that these are the 'bolwoningen'/'sphere houses'  from Den Bosch aka 's-Hertogenbosch]. The bloggers before me have already described this performance pretty well. I have not much to add to it I'm afraid. Energetic and fun as usual. 

Sweden -  Postcard is filmed on Museum Square in Amsterdam. Some pretty awesome light effects for Tusse. There's also people on the LED screen at one point and it truly looks like they're actually on stage. Last minute looks quite impressive, light-wise. Vocally this is all very okay too. Not as hopeless as some may have thought. But of course the song is still what it is.

Australia - The football themed postcard this time is not for Spain but for Australia. Montaigne could not be in Ahoy, but she could 'be' in the Rotterdam stadium. No special announcement or so, we just get a postcard and the live-on-tape recording gets shown directly. Of course we do miss the stage lights going all Australian and there's no 'dumdumdum' moment, but the transition is seamless. Montaigne and dancers are doing a (sort of) yazbitti! \o/. Lots of visual effects here, where we see copies of Montaigne  as if she's doing a yazbitti with herself.  Montaigne sounds much better than in some clips we've heard so far. And it *is* very colourful. At the end we see the camera zooming out from the LED wall, bringing us back to Ahoy so the audience can do some cheering.

North Macedonia - Postcard is in a forest, where Vasil is climbing the wall of the tiny house. Much gold on stage again. During the part where Vasil is not singing he shows the disco ball on his costume, which looks very nice. Vocally fine even if he seems to be not giving it all yet. All in all, I think this wins the battle with Slovenia, but probably that's still not enough to make it.

First commercial break. Nikkie is now on stage to show 'the best off online reactions'. She calls it the 'online update'. There's also clips from the Looklabs. We see fans dancing. Surprise appearance by Conchita Wurst. Edsilia then interviews a fake The Roop. She doesn't use the stick herself. Nikkie also connects to Montaigne.

Ireland - We see the 'Skinny Bridge' in Amsterdam over the river Amstel in the postcard. Vocals are not very good I'm afraid. The 'book' part goes a bit quicker and smoother than we've seen in the rehearsal clip but is still not very impressive. So she's walking in all directions amonst all sort of cardboard objects like waves and trees and sometimes interacts with them, but it all looks pretty forced. It look fine - but not spectacular - and also a bit distracting at times and most of all unnecessary. She looks exhausted by the end of the performance. Sorry to say but this feels pretty hopeless :-(

For some reason we now get another break with Nikkie and Edsilia. We also see the billboards announcing what's to come next Saturday as interval act, much like we saw them in Europ Shine A Light last year. Of course this break is meant to get all the stuff Ireland brought on stage back off stage.

Cyprus - First notes were horribly off tune. Elena starts lying on the floor. Vocals get somewhat better further into the song. Visually this is very well done with the mirrors and fire effects during the last minute. It looks like more fun than the lyrics suggest, which I think is a good choice. Safe for qualifying, but not winning material.

Norway - I think that's the Muiderslot in the postcard? Never change a winning recipe, performance is again much alike the MGP one (but with less creatures around TIX). Using the stage doors with light coming from behind makes for nice effects. In the last minute the stage turns into gold. Looking good for Norway to qualify I'd say at this point.

Croatia - Postcard in a random polder. Some visual tricks make Albina appear on stage out of nothing. She's standing in front of the transparent LED screen and the effects look awesome. Dancers join her during the chorus. At one point we see five Albina's and no dancers though. The 'oh noooooos' sound a lot better than we've heard in earlier clips. I think visually this is pretty cool. The fake? applause seems to be much louder here than it has been for others for some reason.

Belgium - First minute of this performance is one long shot from one camera turning around Geike and the musicians. It must have been intentional but with the musicians so close to Geike it looks a bit messy to me. But that may be a personal thing. It's a decent staging ans well sung, but I may have expected more 'magic'.

Israel - Postcard shows Utrecht Central Station. Eden is amazing! This is a fun performance with Eden and dancers moving to the sattelite stage halfway, and then back to the main stage where she does the high notes, and they sounded near perfect to me. This has such a nice energetic vibe. Probably the best performance so far!

A break with Chantal now. And Måns. We can actually see him, so probably not live, but you won't notice. It's of course all to get people warm for the Saturday interval. Hmm, if it's not live the timing is perfect. After this interview Edsilia and Jan announce Romania's performance.

Romania - Roxen's vocals are much better than we've heard in some clips, but she seems to have a bit of trouble with the timing (think Zaleilah but less dramatic). All in all, it's still not very convincing. They should be a little worried now.

Azerbaijan - Postcard from Giethoorn (the Dutch more rural answer to Venice - at least I think it's there). Song and staging is Eurovision by numbers obviously. Lots of gold, pink and turquoise again. And another yazbitti. What did I say? Eurovision by numbers. Well enough performed. Is there still a place for this in ESC 2021 though? I'm inclined to say there is, despite the song being rather weak. 

Another billboard moment, with Jan and Chantal quickly announcing Ukraine.

Ukraine - Had some serious internet issues here, so missed part of it. Well, it's definitely standing out. Graphics look impressive too. I have a blind spot for this entry, never really got it, and as such this performance wasn't winning me over. But I acknowledge that it is probably making the final anyway.

Bit of a hiccup before Malta was going to start, with Chantal quickly standing by to interrupt.

Malta - Destiny has gone for the silver dress and high silver boots and a totally different haircut/wig, which I suppose fits with the 1920's style. Not sure if she's giving it all yet, but vocally she was already more than fine. But I feel this is not a winning performance, neither is the song. May actually be totally overshadowed by Israel earlier on. 

Some pyros before we start the vote. As usual we see the recap with the artists shown at the end of their snippet. For Montaigne we have a live connection. It's apparent that the sound quality of the Australian snippet is much worse (less rich) than the others.

After the recap there's an interval by Davina Michelle about 'The Power of Water', which is partly pre-recorded and there's dancing on stage with lots of bare-chested men.

Quick prediction: Lithuania, Russia, Sweden, Cyprus, Norway, Israel, Azerbaijan Ukraine, Malta. Then there's one left and it's between Croatia and Belgium, I'd say Belgium now, but not extremely convincedly. If there's going to be a huge surprise it may actually be North Macedonia, but I wouldn't count on it. 

All four hosts are back on stage to explain again how you can vote. And we get another recap. With again shots from the green room. At this moment none of the artists are really there, so it's just volunteers and they are having a good time it seems :-)

After the second recap there's about 40 seconds left to vote, so we quickly get to a countdown with Jan and Chantal. After that there's another break with Edsilia and Nikkie. They're standing next to each other in one shot and that looks a bit ... odd (because of the height difference). There's a flashback to ESC history with Johnny Logan, Katrina, Anne-Marie David, Lenny Kuhr, Marie Myriam and Eimear Quinn. They all tell about their experiences. And they're all sooo positive.

We then get a pre-recorded 'Eurovision Tutorial' with Nikkie. Which is very tonge-in-cheek and fun :-)  It has Manel,  John Lundvik with a sad face, Justine Pelmelay and more surprises. The theme is 'How not to win Eurovision'. Obviously we're experts on that subject.

Then we look back for a minute or two at 'Arcade' with Edsilia and Duncan Laurence.

After that there's an awkard break. But apparently this is the point where we'd get to the interviews and presentations of Germany, Italy and the Netherlands. Instead we now get to see the postcards for these three countries. 

Oh they're actually performing now!

Italy - Just looks so cool on stage. There's some parts though where Damiano is drowned into the light, not sure if that's intentional. So much pyros at the end. Yes, this is definitely a performance that could do it!

Postcard at Scheveningen beach for Germany, appropriately considering its popularity with German tourists. After the German postcard we suddenly get another intervention with Chantal explaining the theme 'Open up' and a pre-recorded video about the theme with Duncan as narrator. Not sure if and when they will actually show this in the real show.

