Fishy Predictions for the First Semi-Final

It's been a long two years, but finally a Eurovision Day has come again! 🥂 For the first time in over 15 years I won't be spending it on location or in Syden, but rather in a rainy (shocker) Bergen, but I'm not planning on letting that dampen the mood!

I've been twisting my slightly May 17th affected head to see if I could not only figure out which ten countries will qualify tonight, but also which order they'll actually turn out to have placed in, once we get ALL TEH INFO some time after Måneskin's Destiny's Fyr & Flamme's thank you speech very very early Sunday morning. So enjoy my mistakes, but most of all enjoy the show, because Eurovision is back!

1 Malta | It was my main contender for the win before the rehearsals started, but seems to have faded a little compared to the likes of Italy and France, and due to boots and wigs and colour debates. (My take: If in doubt, always go for the brightest colour!) I still think it has a chance on Saturday though - and certainly tonight.

2 Ukraine | That bit where it slows down and builds and builds and builds to PLING * POW * RUN gets all my geese out bumping every single time!

 

3 Cyprus | Solid feels like the word best describing this, I'm expecting it do to very decently with both juries and televoters, without anyone getting overly excited.

4 Russia | My favourite in this semifinal, but probably a bit too odd to go higher.

5 Lithuania | Had its moment to shine when it came out in January, but gosh, it feels like years ago... Still very obviously qualifying, still very obviously getting the 12 from Norwegian televoters tonight.

6 Israel | This keeps getting stuck in my head, which should be good. But seeing as there's no natural flow between all those individual bits of song, it just ends up being one little bit in an eternal loop I can't get out of, and I end up considering a head amputation to get rid of it. I've had it down as my tip for 'forgotten and ignored, accidental last place' in the semi for much of the season, but Eden and her boys are selling it well, so suddenly it feels like a qualifier, and somehow even a safer one than the following bunch.

7 Norway | I can never quite decide whether I think Tix is annoying, nice, manipulative, a hero, or just a combination of all, but at the end of the day I really do like the song.

8 Belgium | It's mix of boring, pretentious, dark, nostril and grumpy. It's Belgian speciality, you will enjoy.

9 Azerbaijan | If it hadn't been for the last 30 seconds of pyro extravaganza I'd say this was as dead as the Tix+Efendi relationship will be next week.

10 Romania | I originally had Sweden instead of this, but seeing as almost everyone else seem to have the same ten as me, I figured it was time for some risk-taking. And I can somehow see this working on some level for some people, despite the mainly quite awful singing.

11 Sweden | The exact opposite of Norway and Tix - I'm sure I like Tusse, but the song... Surely juries can't be quite as forgiving about Swedish averageness as they have been the last few years? And thinking back about it, I actually think both 2019 and 2018 are very good songs, so it shouldn't really be comparable at all. Could they possibly lose out...?

12 Slovenia | Probably getting 15 televote points in total, all from Croatia and North Macedonia, but I can see some juries appreciating the loudness here.

13 Ireland | I've been hoping and thinking this should make it all season, but no, it just isn't working, is it... What could've been a joyous, confident anthem of finding one's way in life just ends up being poor Lesley getting lost in a paper forest.

14 Croatia | I don't feel hate, but why would anyone vote for this when there are better songs, better singers, better dancers, better stagings, better backdrops... Even the other Tick Tock is better - a far worse song, but at least it had #hamsterbutt.

15 Australia | Very interesting entry, and I really appreciate it being there and Montaigne seems great when she's not dressing up as a clown. Just such a shame it's not, like, you know, good.

16 North Macedonia | I don't think they could've done much better with this than what they're doing on stage, but it's still the same song, so... I miss You :-(

ESC week | Monday | First Semi-Final | First Dress Rehearsal

It really is all about to happen now! In the next few days we will be blogging about all the dress rehearsals, starting today with the first dress rehearsal of the first semi-final.

It's again a rolling post, so keep your finger glued to the F5 button, or whatever you use to refresh on a Mac.

Thirty seconds past three ... Te Deum! We start with some Dutch scenery, we see sheep, Rotterdam Central Station, a windmill and more and after 1 minute 30 we're in the arena. Some quick lookback to 2019 and then Duncan's on stage dressed in red in an augmented reality setting, singing a new song (i.e. not 'Arcade') It's a pretty short performance .... the stage is revealed in a spectacular way before all four hosts come up on stage.

Hosts are full of energy, talking quite fast, Jan's English has definitely improved it seems. Chantal also speaks a bit of French. Hell, they're quick. 

After 7.5 minutes we start with the first postcard. 

Lithuania - Lithuania is 'virtually' on the Rotterdam central station square for the postcard. Before the song starts the stage lights take the colours of the Lithuanian flag. Not much to mention about the Lithuanian performance, it's not much different from what we've seen from them. There are some split-screen moments between Vaidotas and the backing dancers. The hall is empty - yet we're hearing 'fake' applause. But it sounded already a bit less 'fake' than in ESC 2015.

Slovenia - Postcard in the dunes. Stage is mostly golden with a globe projected in the background. During the bridge the transparent LED screen comes down and shows what I think is Slovenian mountain scenery. Decent performance but not as impactful as I would have thought. The ending was very abrupt. She just stopped in the middle of a sentence 'Hey Child ...' ... not sure if that was a failure or intended, but she didn't look really surprised ....

Russia - Bad Dutchie, I have no clue where this postcard was recorded. Egg-shaped houses? [I later learned that these are the 'bolwoningen'/'sphere houses'  from Den Bosch aka 's-Hertogenbosch]. The bloggers before me have already described this performance pretty well. I have not much to add to it I'm afraid. Energetic and fun as usual. 

Sweden -  Postcard is filmed on Museum Square in Amsterdam. Some pretty awesome light effects for Tusse. There's also people on the LED screen at one point and it truly looks like they're actually on stage. Last minute looks quite impressive, light-wise. Vocally this is all very okay too. Not as hopeless as some may have thought. But of course the song is still what it is.

Australia - The football themed postcard this time is not for Spain but for Australia. Montaigne could not be in Ahoy, but she could 'be' in the Rotterdam stadium. No special announcement or so, we just get a postcard and the live-on-tape recording gets shown directly. Of course we do miss the stage lights going all Australian and there's no 'dumdumdum' moment, but the transition is seamless. Montaigne and dancers are doing a (sort of) yazbitti! \o/. Lots of visual effects here, where we see copies of Montaigne  as if she's doing a yazbitti with herself.  Montaigne sounds much better than in some clips we've heard so far. And it *is* very colourful. At the end we see the camera zooming out from the LED wall, bringing us back to Ahoy so the audience can do some cheering.

North Macedonia - Postcard is in a forest, where Vasil is climbing the wall of the tiny house. Much gold on stage again. During the part where Vasil is not singing he shows the disco ball on his costume, which looks very nice. Vocally fine even if he seems to be not giving it all yet. All in all, I think this wins the battle with Slovenia, but probably that's still not enough to make it.

First commercial break. Nikkie is now on stage to show 'the best off online reactions'. She calls it the 'online update'. There's also clips from the Looklabs. We see fans dancing. Surprise appearance by Conchita Wurst. Edsilia then interviews a fake The Roop. She doesn't use the stick herself. Nikkie also connects to Montaigne.

Ireland - We see the 'Skinny Bridge' in Amsterdam over the river Amstel in the postcard. Vocals are not very good I'm afraid. The 'book' part goes a bit quicker and smoother than we've seen in the rehearsal clip but is still not very impressive. So she's walking in all directions amonst all sort of cardboard objects like waves and trees and sometimes interacts with them, but it all looks pretty forced. It look fine - but not spectacular - and also a bit distracting at times and most of all unnecessary. She looks exhausted by the end of the performance. Sorry to say but this feels pretty hopeless :-(

For some reason we now get another break with Nikkie and Edsilia. We also see the billboards announcing what's to come next Saturday as interval act, much like we saw them in Europ Shine A Light last year. Of course this break is meant to get all the stuff Ireland brought on stage back off stage.