Germany - Very colourful performance with a prominent role for miss Finger. Jendrik improvises vocally. At the points we hear a male voice 'you did not just say that' the camera zooms on the finger as if she is saying that. All in all, I feel it is missing the clever fun from the video and falls a bit flat on the stage. In the talking part he adresses in German ladies, gentlemen and everyone who's not either. And he ends in Dutch with 'tot snel!' ('see you soon').

Netherlands - Wonderful visual opening with the LED wall 'breaking open'. Jeangu is doing an amazing job vocally. During the brigde all move to the sattelite stage, before the stage turns all colourful. Obviously a lot of applause. That was a very nice performance, and very different from a lot of other things in this ESC. Not saying it is a top 10'er but it doesn't look like certain bottom 5 either.

Okay ... they're now improvising a bit because it's about time to rehearse the qualifier revelation. But first we get a look-ahead to Thursday with the usual billboards. It's mainly about the extra acts though.

They then introduce Martin Österdahl. And it seems like we have a 'valid result'! And he tells Jan and Chantal that they're 'good to go'.

We get to see three-letter country codes with square flags in the 'waiting list' below the screen insert of Jan and Chantal. When they are announced we see the full names to the right of them, as usual. [addition: as far as I recall there were no animations with enveloppes or anything of the sort appearing on screen, so it's just one of the hosts shouting a country name, and only then the name appears in the 'qualified' list]

First fake finalist is Romania, then Israel. They do this pretty quickly again. Cyprus, Lithuania and Norway are next. Also Azerbaijan makes it, it looks pretty realistic so far actually :-) Australia also qualifies and we see a happy volunteer on a couch probably not in Australia. They take a little more time now. Sweden is fake qualifier number eight. And number nine is Malta. And finally it's North Macedonia! We don't get to hear snippets of the songs when they qualify but we get a recap in the order as announced right after the last qualifier is announced.

After that the credits start running and we get views from the hall, also from the green room, which may be interesting because we'll probably see both happy and sad faces there, unlike usually when we only got to see the happy ones.

That was it for the first dress rehearsal. Tonight we continue with the jury final, for which Yair will provide commentary in this blog!

Day 5 | Second Rehearsals | First Semi-Final | 🇧🇪 🇮🇱 🇷🇴 🇦🇿 🇺🇦

This will be a rolling blog, each country in running order, so please refresh to update.

🇺🇦 | Ukraine

While Kateryna is getting tested we're getting a stand-in, all limbs crossed it's a false alarm and she's back with the band for next week!

I assume this is full playback, otherwise the stand-in singer is really good and should join the band immediately! Sadly she's not wearing the original, green wig-jacket, nor does she have Kateryna's fabulous blink-less presence, and yet I was mesmerised and utterly sold! The backdrop is truly glorious here, with colours and shapes shifting in sync with the different moods of the song, and yet somehow sticking to a theme, even if I can't pinpoint it (can 'industrial folk' be a visual theme...?), while the band do their thing in and around their little white enchanted forest.

The song is far out there, but if there's one country in Eurovision that can manage to sell something this weird to all of Europe, it sure is Ukraine. I wouldn't really say it's a winner, it may still be slightly too crazy for that, but who knows!

Applaus! 👏

🇦🇿 | Azerbaijan

ARGH THERE'S A SNAKE

Whenever the cobra isn't visible in the big golden cirle behind her, I really like the backdrop, but then it shows up again and URGH.

Other than that, this looks like a high school rendition of some Eurovision song from 10 years ago or so. Seeing as the song is emptier than my travel plan these days, I would've expected them to fill it up with great dance moves or props or stage presence, but nope. Efendi and her girls are grinding about a bit for the sake of it, but it all looks a bit half-arsed. The BAMBAMBAMBAMBAMBAM-beat towards the end doesn't deliver either - the cirle on the backdrop goes into fireball mode before ending up like an eye (?), but it all feels quite underwhelming.

🇷🇴 | Romania

Reports from the first rehearsal of this weren't great, so I was quite interested to see for myself. I grew to really like Roxen's entry last year, and this one has grown a lot on me as the season progressed too, and I think it's much thanks to her voice, which has this certain raw, sore, intimacy to it. Sadly, it sounded a bit too raw and sore during the first run-through today... Particularly one note towards the climax, when there's a nice wide shot of the stage with the see-through screen bathed in pink on the right, ojojoj...

The singing isn't necessarily a big problem throughout though, as it's quite a heartfelt and "raw" song too, so I can live with some fuckups. But the whole act feels very busy and random for no good reason at all, with Roxen being lifted and twirled and carried and at one point literally dragged along the floor (which for the first run-through created an audible clonk-clonk-clonk-clonk, but that was sadly gone for the next!). It's probably meant to represent inner struggles or something, and with some added tweaks and less baggy clothes, maybe it'd all come together as a touching interpretive dance.

Now it doesn't.

What I assumed would be Azerbaijan's first go turned out to be Roxen's third, and she's sounding better each time, slowly but steadily. Maybe if they postpone the contest to July...? Not sure if I'm just getting used to her bad notes, or are they sounding bad in a better way - the big ones at the end (that's what she said?) now kinda sounded both awful and great at the same time. Hmmmm.

🇮🇱 | Israel

Eden's done her hair to pretty much look like Senhit's, uh, thing from the other day, and she's in a white outfit adorned with what looks like more of her hair, and her boys in t-shirts to match. It all looks pretty cool and fresh, it feels a bit "younger" than most of the other entries somehow.

They're dancing about, making full use of the different bits of stage, and she's charismatic and sings it well - but she skips/cheats on some of the record-breaking screeching towards the end. Apart from that I'd say the Israelis have every reason to be pleased with this rehearsal and what they're making of the song. It's just a shame the song is still made up of about fourteen different bits that don't really go together or transition in any sensible way.

Second run through and no cheating on the screeches! Actually quite liked them now, as they were accompanied with some fun facial expressions - a nice mix of "oo, look what I can do!" and "wth, where did that come from?!". I only now noticed they rip her dress off to reveal a new one towards the end, but I really wish they didn't. It basically just looks like they used some braids of her hair and twirl about on her body in some places, and it's not very nice at all. Plus it makes me think of Atlantis 2000, so probably just as well I didn't get Benny for lunch as he'd probs come back up.

🇧🇪 | Belgium

I'm no fan of this as I find the song quite dull and the artists quite pretentious, so this rehearsal review should probably be fed through some sort of positivity filter, but since mine is at the drycleaners, you'll just have to add your own.

Positives first though: She sings excellently, and it all feels very 'proper' and professional, which already makes it stand out a bit. The set up is quite standard, with her in the middle and the musicians on separate little (look away, Yair) velvet stages around her. Everyone dressed in black and the stage is in black too, apart from some huge nostrils on the backdrop. Possibly looks a little dull, but it fits well with the song.

But what's with Geike's constant sideways face?? It feels like she always thinks the camera is a bit to the side of where it is, so ends up having to turn towards it in a weird way. Or does she have a good side and a bad side, and is terrified of showing the bad one (which presumably is 'the front', judging by the angles?). And while I get that the song is serious, so a big smile would be a bit freaky, she comes across more grumpy or fake-moody than actually properly into the song, and sometimes o-v-e-r-p-r-o-n-o-u-n-c-e-s some words. But maybe its deliberate to draw attention from the nostrils in the back to her mouth instead.

To summarise: It's black. It's probably qualifying. Someone will probably be happy about that.

🥪 Lunch break, I tried to see if Benny Cristo was available on Foodora, but sadly not, so had to settle for some pigeon bread à la Jordy 🥪

Second rehearsal: Romania to Denmark

Denmark

Sounds and looks exactly the same to me. I will run over to the arena to see if the fake snow (which will probably still be a part of this performance, at least in the last run) is more convincing "in person"!

There was no fake snow this time. No real snow either. Thank you Rasmussen for reading our blog and taking our advice!

The song/performance is powerful from inside the arena. Writing press is allowed in at the very back of the hall, but there was still a good view from there. If you have tickets for the back rows for next week you will still be able to see the show well!