Cyprus - First notes were horribly off tune. Elena starts lying on the floor. Vocals get somewhat better further into the song. Visually this is very well done with the mirrors and fire effects during the last minute. It looks like more fun than the lyrics suggest, which I think is a good choice. Safe for qualifying, but not winning material.

Norway - I think that's the Muiderslot in the postcard? Never change a winning recipe, performance is again much alike the MGP one (but with less creatures around TIX). Using the stage doors with light coming from behind makes for nice effects. In the last minute the stage turns into gold. Looking good for Norway to qualify I'd say at this point.

Croatia - Postcard in a random polder. Some visual tricks make Albina appear on stage out of nothing. She's standing in front of the transparent LED screen and the effects look awesome. Dancers join her during the chorus. At one point we see five Albina's and no dancers though. The 'oh noooooos' sound a lot better than we've heard in earlier clips. I think visually this is pretty cool. The fake? applause seems to be much louder here than it has been for others for some reason.

Belgium - First minute of this performance is one long shot from one camera turning around Geike and the musicians. It must have been intentional but with the musicians so close to Geike it looks a bit messy to me. But that may be a personal thing. It's a decent staging ans well sung, but I may have expected more 'magic'.

Israel - Postcard shows Utrecht Central Station. Eden is amazing! This is a fun performance with Eden and dancers moving to the sattelite stage halfway, and then back to the main stage where she does the high notes, and they sounded near perfect to me. This has such a nice energetic vibe. Probably the best performance so far!

A break with Chantal now. And Måns. We can actually see him, so probably not live, but you won't notice. It's of course all to get people warm for the Saturday interval. Hmm, if it's not live the timing is perfect. After this interview Edsilia and Jan announce Romania's performance.

Romania - Roxen's vocals are much better than we've heard in some clips, but she seems to have a bit of trouble with the timing (think Zaleilah but less dramatic). All in all, it's still not very convincing. They should be a little worried now.

Azerbaijan - Postcard from Giethoorn (the Dutch more rural answer to Venice - at least I think it's there). Song and staging is Eurovision by numbers obviously. Lots of gold, pink and turquoise again. And another yazbitti. What did I say? Eurovision by numbers. Well enough performed. Is there still a place for this in ESC 2021 though? I'm inclined to say there is, despite the song being rather weak. 

Another billboard moment, with Jan and Chantal quickly announcing Ukraine.

Ukraine - Had some serious internet issues here, so missed part of it. Well, it's definitely standing out. Graphics look impressive too. I have a blind spot for this entry, never really got it, and as such this performance wasn't winning me over. But I acknowledge that it is probably making the final anyway.

Bit of a hiccup before Malta was going to start, with Chantal quickly standing by to interrupt.

Malta - Destiny has gone for the silver dress and high silver boots and a totally different haircut/wig, which I suppose fits with the 1920's style. Not sure if she's giving it all yet, but vocally she was already more than fine. But I feel this is not a winning performance, neither is the song. May actually be totally overshadowed by Israel earlier on. 

Some pyros before we start the vote. As usual we see the recap with the artists shown at the end of their snippet. For Montaigne we have a live connection. It's apparent that the sound quality of the Australian snippet is much worse (less rich) than the others.

After the recap there's an interval by Davina Michelle about 'The Power of Water', which is partly pre-recorded and there's dancing on stage with lots of bare-chested men.

Quick prediction: Lithuania, Russia, Sweden, Cyprus, Norway, Israel, Azerbaijan Ukraine, Malta. Then there's one left and it's between Croatia and Belgium, I'd say Belgium now, but not extremely convincedly. If there's going to be a huge surprise it may actually be North Macedonia, but I wouldn't count on it. 

All four hosts are back on stage to explain again how you can vote. And we get another recap. With again shots from the green room. At this moment none of the artists are really there, so it's just volunteers and they are having a good time it seems :-)

After the second recap there's about 40 seconds left to vote, so we quickly get to a countdown with Jan and Chantal. After that there's another break with Edsilia and Nikkie. They're standing next to each other in one shot and that looks a bit ... odd (because of the height difference). There's a flashback to ESC history with Johnny Logan, Katrina, Anne-Marie David, Lenny Kuhr, Marie Myriam and Eimear Quinn. They all tell about their experiences. And they're all sooo positive.

We then get a pre-recorded 'Eurovision Tutorial' with Nikkie. Which is very tonge-in-cheek and fun :-)  It has Manel,  John Lundvik with a sad face, Justine Pelmelay and more surprises. The theme is 'How not to win Eurovision'. Obviously we're experts on that subject.

Then we look back for a minute or two at 'Arcade' with Edsilia and Duncan Laurence.

After that there's an awkard break. But apparently this is the point where we'd get to the interviews and presentations of Germany, Italy and the Netherlands. Instead we now get to see the postcards for these three countries. 

Oh they're actually performing now!

Italy - Just looks so cool on stage. There's some parts though where Damiano is drowned into the light, not sure if that's intentional. So much pyros at the end. Yes, this is definitely a performance that could do it!

Postcard at Scheveningen beach for Germany, appropriately considering its popularity with German tourists. After the German postcard we suddenly get another intervention with Chantal explaining the theme 'Open up' and a pre-recorded video about the theme with Duncan as narrator. Not sure if and when they will actually show this in the real show.

Germany - Very colourful performance with a prominent role for miss Finger. Jendrik improvises vocally. At the points we hear a male voice 'you did not just say that' the camera zooms on the finger as if she is saying that. All in all, I feel it is missing the clever fun from the video and falls a bit flat on the stage. In the talking part he adresses in German ladies, gentlemen and everyone who's not either. And he ends in Dutch with 'tot snel!' ('see you soon').

Netherlands - Wonderful visual opening with the LED wall 'breaking open'. Jeangu is doing an amazing job vocally. During the brigde all move to the sattelite stage, before the stage turns all colourful. Obviously a lot of applause. That was a very nice performance, and very different from a lot of other things in this ESC. Not saying it is a top 10'er but it doesn't look like certain bottom 5 either.

Okay ... they're now improvising a bit because it's about time to rehearse the qualifier revelation. But first we get a look-ahead to Thursday with the usual billboards. It's mainly about the extra acts though.

They then introduce Martin Österdahl. And it seems like we have a 'valid result'! And he tells Jan and Chantal that they're 'good to go'.

We get to see three-letter country codes with square flags in the 'waiting list' below the screen insert of Jan and Chantal. When they are announced we see the full names to the right of them, as usual. [addition: as far as I recall there were no animations with enveloppes or anything of the sort appearing on screen, so it's just one of the hosts shouting a country name, and only then the name appears in the 'qualified' list]

First fake finalist is Romania, then Israel. They do this pretty quickly again. Cyprus, Lithuania and Norway are next. Also Azerbaijan makes it, it looks pretty realistic so far actually :-) Australia also qualifies and we see a happy volunteer on a couch probably not in Australia. They take a little more time now. Sweden is fake qualifier number eight. And number nine is Malta. And finally it's North Macedonia! We don't get to hear snippets of the songs when they qualify but we get a recap in the order as announced right after the last qualifier is announced.

After that the credits start running and we get views from the hall, also from the green room, which may be interesting because we'll probably see both happy and sad faces there, unlike usually when we only got to see the happy ones.

That was it for the first dress rehearsal. Tonight we continue with the jury final, for which Yair will provide commentary in this blog!

Day 5 | Second Rehearsals | First Semi-Final | 🇲🇰 🇮🇪 🇨🇾 🇳🇴 🇭🇷

This will be a rolling blog, each country in running order, so please refresh to update.