San Marino

The famous Robot Nr. 4 is also my favourite, now presenting a sign saying "This is just a rehearsal", and a bit later, the sign "Justice for Valentina!", flashes by, which about 80% of the press centre found hilarious, yours truly included. Vocally, Jessika is struggling in all the runs today.

Outfits have changed. Jessika is in a short red glittery lace dress today, Jenifer also has different clothes compared to what we saw earlier this week. She is wearing a white sports bra looking top, white flighty trousers and a pink see through rain coat looking creation.

Serbia

Oh no. The Serbian backing dancers/singers are no longer dressed in liquorice worms! The tops of the dresses are now completely black instead, with a discrete pattern. The fabric/design in a too bulky if you ask me. Sounding and looking the same apart from that.

Romania

Romania sounds and looks very similar to the previous rehearsals. However, we need some hair Product to make all the Little baby hairs that are now standing right up, behave. Unless it's the look they're going for, who knows, it might the the start of a new trend!?

Day 3 of first rehearsals - Norway to San Marino

San Marino

The cute little robots are with Jessika and Jenifer in Lisbon! The press centre, including myself, is LOVING them. One robot held a "Will you marry me?" sign and our hearts melted. It was the awww-iest awww so far. And the song needs it, I think, it wouldn't do much for me without the robots.

Robot number four has "I'm not your robot" - Brilliant! #ThisRobotToo!? - written on the platform it's standing on, it then flips over to the "Will you marry me?"

Rehearsals are breaking for lunch. I wonder what robots like to eat.

Serbia

Huge oil barrel looking drums - yes, they are standing in a (semi)circle - an older man playing and/or pretending to play the flute are combined with outfits that makes me think of ancient times. This is one of the songs I have really enjoyed listening to the studio version of, and I'm happy that it's sounding and looking ok so far!

Yair's description "liquorice worms" is spot on! Something like this in combination with the ancient style dress:

Romania

The protesting security check has something to do with a power problem, apparently. We were asked to move from the newly opened part of the press centre during Romania's first run through. Some of the computers had blown up for some of the journalists, and they didn't want that to happen to us (OK, I'm exaggerating a little bit, but someone in there had had some damage to his charger and was a upset). From what I saw and heard of Romania, the only things that stay with me are the colours blue and pink and the creepy white face masks. The song doesn't stay at all unfortunately.

Trend spotting part two for Eurovision 2018: props in circles. Yesterday we had planks from Armenia, today we get mannequins from Romania.

Norway

We got to see the second to last run through from Norway, a cheerful Alexander (is he ever anything else?) on a stage lit up in blue, turquoise and pink and the "clip art gone wild" in white.

Last run was with pyro. I want more pyro. Always more pyro. This run went what seems to be according to plan as well, tons of energy from Rybak. Nice wake up call in the morning, good way to start the semi. I have a feeling I will be singing this song today, torturing Yair with it. Better put Estonia on to get it out of my head!

Step one, get out of bed, shower and put on clothes
Step two, just brew a cup
That's how you wake up smart

(work in progress, by Polle and Elin)

First rehearsals: Norway to San Marino

San Marino


Pre-opinion: Haha. Well, this song surely has zero televoting potential (except in Malta), I do sometimes enjoy it. Really hoping for robots or a similar concept.

ROBOTS ARE HERE! At least three.

First runthrough: Jessika starts in a cape, which is helped off by dancers. There's a fourth robot in the back, all robots doing some kind of hand choreography. Press is loving it. Jenny B does her thing, then Robot 4 is holding a sign, something along the lines of "will you marry me" (another Portugal 2011 tribute, clearly). Huge applause.

Second run: There's a lot of Verka-style up and down arm dancing. The robots are the true stars, getting a lot of camera love. In the bridge, Jess interacts with one of them and places her hand under the robot's, feels like it's meant to be holding something we haven't seen yet.

Third run: Sign says "I am not your robot" in the back. Clearly someone there is having fun, and so are we.

Serbia

Pre-opinion: This has been a complete mess so far, but has a certain fun potential to it. Let's see if they sort out the vocals, at least.


First runthrough: Yellow-black stage that becomes blue when the beat kicks in. Fancy drums with patterns on them, similar patterns on the women singer's tan dresses. Men are in black.

Patterns on women look like liquorice wormsSanja Ilić

Second run: This sounds fine, looks like they solved the singing issues by bringing in a third girl. That means they had to get rid of someone - Sanja? No, he's not there. Now it's Sanja Ilić (In The Audience) Feat. Balkanika. The act is less messy than it was in Beovizija, but still a bit all-over-the-place.

Last run looks about the same. I wonder why they decided to place Serbia right after Romania, both have an "ancient Greek theatre" style choreography.

Romania

Pre-opinion: One of my favourites this year since I first heard it in the salt mine (or was it Sighișoara?), I was gutted when it got such cold reaction from the fans and betting odds. Everything seems to be against it, but I still have my hopes. They'll have to work hard to follow-up this opener.

First run-through: Mannequins! Lots of them. Black shiny plastic bodies with white mask. The band also wear the masks from the NF, but on the back of their heads. A very dramatic staging.

Think Elouiz (from MGP 2016) meeting Schmetterlinge.

Second run: First shot is the woman who isn't the lead singer (Corina, I think) taking off her mask and walking about. Everyone's in white except Cristina's purple dress and the black mannequins. Male band members touch her dramatically and trying to keep an expression-less face. She's singing well. The white suits and back-head masks make the male Humans look like they're lab workers who try to contain Cristina with some kind of microbiological pandemic, and I'm not sure it's intended this way. But I like it.

Last run: Still sounding good, act however comes out a bit over-choreographed and feeling very much like a #2, unfortunately.


Norway

Pre-opinion: I have a love-hate relationship with this song - annoyed by the lyrics and infectiousness, but for all it's given us, I'm glad it's there. Perhaps I won't be so glad if it wins (and it can)... If they keep to the MGP concept, the first rehearsal will probably not look good, because they need to align the screen graphics.

First (visible) run-through: I say visible because it looks like they've done a few already. Colour scheme is similar to Finland (pink-purple and turquoise). About the same routine screen graphics we expected (with some added hearts I think?). Álvaro & co sound good. Rybak himself has obviously done this before, he's not giving it all and saves energy for the live shows.

Last run: We're getting pyro, apparently. Rybak takes off his jacket and throws it to the audience before the scatting part. Pyro fountains shoot when the violin goes 'wheeeeeh'. Another pyro coming from the arch at the last boom. Visually, this all makes sense as an opener.

A luta é alegria

The Portuguese take their worker's rights very seriously, a demonstration was setting up near our apartment and the security scanner at the press centre gates decided to protest too, causing a long queue. But Norway isn't starting on time either, so all is good.

[LIVE] Semi 2 : Dress Rehearsal 1 - live reporting

That's it for this rehearsal, people!
Was really fun to see how everything clicked together.

Me signing off!!

OUTRO
The 10 winning songs are being shown once more.

GOING THROUGH
-Israel
-Serbia
-Bulgaria
-Belarus
-Malta
-Ireland
-Austria
-Croatia
-Romania
and finally...
-Switzerland!

FAKE QUALIFIERS
Volodymyr announces Jon Ola Sand as the Mr. Miyagi of Eurovision. Does that also mean he can catch flies with his chopsticks? Before Eurovision once again turns into a cut-throat business, Volodymyr reminds the performers how amaaayzing they are and how great it is that they were allowed to perform in Kyiv.

INTERVAL ACT
The interval act is something dance-y. It's all very interpretative but looks slick because everyone is wearing black clothes with some red ribbon accent. In background of the predominantly percussion backtrack you can hear female voices singing Tatar-style melodic lines. Ukrainian horns warn us of Ruslana's arrival, but luckily for us, for the time being, she's not showing. Then it all ends.
Before we are officially introduced to the leftover finalists for next saturday, Timur gets to chat to Belarus.

VOTING COUNTDOWN
'They say time flies when you're having fun' Time was very slow today, I felt. Maybe there's a button to speed up time in a special app. The Eurovision App isn't the one though. After the countdown, they're talking to Macedonia.