Through some kind of futuristic miracle, I'm able to follow rehearsals from my very own colourful home, and I will attempt to take you through the second run-through of the rest of Semi-Final 1, except Malta, as I refuse to cover boot-malfunctions. After learning what Jordy made out of the first rehearsals, and Yair's fresh eyes on the first segment of second rehearsals, let's see what my (fresh?) fish eyes will make of the rest of today's bunch.

🇭🇷 | Croatia

Albania Albina starts off by pretending to fire off some coloured (pink and blue, of course) light lines around her, similar to Samra's flames in 2016, but sadly (or probably luckily, for Albina's sake), Croatia isn't quite Azerbaijan when it comes to rehearsing these things for months to get it exactly right, so the lines appear on the background a bit below or above her hand or half a second too early or too late. So it doesn't look quite as cool as they probably hoped.

Which generally is how I'd describe this entire entry and performance, really. There's not much wrong with it per se, but when none of the ingredients are quite up to standard, we're just gonna end up with an average cake (or is it a traditional Rachel trifle with peas?), aren't we? The song isn't quite there, the colours are used by several others, the background graphics are a bit non-descript, the dancers have too much clothes, and there's no teddy bears.

The main selling point is Albina herself, but I can't see her saving this singlehandedly. I tried to come up with a comparison for this package, and the best I could come up with was Jestem - that's not great news, is it...

🇳🇴 | Norway

Patriotic hat (or headband, rather) on? Nah, I've been quite ambivalent to this entry all season, really, and nothing in this rehearsal changes that. We also all know what we're getting, since this is the exact same performance as in MGP.

He managed to tell the story behind the act and entry well in the very good music video (alternatively, thought of a nice story afterwards, that he could clonk onto to the act and entry...), but hardly anyone watching will have any clue of that of course, so this will just be a nice ballad with lots of nice keychanges, performed, for no good reason at all, by some guy dressed like a pimp and hiding behind sunglasses. I expect juries to be put off by the unfitting act, or by the nice, but extremely basic, tune (it's essentially a dansband song in that respect, isn't it?), so it's all in the hands of the televoters - will those that find the wings and stuff so Eurovision! add up with those that like the song, or will the mismatch put everyone off?

Vocally I'd say it's perfectly adequate (which may or may not be thanks to some hidden help, no clue), and visually it also works decently - the highlight for me is for the big NOOOOO in the last chorus, when the colour scheme goes from cold, dark and blue to a warmer gold with some added clouds, creating some needed development. I'd say it's a qualifier, but by no means a certain one!

🇨🇾 | Cyprus

I was a bit worried they'd over-egg this, like I felt they did with Tamta two years ago, but I'd say they've kept it relatively simple, and yet with some nice touches. I particularly like the way the dancers, red from head to toe, are mirrored on the backdrop - it somehow makes you slightly doubt if they are real, or if the ones in the mirror are real, or if any of them are real, or if none of them are real. Is Elena real? Am I real?!

One thing I think the performance is missing, is a little visual variation (particularly for the POW as the chorus kicks in!), as it pretty much looks exactly the same throughout - except when Elena decides she's some kind of bug and goes all bendy and backwards on us. When she's the right way, however, she's surprisinlgy likeable and personable, at least compared to how I expected her to be from the video, and she sounds decent too.

Oh lo and behold, just as I was asking for variation, have they introduced a key change for the last chorus? It sounds a little higher and different at least - I approve!

🇮🇪 | Ireland

I've been quite interested to see this, as the descriptions from the first rehearsal sounded potentially interesting if they get it right, plus I've liked the song a lot all along. The whole "set-up" is there for the first half of the song, with various paper "scenes" right in front of the cameras so she's walking around in a supposed paper landscape and every now and then interacting with it in various ways - picking up a piece of paper from right by the camera, extending a hand towards us (and someone else's coming towards hers?!). It looks quite cute, and certainly different from the rest, but I'm not sure she's comfortable enough with it all to make it work - she seems a little stressed, and the singing is... hmm. It's not really bad, but just a bit shouty here and there, disturbing the flow of the song a bit.