VOTING REPRISE 2
Just before the second reprise Poland is being interviewed. Nothing earth shattering happening here...

VERKA II - The Rise
We now see Verka and mom live the independence of Ukraine, Dana International and eventually her taking part in Eurovision. Again, some of the years mentioned in the captions don't add up, but don't let that spoil your fun watching this.

VOTING REPRISE
Oleksandr and Volodymyr are bantering away as their life never depended on it. In any way the reprise soon follows.

HOST COUNTRY: UKRAINE
O.Torvald are bringing their show with gusto. They really enjoy performing out there. A bit screamy here and there, but I'm glad this type of song is in this year's final.

BIG FIVE: GERMANY
Same story for Germany in the camerawork department. But at least it starts really interesting enough. Sadly it quickly descends into dullness. Although I really like the stark architectural backdrop they've gone for, I feel a splash of ONE extra colour could've lifted it a bit. In this run there was new pyro too.

BIG FIVE: FRANCE
Alma is a bit breathy in the English bits during the first chorus. I feel that the camerawork could've been much tighter on Alma. The graphics are impressive in themselves, but do nothing to emphasize or help how amazing the song is. Instead it's almost off-staging the French entry.

ISRAEL
Imri's big hurdle throughout all of his rehearsals has been getting the vocals right. In this rehearsal he's much more in key. Occassionally 'just' getting away with sloppy singing. But dancing and singing at the same time is a challenge after all. If he repeats this in 6 hours, he'll be qualifying with ease.

ESTONIA-AH-A
What can I say, I love the 80s throwback. Koit seems to have finally mastered his cues and the entire thing is, to paraphrase mister Sofabet, a Telenovella fest. And they'll all repeat it on Saturday.

LITHUANIA
Victorija is wearing very long razorsharp white fingernails. If she would have a blackboard she could torture us all by scratching those of it. Instead she's singing her song. She sings it well though, and it's well performed. Well, as in, fully committed to annoy us for three minutes.

BULGARIA
I wish Kristian would stop hiding his mouth behind his microphone. Just keep it a tad lower. Still not sure of the line graphics that appear on-screen. I don't feel they add much. The more I hear the Bulgarian song, the more I feel it's a dull dirge. But he's quite good, being such a young singer.

BELARUS
The sound mix is off here once more. The male voice sounds much clearer. Kseniya is also a bit more shaky on the vocals. I would so love this to qualify, but they will need keep everything much tighter.

BREAK
Timur again singing his prepared script.

SWITZERLAND
That yellow... thing. Someone get me a bucket of anthracite gray paint now. Vocally she's fine, though in the high notes she clearly lacks power. Or confidence. I like this song in fact, but the dress isn't helping her. After the bridge, she tries channel Mariah, but sadly only Isaiah shows up. Luckily only us press center fanalists are the one subjected to it. Gosh. Not sure about this one.

NORWAY
Joust and his song 'Grab The Moment' is of course the streetcred that Eurovision has been craving ever since the mid 70s. However after Croatia it just seems a bit too mellow. The boys themselves are doing it fine, but I feel myself getting annoyed by the long fast sweeping cameracrane shots. Also not helping Norway's chances is the mumbling during the bridge. At this point in the show, it comes across as filler.

CROATIA
If San Marino was the appetizer in the car crash department, then Croatia is a full-on three course meal. But I adore it. Hope it qualifies, because I feel saturday night needs this. To be honest, I don't think Croatia's camerawork has improved since the last rehearsals. Still Jacques pulls it off. What 'it' is exactly, still remains to be determined.

SAN MARINO
They are very good! 'Nuff said.

IRELAND
Brendan is not doing well vocally. He sprinkles his performance with singing 'just' under the melody. The backing vocals are also all over the place. He was MUCH MUCH MUCH better during last rehearsal session. At least he's a way better body language performer than some of his age cohorts in this competition. It felt as something was wrong in the sound mix.

DENMARK
The backing vocals open the song a capella and the vocal balance is not there. The female voices in there just sound too shrill. Anja is moving professionally on stage, selling the song well. A bit slippery on some of the end-notes, but she's a great singer anyway. Songwise it's such a shame, just because she is so great. Pyro-curtain to end off the song.

HUNGARY
Joci Papai still looks a bit 'Blanche-y' when he starts his song. But I feel that he, just like Blanche, seems to have found his comfort zone on stage. And at the latest by the rap bit he's actually winning me over with his performance. Happy for him, but not feeling the song. But that's only me.

BREAK
Gosh. Timur's English is horrible. As he rambles off his Eurovision facts, he sings his phrases in a totally artificial manner. Luckily his bits are being kept to a minimum.

NETHERLANDS
Talking about vocal powerhousing. Although one of the sisters starts a bit early. The trio seem a bit more nervous than they have been throughout rehearsal week. And it's a bit audible in the voices. By the bridge they've all composed themselves and are vocally back on track. I seem to have noticed a few faintly flat notes. But nothing to be worried about.

ROMANIA
Finally! It's Romania. And nothing too soon. Not really fond of Alex's sleeveless jacket. Nor am I wild about the child letters that spell 'Y - o - d - e - l - i - t' on the big screen. It's harmless, unpretentious fun until the bridge, where they show that vocally they mean business. This is sailing through.

MALTA
We got the wrong credits. Those of Romania.
Claudia still has her breasts projected on the gigantic videowall behind her. This is Slovenia 2017 territory. Competent, yet somehow sleep inducing.

MACEDONIA
Macedonia's postcard has a bit 'NOT FOR AIR' message slapped over it, meaning this isn't the definitive version for the show tomorrow.
Backings aren't pitch perfect, but to the untrained ear they'll sound okay. I think Jana is doing well in this rehearsal. The entire package isn't in the top tier though.

AUSTRIA
Nathan is his impish self throughout the entire performance. I feel that he'll go full on energizer bunny once the arena is filled with a responsive audience. For now the rehearsal is almost faultless. A bit slidey on the wailing, but apart from that smiles all round.

SERBIA
Tijana starts and the sound mix in the press centre is off. The music sounds way too harsh. She looks great this rehearsal. I wonder if the hair will stay the same. Vocally on the cusp of being shouty, but still powerful enough. Ok, now she does cross that line into shouty territory. She ends her song with overemphasizing the last 'p' in deep.

INTRO
The host boys are on stage now. Oleksandr takes the word. And again the guys try to be funny. They'll get it right by tomorrow evening. Also, they're still heavily relying on their cue cards.

Next they 'freestyle' with some musical instruments. Oleksandr is quite good with his flute. Volodymyr likes to handle an accordeon.

Hahaha! They're Ukrainifying some of Eurovision's best known hits. :-)
Awww... a glitch in the sound tape and they have to restart. Volodymyr calls out for his accordeon. Henrik keeps his cool as always. They restart.

Oleksandr's flute is called sopilka. Whatever you say Oleksandr. But keep playing it please.
So, the Eurovision hits... first Euphoria, which is actually quite nice and epic in traditional music style. Next up is Fairytale, which already sounded quite folksy. So not too much of a stretch there. Third hit is 'My Number One'. Think the male choir in 'Moja Stikla'. That kind of singing.
Wow. Even 'Rise like a Phoenix' gets a treatment. It's nothing short of impressive! I like!

As this is the first dress rehearsal, they get to do this intro act a second time. As the production team sets everything up for the second go, Oleksander occupies himself with the logistics of swapping his musical instrument with the cue cards. Quite ingeniously he suggests that one of the Ukrainian grannies has them stuffed in their skirt. It sounds more ridiculous than it is, really.

During the second go, 'Rise like a Phoenix' gets pyro during the final.
A few more hiccups in the transitions - The choir has to leave the stage immediately. But that's what rehearsals are for. Did you know that you can vote using the Eurovision App? It's like a Eurovision party.

16:05
The show starts with traditional dressed young Ukrainian ladies similar to Semi 1. I 'think' they're different but I can't be sure.

16:02
Still waiting. What did I rush for?