For the second half she "escapes" all the scenery, and walks out to the satellite stage, with the backdrop suddenly bathing in warm orange as if she's in Lion King, while the entire set-up is still very visible around and behind her. I can understand the choice of showing it all, but it makes it look a bit messy. Her singing and general appearance is much better in the second half, which makes sense as she's probably far more relaxed and at ease.

The main verdict I'm left with is why?

🇲🇰 | North Macedonia

Starts off in darkness with just Vasil's face and some little, growing light shining from his chest - it almost feels like one of those special powers you'd see in a 90s timetravel TV show for tweens. His special power keeps growing (cue Michael Scott) until it explodes, and eventually he reveals his Dotter-like shirt. Did they miss that bit where they're meant to project lights at the Dotter-shirt to make it all reflecty, though...? He seems to mainly just stand there with a proud "Look what I can do!"-attitude, but then isn't doing... anything.

The song is obviously an overblown piece of nothingness, but considering North Macedonia's staging history (or HANG ON, North Macedonia actually got it right 100 % of times, is it FYR Macedonia that's been the problem?!), I'd say this is actually about as good as could be expected for it. The colour scheme (just darkness with orange) makes it a bit different from all the pink and purple, and he's not acting quite as ridiculously over the top as he did in the video. I'd throw in five visible backing singers in a corner to make it feel a bit more proper though.

Question: What is that word he's singing in one of the first few lines?? Crack? GREK? Craic...? Is Ireland his favourite...?

Second rehearsal: Armenia to Norway

Norway

Alexander apparently has the flu (according to sources around the press centre), which shows. He looks tired and sweaty as from a fever. He does still put out a lot of energy in his performance, so as long as the flu doesn't get any worse, I'm sure it's nothing that more make up won't fix.

The microphones are still on during the time between the runs, in the first break, Alexander was "trying to find the left one"... In the second break he seems eager to sing again, asking "Can we try it NOW?".

He stayed in key, but you could tell he had to struggle to hit the higher notes, especially during the last run through. Time for Alexander to get back to the hotel and rest, I think! And time for lunch for the rest of us. I'll be back in an hour.

Cyprus

The fans/press in the arena are cheering for Cyprus during set up, making our desk at the press centre giggle. As confident and over the top as before. For the on-screen "dragon in the knees effects" they are still trying different things. First run had the red fire balls at her knee level, for the second run there were yellow flames starting from her waist (and a bit higher than that during the third run). I think the latter version looked better.

The crew is now taking a few minutes to fix microphones, before Norway is on. The microphones are still on, I'll let you know if they accidentally say something interesting!

Ireland

There was a slight problem with Ryan's microphone for the first couple of seconds. I could not spot any crew members this time though! Second run: the sound/microphone problem was fixed as well.

Switzerland

The ZiBBZ are sounding good today. The performance is super similar from the first rehearsal round, with the woman ZiBBZ standing on the bass drum at the end of the song.

Armenia

The ratio between shots of the planks and shots of Sevak seems to have changed slightly, we now get more close ups of him. This makes it feel a bit more personal, which is never a bad idea.

Good morning everyone!

Today I'll be your voice from the press centre/arena for the first part of the day. Yair also wants to see Portugal in day time! Like Yair did yesterday, I will focus on any news or changes from what we saw at the first rehearsals.

I went with Roger to visit Sintra yesterday, which was stunning. If you come to Lisbon and spend more than just a few Days, I definitely recommend a visit!

View from the Queen's terrace at Pena Palace, Sintra.

Day 3 of first rehearsals - Norway to San Marino

San Marino

The cute little robots are with Jessika and Jenifer in Lisbon! The press centre, including myself, is LOVING them. One robot held a "Will you marry me?" sign and our hearts melted. It was the awww-iest awww so far. And the song needs it, I think, it wouldn't do much for me without the robots.