15:57
Right. So a bit later than usual.
I'm by myself this afternoon, so it won't be a verbatim report. Only the stuff worth mentioning.
Think performance, camerawork and the likes. For a description of the postcards, well, you'll have to wait for a bit more than a day.

Day 6 - 2nd Run Through : MKD / MLT / ROM

ROMANIA

We start, Alex does his first part, then Ilinca announces "I can't hear my ears at all, they're not working!"

So, take two! Alex is showing us his arms this time while Ilinca is dressed in a tiny red number. Vocally neither of them is blowing anyone's mind although the yodelling is still good. The canons are revealed and they are now sparkly! And Alex can kinda ride the one he pushes on stage. Unfortunately EBU have refused the requests of TVR to have confetti blasting out of them due to clean up time. Also refused were two fire cannons. Due to this, the camera shot at the end of the song is wide, which does not really suit in this occasion. I can understand the frustration of the TV station in this case since that visual would have helped them a lot.

2nd Run - Actually maybe the request being turned down is not such a bad idea. Throughout the rehearsals we've seen the cannons on more than one occasion pointing quite directly at Ilinca's head, so whether it be confetti, or worse fire, she might be glad that Alex's cannon-pushing skills are not putting her directly in danger. Although it would be entertaining.

3rd Run - Alex has just talked to me: "Now what’s the use of being so confused, of doing all this work you really don’t want to be doing?" These songs actually make sense when you read the lyrics. Sometimes. No, no - I joke! But the run itself was same as the other two, this time the cannon was at a safe angle and all in all good enough to qualify.


MALTA

Claudia also decided to change her costume for this rehearsal. Although similar to that worn on Tuesday, this one has an open cleavage. I guess we will know which one will be decided on in the dress rehearsal. Vocally Claudia shows us how it's done, especially with the trio we have before her in the semi (although I still believe Nathan was just having a bit of a bad day). No gimmicks as you know in this song, they wouldn't fit if there were. Unfortunately nobody at the table was facing the screen when the shot of the bosom-backdrop was due so we need to wait for the second one to see if it was kept or if the camera was changed to have it not so visible.

2nd Run - The bosom shot is still there, and Claudia stands right in between the girls. A very confident and competent rendition. Before coming to Kyiv I wasn't truly believing this could qualify but I am now converted and would be quite surprised if it did not.

3rd Run - No faffing about for Claudia, she's finished with one and on to the next! And another very strong rendition. And we're now off for a bit of yodeling! Hurrah!


FYR MACEDONIA

Gone is the green thing from Tuesday's rehearsal, Jana is now dressed in a black shimmery number with fringes - much better. But that is as far as the improvements go. OK, she's less $25 corner more $75 hotel lobby but still. Vocally we're still a bit squeaky in the beginning but she manages to bring it back later on in the song. Jana might not be dancing alone on the semi-final night but she probably will be hugging a bottle on Saturday while watching the contest on TV.

2nd Run - The vocals are still not convincing. The backing singers are clearly better than she is - and they are hidden which seems to be the way to do it this year. Nothing in this song makes you want to get up and dance - not sure if that is ironic or not considering the title. Here's hoping for some glittery masterpiece to be rolled out in the third try.

3rd Run - Unfortunately no glittery nothing, no pyro, no smoke, no nothing! Oh well, MRT will be happy for the refund on the hotel.


LUNCH

I know I mentioned yesterday that lunch has it's own section - but since I've not yet been to lunch there is not much to comment on it. I might even try and get some fruit! I'm assuming they're not going to add spices to THAT also. I mean, literally, everything is covered in spice here, even salads. Tasty spicey, but spicey! This Western type of stomach does not deal well with this constant Eastern type of food!

Day 3 - ROM-NED-HUN

HUNGARY

We have an glittery vase on stage, which is one of those instruments very popular in Eurovision in the mid 1990s.

Violinist on the satellite stage, dancer on stage with Joci. He's looking ever so slightly terrified during the performance, but is also smiley once it's done, so maybe he is just feeling the lyrics. Could do with softening up though

This is basically the performance we've seen before. I think the vase/instrument just gets in the way as it is used so little, it's just a distraction. Some pyro surrounding him and the girl when they do their little dance. Doves on backdrop.

Maybe I need more coffee, I'm struggling to keep an interest in this one, and it's a song I really like.


NETHERLANDS

CRY NO MORE it says insistently from the LED wall.

Vocally strong (no surprise), rather well dressed (surprise), some subtle backdrop references to sick mother (holding hands etc). Some minor choreography, turn left, turn right, a mini-strut to the front.

Some more literal stuff here (sing about candles, fill the LED floor with candles - sing angel, fill LED floor with an angel), but it works.  Some of the moves seem a bit forced, but overall a very good impression.

Lovely last shot zooming into the trio, unlike the dodgy long shots we have seen at the end of some other performances.


ROMANIA

Gosh.

They know they have a silly song and they are flaunting that silliness completely. Lots of colour, the song title splashed across the LED wall, lots of colour.

And the most literal interpretation of a glitter cannon you will ever see.

Alex rides his cannon in a manner that garnered applause from the press boys.

Ouch, final run through and Alex thrust his cannon too forcefully rendering it un-mountable. He ended flat on his back, visibly shaken by the large prop.

Eurovision Hotties World Cup - Semi-final 2

After a busy first day of rehearsals, it's time for a little break. And what better way to get your breath back than to spend a few minutes looking at pictures of attractive boys and deciding who's the hottest? It's a tough job, but someone's got to do it.

Semi-final 2 - Imri Ziv vs Alex Florea

The second semi-final is between Israel's Imri, one of the pre-contest favourites, and Alex Florea from Romania, perhaps a surprise to have made it this far. But as we saw today, surprises can happen in this game.

Imri made it to the semi-finals after topping his group with more than half the votes. He then went on to easily defeat Manel Navarro in the second round (lots of Mirela fans voting there, it seems), and then knocking out another favourite, Robin Bengtsson, in the quarter-finals. Meanwhile Alex Florea also won his group, though that was a group where two people voted for Jacques Houdek as their Eurovision hottie. Alex then easily beat host Oleksandr Skichko in the second round, before meeting Finland's Lasse Piirainen in the quarter-finals.

Once again, it's now up to you to peruse the photos below, choose your favourite and vote in our Twitter poll. Votes will close on Monday evening.

#eurovisionhottiesworldcup Semi-final 2. Vote for your favourite #eurovision hottie to move forward to the final!

— ESC Nation (@ESCNation) April 30, 2017

Make sure you follow us on Twitter to see the results and all our updates from Kyiv.

FINAL - FIRST DRESS REHEARSAL (Part II)

GREECE
Professional, working all it has. We're not going to Thessaloniki which is a good thing for Greece and NERIT but she's giving it all she has and nailing it.

MONTENEGRO
I find it extremely hard as you know to write anything about this. It works. It's balkan. It passed to the final. It will end up probably bottom left or top right of the table. Everyone will go home and continue their life.

GERMANY
And of course, one more postcard I miss due to not paying attention. Oh well, surprise for tomorrow.

Ann Sophie has a new earring on her left. It's one of those songs which is good for radio but don't think it's doing too much on stage. Don't see it lighting up with points tomorrow night.

POLAND
Well, Poland was my missed country from last night's qualifyers - I obviouly put Malta instead.
 

No idea, it seems to be loved by many a person and I like it too - it was my 11th choice - but although a good song sung well, I don't see it setting the stage alight.

LATVIA
Now this is another story. I am extatic for Aminata and Latvia as a whole. It shows that if you don't give up and you try your best you will get results. Could this be a dark horse? Top 10 likely? Further up?

ROMANIA
And the kid is still there, not yet retuned to Romania. The song is performed well and Călin is charismatic with the camera. Should get mid tables.

SPAIN
Edurne goes sledging with huskies. Again, the huskies must have thanked their stars that this petite artiste was chosen for them.

Amazing! Trick of light so you don't see the first cape being ripped off ... well, you kinda do due to not great timing, but still great effect. Best performance we've seen from Spain to now. Things are working a lot better, camera angles, lighting ... should see this going up the rankings. Don't bet on a win or top 3 though.

HUNGARY
Boogying to Boggie was amazing during SF1. Solid performance again now. Came to be expected now though.

GEORGIA
Without all the make up Nina looks fresh and young. Doesn't help the effect she's trying to go for but she'll be all dolled up later on tonight and tomorrow no doubt.

Great vocals and attitude. It's a great follower to Hungary - brings back the energy to the arena and viewers. Left side of the board for sure.

AZERBAIJAN
Vocally competent but it's a repeat of what we've seen over the past few days. Last year we saw Azerbaijan does not need to be on the left. I think this will be high right.

RUSSIA
Only 8th in the Press Centre voting, Polina is nailing it. This is most likely her contest to lose.
There will be many comments whatever happens on the night, Russia win, look for the media mentioning Russia's rights and equality records, Russia lose, look at the Russian and spere media reporting on how Europe is playing a game which they will end up losing... who said there was no drama at Eurovision?

ALBANIA
Wearing a different black sparkly ensemble for the rehearsal, Elhaida looked to me in the beginning as if she had her bra straps showing - this is not the case, it's the netting of the dress.

Another good performance but not much twitching in the press centre sphere and the arena is not to be judged since they seem to be applauding and cheeing at everything.

ITALY
Another missed post card - talking about which delegations have already gone home and which not.



To be honest, coming after Russia and Albania just makes this lose it's potential. It seems like it's just *there*. Still will get to the top parts of the board but winner - maybe not so sure.

BREAK
Conchita talks to us and then the three other hosts are on stage to open the voting.

RECAP

INTERVAL ACT
A bunch of drums, and drummers for said drums, on stage. Ooh, and trumbones, and trumpets, and many other instruments.

There is a lot of commotion due to a certain angry Italian close to where I am sitting so I am missing some bits. It seems that the acts will be forming hearts. This is very weird. Have no clue what is going on. That is why the commentators have the notes from the broadcaster. There is a massive rainbow though.

Riverdance it is not. Emmelie de Forest it is not. Petra Mede it is not. This is about as memorable as the one from Belgrade. You know, the one with ... hmm... emm... yes, that one.

RECAP 2

Recap over, we have 60 seconds left to vote.

Countdown for the last 10 seconds.

Conchita sings You are Unstoppable. And continues with Firestorm.

We then speak to Conchita and later to Vincenzo who won the Junior Eurovision Song Contest for Italy back in November 2014. We see a clip of his performance and continue talking to him.

Arabella mentions Jan Ola Sand. "Hurry up Jan Ola! I'm coming!" she state! Hmm... be afraid!

And another issue. Seems like something was missed. Conchita runs back on stage to meet Alice and Mirjam who were there with the trophy.

Lots of commotion happening around me at the moment. I think Lys is here for interviews but can't see her - poor thing, she's such an old lady.

We then go through clips of winners past.

Arabella back in view. We see Jan Ola again and there is some awkward chat between the two. "This is where I say we have a result" explains Jan Ola. Ooh!

We're on the voting. For the rehearsals it's always in alphabetical order and usually the 12 get given to the next country in line. We should be going to our second voter, Armenia which just got 12 from Albania, but instead we have confusion and uncertainty.

When we call a country, we see a line, a Chain of Light if you will, from Vienna to the capital of the country which is voting. Apart from Vienna itself where thre is a big red light.

This will take a while so grabbing food.

OK, so food eaten but after 20 votes we seem to have stopped. Latvia was in the lead with Italy and Israel completing the top 3. There was a leaderboard showing you the full ranking at that point so no need to frantically count down to find out where our favourite is.

It seems that this is the end of the rehearsal. Which means we can pack up and get ready for the last night before our most sacred of nights is upon us again, and we find out where we will be flying, training or bussing to next year!

SEMI FINAL ONE - THIRD DRESS REHEARSAL

Apologies, got in a bit late today. No, I'm all here after the fantastic Israeli party but just was having a bit of a lie in. At the party yesterday we had Amber, Kurt Calleja, María Ólafs, Il Volo, Michele & Anita, Elnur (who sang part of Hava Nagila) and some others. Always a party not to miss.

So, what have we seen up to now today:

MOLDOVA
Still sings competently well. Qualifier - likely.

ARMENIA
THEY GOT THE CIRCLE! THEY GOT THE CIRCLE! And it didn't look weird! Now let's hope they can repeat tonight. Qualifier - likely

BELGIUM
Another greatt rendition. Qualifier - likely

NETHERLANDS
Trijntje is in the same dress as yesterday afternoon - so we assume she's keeping this now. Qualifier - unsure.

FINLAND
I have decided to refrain from commenting on this. It seems whatever anyone says about this it ends up being taken too much to heart by people so it's not worth the drama. Qualifier - you decide.

BREAK
Interview Loïc and Trijntje.

GREECE
Much wind, many light, breath. Qualifier - yes.

ESTONIA
Well, it seems the crying is part of the act since she cried again now! No need to worry, it's all part of it. Qualifier - yes.

FYR MACEDONIA
Again, this is not bad. It's just not attractive enough to make it an easy qualifier. Unlikely.

SERBIA
Gone are the days when clothing ripped off during a performance magically disappeared from stage. Bojana's white robes litter the ground making it look messy. Beauty may not lie but cleanliness is supreme. Qualifier - too close to call. It could go either way.

HUNGARY
Nothing else needed - yes.

BELARUS
Just like with FYR Macedonia, this is a decent enough song, just not strong enough in the semi. Unlikely.

RUSSIA
Absolute belter! Top 3 in the final is hers, or it's ROBBED!

BREAK
Talking to Elina and Stig. Elina shows she doesn't only sing cute puppy-eye songs. Then off to Bojana.
Reminder again for the DVD and CD and #eurovision.

DENMARK
One of the other difficult ones to judge. It's Danish enough to make it work but in a year like this will being "Danish enough" mean anything? 

ALBANIA
i assume she's saving her voice. Did not sound as good as it has been in the past rehearsals. She did the same yesterday so there is a trend. I would like to say yes but it also falls in the question mix.

ROMANIA
All over again. The more I watch and listen the more I realise how I have no fecking clue of what is going to happen with half of these songs. The message is good, the song is mediocre. Hungary beats Romania on the combination of the two - but is Europe willing to have two of these on Saturday?

GEORGIA
Finally, something that doesn't make me judge my capabilities of having my own thoughts and opinions. Not that my thoughts and opinions are much different to anyone else's on this song but at least I know it's a qualifier. Unlike yesterday, she sings it as it should be - last warm up before the big night. 

RECAP
Slight glitch with the graphics which had the rolling 'telephone numbers' sequence going on when the voting hadn't been opened yet. No need to redo so we continue with the actual recap once the voting is open.

Noting different to yesterday so just read that one if you need. No hiccups, no champagne, no petits fours, NOTHING!

"QUALIFIERS"
01. Greece

And again a technical issue.Mirjam is a lier. Apparently.

So now...

01. Moldova (reminds me of Igor's voting method)

02. FYR Macedonia (this time with FYR mentioed)
03. Hungary
04. Georgia
05. Estonia
06. Belarus
07. Armenia

Small talk for suspence.

08. Greece
09. Denmark

Last finalist from the first semi final of 2015.

10. The Netherlands. Les Pays Bas.

RECAP
Again, in order of appearance not announcement.

End of show. Only a few hours until the show begins!!!

 
 
 

Semi-final 1 betting guide: Bets are like thunder*

Sure, you've made your predictions, but are you ready to put your money where you mouth is? Ahead of tonight's semi-final, I'm going to take a look at some of the betting odds available for various outcomes, and see if I can identify where the value is.

The odds I quote below are likely to change in the run up to tonight, so, as always, oddschecker is your friend.

Firstly, who will win the semi-final? There seems to be strong consensus from the press corps that it's between Estonia and Russia, with Russia nosing ahead quite considerably in recent days. If you're in agreement, the best odds you can get for Russia to win the semi is 1.83, at William Hill - this means that if you bet £10, you will get £18.30 back (i.e. £8.30 profit). On the other hand, if you feel Stig and Elina's duet will top Polina's big ballad, you can pick up odds of 4 at either William Hill or Boylesports.

With two such clear frontrunners, perhaps the more interesting money is available for a top 3 finish - i.e. who will come 3rd? 3rd place in the semi-final can often be something slightly surprising that then fails to score highly in the final, and therefore the front runners here (after Russia and Estonia) of Georgia (2.25, 888Sport), Greece (2.25, unibet) and Romania (3.5, bwin) would all seem worth a punt. Albania have fallen from grace during the rehearsals, and their odds of 3.75 (bwin) for a top three finish seem rather stingy. On the other hand, if you want to win some relatively safe money, you could opt to bet on Russia or Estonia to come top three. At odds of 1.18 and 1.4 respectively, you won't be making much, but if you're confident, it's effectively a very short-term-high-interest rate account!

Bear in mind of course that you won't see any of your winnings for winner/top three markets until the full results are published following the final. If you want a more immediate return, the place to look is the qualification market.

Most of the bookies are offering qualification odds, though there's considerably less value to be had than in previous years. Finland are one who have really fallen in recent weeks, and you can get odds of 2 (i.e. doubling your money) at Skybet or Ladbrokes if you think they'll make it through. I'd also argue that Denmark (1.91, Coral) could be worth a punt - they've often done rather better than fans expect, particularly in semi-finals. The biggest outsiders in the qualifier market are Netherlands (3.6, Boylesports) and Moldova (3, various sites). They're a risk, but as I wrote in my prediction piece, I do think there's a chance either of them could make it - and anyone who was brave enough to bet on San Marino or Iceland last year made a tidy profit.

On the other hand, if you're a negative person like me, there's fun to be had in the not to qualify market. I'm still quite sceptical about Armenia, and there are odds of 3.75 (at Skybet) if you feel that six people all shouting different songs at the top of their lungs won't engage with Europe's voters. And if you're not convinced Belgium is really connecting, Skybet will similarly give you 3.5 odds. And if you're crazy enough to think Russia might somehow fail to reach the final for the first time ever, Skybet will give you odds of 26 to throw your money away.

If you're serious about your betting, it's worth already thinking about the final. If there's a song you have your eye on tonight and you think you might want to take a punt on it making the final Top 10, Top 4 or even winning the whole thing, it's worth placing that bet now. After tonight you'll have a much better idea of its chances - but so will the rest of Europe. The people who won big on the Common Linnets and Conchita last year were those who were brave enough to place their bets before the semi-finals. I'll be taking a closer look at these markets closer to the final, but if you think that, for example, Georgia or Greece might be an outsider for the top ten, it could be worth getting on the betting sites now.

That's just a brief overview of what's available tonight - do have a browse on oddschecker, and do feel free to post any betting-related questions in the comments below and I'll do my best to answer them.

(* no, I know they're not, but then neither's time. Go complain to Belarus.)

SEMI FINAL ONE : FIRST DRESS REHEARSAL

Conchita montage of her win from Copenhagen opens the show. The back of the stage opens up to reveal an orchestra - AN ORCHESTRA! AT EUROVISION! First time in years (I can't remember myself when the last time was but sure one of you will). The lights from the ceiling also dance and flutter like the flags and light bubbles of the logo.
Conchita emerges dressed in white singing Rise Like a Phoenix. The lights behind her flutter still but they also have a sort of wing effect. Conchita is helped down by a hot guy dressed in a tux. She then goes into the arena surrounded by dancers in sparkly evening wear. Being lead back up a flight of stairs to the second stage, Conchita continues singing and then welcomes us to the "Eurovision Song Contest 2015, live from Vienna", "Contestants, the stage is yours" follows. She then welcomes all the delegations in a parade as has been the case in recent years.

Trijntje appears to have chosen the second outfit - best choice.

Sound has cut out in the press room after Estonia has been announced so we have no clue but we can see that Russia is currently being welcomed. Denmark follow suit. Romania and Georgia have been announced and now all contestants are making their way slowly but surely to the stage from the green room which one again is part of the arena.

Still no ound but there appears to be a musical number since there are dancers going about. Conchita is also involved in this number.

The sound is just back when the musical number has finished. In the meantime, Valentina Monetta is lurching around the press room. Edward af Sillen and Sanna Nielsen were also here, sitting in front of us needing help for the priter. To the rescue, non other than Daniel Lynch of ESC Bubble.

The presenters are welcomed by Conchita but there is already a technical issue - to which "well, it's a rehearsal!". They cannot find their standing spot since there is no standing spot to find.

"Conchita has made herself comfortable in the green room with the contestnats". We are then informed of how to vote, not that I think it is a surprise for anyone any more - but hey ho, maybe for the Czechs, who are not even in this semi. You can vote up to 20 times for any of the countries apart from your own. SKANDAL!

MOLDOVA
Driving around in an open top car in Moldova, we have a engine wrench in the box. To which we pan up and we are in the Austrian countryside, using the wrench to start the gear of a tractor. Eduard helps the peasant farmers and they all celebrate with VIN!

Hashtags seem to make an appearance this year "01 MOLDOVA #MDA". There will be trendings this year.

Eduard is there dancing his solid beehind off - as are his dancers, all of them. Much rippage going on still, they have a big budget! Camera working well, but that is the luck of this song, you dont need much to make it work. Was typing so missed if the flippy bit worked or not. Eduard "tackles" the male policemen and wins - obvi!

ARMENIA #ARM
The package is left in front of a house which Essai was just happening to visit with all the group. Inside, coins and cards from a fun park. They enjoy the rides and take pics. Something tell me Eduard got unlucky.

Camerawork slightly changed for the better. Still awaiting the circle-moment. All sing well. I am biased, I love this so ... there. Ooh, somethin happened with the camera, like someone bumped into him.

The circle camerawork has been changed, they still can't form a circle though - unhappy face :(

BELGIUM #BEL
Brussels atomium, driving in a scooter around the city. Loïc receives something he is to young to know about - a cassette. He then is in some dance studio for some reason. He joins the group and they go to the streets of Vienna (or somewhere else in Austria) and do a street show.

Just like in the music video, this is working like clockwork. He might be young but he is very professional in his singing and his dancing. Camerawork is quite simple but effective. And it has rapapap. Still personally usure about the whole grabbing his mouth thing but oh well, I am not aid to understand these things. Big applause in the press room.

THE NETHERLANDS #NED
Scenery from Amsterdam, Trijnthe opens her post and finds an old compass like that from The Golden Compass movie. She then takes a hot air balloon ride over Austrian scenery.

In true Dutch 'f you all' style, my previous thought of her using an outfit from the other rehearsals was wrong. She is gone for outfit number 127 it seems. This is getting silly now. Then again, the more we talk about dressgate, the more publicity she gets, the more publicity she gets, the more people hear of her. You can never trust the sneaky Dutchies!

Some cloth is on the floor - maybe it's part of one of her previous outfits. It's over.

FINLAND #FIN
Pelle Miljoona (thanks anonymous comment who quoted my original comment *like*), which to me looks like he could have done with a wash, gives the pack to one of the guys at the door of his apartment block in Finalnd.. They then go on a tram ride through Vienna. They blow kisses to girls in the tram and to the tram driver. Everyone smiles and is happy building bridges.

Well, it's Finland, it's short. That's the best thing about it. He doesn't slam the mic on the phone, the fattest one walks off stage immediately.

BREAK
Since it's so short, we take this opportunity to speak to Arabella and Mirjam. They give a shout out to Australia (to which an applause in the press is given by one single person - we really do not care any more about Australia) and then some other discussion which we didn't follow.

Conchita interviews a delegation, Belgium is selected. She calls Loïc "darling" and is loving is. She is actually lovely. "There´s just water on the table, what´s going on?!" ponders the lady. We agree!

Alice then is on screen to continue the show. We go to...

GREECE #GRE
Maria-Elena is taken to a school in Austria where she colours and plays with the children. Germs aplenty! Thankfully she had her injections before she went ... we hope. Well, she didn't seem like she was riddled during rehearsals.

Greece is just one of those counties, you can pretend you really cannot be arsed with their drama any more, but you find yourself always talking about them. Great staging and lighting. The white piano on stage sometimes looks a bit funny since you can't see the guy playing it in all shots.

ESTONIA #EST
SKANDAL! Stig and Elina spent the night together - well, how else do you explain Elina opening the door and Stig coming to check what arrived. They then go to Austria and scateboard in the forest. As you do.

IT WORKS! IT WORKS! At least for now, no mistakes with the shadow and the effect is AMAYZING!

Typed to soon obviously, oh well, seems they don't show the angle much so not as obvious as it was - Elina gives Stig the eye for most of the song. But then again, with her eyes, who wouldn't want them focused on them?

FYR MACEDONIA #MKD
The package has an address of Macedonia. #pissedoffgreeks. They go skiing.

Not much changed from the rehearsal. Let's keep this politically correct. They did the best they could in the time they had and with the equipment that they had. Make out of that what you wish.

SERBIA #SRB
Bojana goes to dye some cloth in traditional Austrian fashion. She then wears what she made. And is happy. Not like the person she did not pay.

They stuck with the coloured flags, which to me personally, don't think fit in the beginning of the song. Love it or hate it, she knows how to belt out this song. It seems, for the time being, that maybe more 'press' than 'fanpress' is here since not so much screaming and clapping as during rehearsals. In fact, it's quiet after the end of the performance.

HUNGARY #HUN
Boogie is putting out fires in Austria. 

She is not liked in the press/fan voting but the song works. I don't like it either but I have to admit it works. She will do well. She thanks us in English and in Hungarian. This may not be the same in the live show obviously.

BELARUS #BLR
Apologies, too many people asking too many things so this missed me completely. I only managed to catch the last few seconds which did not really let me understand the gist.

Maimuna has found the good balance between too moody and too smiley which she seemsed to have problems with in the rehearsals. The two play around on stage and Uzari uses his shots to get his charm accross. The backdrop is stll a bit of a mix. We are to believe they are dancing on the clouds but there are no clouds beneath them, only on the back.

RUSSIA #RUS
Polina, where would we take Polina if it were not a huge place full of crystals. She admires the sparkly stones.

Nothing I can write will make any news. She knows she has this semi final in the bag. Unless something really bad happens tonight and tomorrow night, there won't be many open mouths when she walks on to the stage as part of the ten. Gets a large round of applause from the room. She also looks emotional.

BREAK
Conchita thanks Polina and continues by interviewing Stig and Elina from Estonia. Later "Hello GORGEOUS!" "You look fabulous darling!" she tells Bojana. Fabulous is a word used a lot here.

Arabella and Alice are now on stage to remind us the voting will be open soon. We can also download the official app from the app store, or we can use social media platform to discuss with others using the official #eurovision.

DENMARK #DEN
The danes get a hat. And they go sleding. They have a race down an old village lane.

The audio had gone quite low but it seems that was due to the room and not actual audio issue. 

The boys are quite well oiled. Nothing bad happening, nothing I would say they deserve huge praise for, but its harmless enough.

ALBANIA #ALB
Elhaida receives a key. A key to a huge Austrian snow plough. Thanks to her handywork, a single skier can go down the piste. Something smells like ORF have got some free labour from some of these artists.  If it was real anyway ... which it is not just in case it was a question.

Some camera crew was filming a bit before Elhaida started which made the shot look weird until you realised what was going on.

Not sure if Elhaida is saving her voice but she has sung this much better in rehearsals. Could it be a bad year for Albania?

ROMANIA #ROM
Horseriding is the activity for the members of Voltaj. They got the trophy! Will this be a sign?

Călin was out last night at the Euroclub as were many others. He is a really nice guy and has time for everyone, regardless of how pointless your chats to him are. Unfortunately though, I still don't see this working for them. It's in Romanian (for part), it's got sad movie shots of children, and it's late on when people will not be listening much (if they were in the beginning) to the commentry. The little kid is there, smiling and waving to the camra after the performance.

GEORGIA #GEO
Nina got fabric. Not black which she probably is not happy about but still, when in Austria she gets something more appropriate to her taste from the shop.

Starting well but we soon realise something is a bit off. The backing singers are a bit too high in this run. Also, Nina seems to have made a couple of mistakes in pitch. What is happening? She was a dead cert until just now. No don't worry - she is saving herself we are sure. You don't force your horse to run for miles to train for a race they need to win later on today. She knows when she is needed - and this is not it. 

BREAK
And there we ave it. It's done. Conchita back on stage asking the empty green room how they feel! She is funny. Don't let Conchita down, "support your favourite".

Arrabella, Mirjam and Alice are on stage to bridge until the recaps.
Recaps go through and the artists are shown at points just before their section will end.

After the recap the three presenters are bck on stage and start talking about pets and animal. Arabella starts talking to a horse who goes through the streets and find Alice who has a cat which then also goes through Vienna to find Mirjam whose dog is next in line. Various scenes of these animals going around town, kitty also jumping into a Eurotaxi and paying the €10 fee is seen. The dog goes to smell the butt of another dog.

This is actually quite funny, if it wasn't so long.

Arabella and Mirjam on stage mention the official DVD and CD. So there will be a DVD release.

Recap number two ensues.

Arabella back and quickly followed by Conchita to ask for votes.

Alice is next to speak, in French but was looking at the wrong camera. She starts again.
Herself and Mirjam then proceed to the countdown to stop the voting.

History Lesson & Talks to Artists
The contest we are told, was always going to have to return to Austira sooner or later. This is because Austria is known for music and hospitality. We then go on a tour of Eurovisions past and great Austrians. The audio in room is not great since lots of people are having loud conversations so cannot understand what is being said all the time. Elżbieta of Elaiza fame should be arriving in Vienna (if not the group itself) where she will be interviewed by Arabella. Mirjam then interviews a member of Genealogy. Mentioning Mary-Jane being the Australian member from the group, this gives the cue to talk about Australia in Eurovision. Really, you'd think we had no other thing to talk about apart from Down Under.

Eduard is next to be speaking to Arabella. How did e accomplish so much at such a young age. Mirjam then has Maria-Elena and Polina next to her. She asks her question but the stand in didn't hear it. Mirjam says "it doesn't really matter, no one is listening anyway!" we love her now.

Uzari and Maimuna are up next with Arabella. How many has that been now? Are we going to talk to all of them? Has there been internal skandals which we were not made aware of? Has everyone been talked to at least once throughout the night?

Recap of Finalists
Austria, United Kingdom, Spain, Italy, Germany - FROM REHEARSAL! All others was the music video, France, Australia.

Alice goes to talk to Jan Ola and calls him a Math Magician. She has to repeat that part since it went wrong the first time. And yes, we have combined the televoting and jury votes and we have the winners.

Arabella and Mirjam are to announce the finalists. In random order.

"The first finalist is..." ... long wait, unsue of what to do, look at podium. Arabella waves at the audience. We laugh.

Arabella and Mirjam go into some German talk. We go on. The board is sponsored by Microsoft. Nice big logo at the bottom right.

We wait again to find out who is going through,. Finally find out.

01. Russia
02. Romania
03.

We go back to German. That was it, those are the qualifiers! :D
Arabella and Mirjam are good though, they just start clapping to the audience and go into an impromtu standup. Asking where people are from.

03. The Netherlands. Mirjam says "gefeliciteerd, goed gedaan!"
04. Moldova
05. Greece
06. Finland
07. Armenia
08. Albania
09. Belgium "felicitacions!"
10. FYR Macedonia - but this was announced without the FYR in front. Again #pissedoffgreeks

The recap is in order of appearance not announcement. This could be changed though for the real night.

Recap over, all four presenters are on stage with the artists in the background. One thing left to say "Good Morning Australia, and have a good night Europe".

SHOW OVER.