Robot number four has "I'm not your robot" - Brilliant! #ThisRobotToo!? - written on the platform it's standing on, it then flips over to the "Will you marry me?"

Rehearsals are breaking for lunch. I wonder what robots like to eat.

Serbia

Huge oil barrel looking drums - yes, they are standing in a (semi)circle - an older man playing and/or pretending to play the flute are combined with outfits that makes me think of ancient times. This is one of the songs I have really enjoyed listening to the studio version of, and I'm happy that it's sounding and looking ok so far!

Yair's description "liquorice worms" is spot on! Something like this in combination with the ancient style dress:

Romania

The protesting security check has something to do with a power problem, apparently. We were asked to move from the newly opened part of the press centre during Romania's first run through. Some of the computers had blown up for some of the journalists, and they didn't want that to happen to us (OK, I'm exaggerating a little bit, but someone in there had had some damage to his charger and was a upset). From what I saw and heard of Romania, the only things that stay with me are the colours blue and pink and the creepy white face masks. The song doesn't stay at all unfortunately.

Trend spotting part two for Eurovision 2018: props in circles. Yesterday we had planks from Armenia, today we get mannequins from Romania.

Norway

We got to see the second to last run through from Norway, a cheerful Alexander (is he ever anything else?) on a stage lit up in blue, turquoise and pink and the "clip art gone wild" in white.

Last run was with pyro. I want more pyro. Always more pyro. This run went what seems to be according to plan as well, tons of energy from Rybak. Nice wake up call in the morning, good way to start the semi. I have a feeling I will be singing this song today, torturing Yair with it. Better put Estonia on to get it out of my head!

Step one, get out of bed, shower and put on clothes
Step two, just brew a cup
That's how you wake up smart

(work in progress, by Polle and Elin)

First rehearsals: Norway to San Marino

San Marino


Pre-opinion: Haha. Well, this song surely has zero televoting potential (except in Malta), I do sometimes enjoy it. Really hoping for robots or a similar concept.

ROBOTS ARE HERE! At least three.

First runthrough: Jessika starts in a cape, which is helped off by dancers. There's a fourth robot in the back, all robots doing some kind of hand choreography. Press is loving it. Jenny B does her thing, then Robot 4 is holding a sign, something along the lines of "will you marry me" (another Portugal 2011 tribute, clearly). Huge applause.

Second run: There's a lot of Verka-style up and down arm dancing. The robots are the true stars, getting a lot of camera love. In the bridge, Jess interacts with one of them and places her hand under the robot's, feels like it's meant to be holding something we haven't seen yet.

Third run: Sign says "I am not your robot" in the back. Clearly someone there is having fun, and so are we.

Serbia

Pre-opinion: This has been a complete mess so far, but has a certain fun potential to it. Let's see if they sort out the vocals, at least.


First runthrough: Yellow-black stage that becomes blue when the beat kicks in. Fancy drums with patterns on them, similar patterns on the women singer's tan dresses. Men are in black.

Patterns on women look like liquorice wormsSanja Ilić

Second run: This sounds fine, looks like they solved the singing issues by bringing in a third girl. That means they had to get rid of someone - Sanja? No, he's not there. Now it's Sanja Ilić (In The Audience) Feat. Balkanika. The act is less messy than it was in Beovizija, but still a bit all-over-the-place.

Last run looks about the same. I wonder why they decided to place Serbia right after Romania, both have an "ancient Greek theatre" style choreography.

Romania

Pre-opinion: One of my favourites this year since I first heard it in the salt mine (or was it Sighișoara?), I was gutted when it got such cold reaction from the fans and betting odds. Everything seems to be against it, but I still have my hopes. They'll have to work hard to follow-up this opener.

First run-through: Mannequins! Lots of them. Black shiny plastic bodies with white mask. The band also wear the masks from the NF, but on the back of their heads. A very dramatic staging.

Think Elouiz (from MGP 2016) meeting Schmetterlinge.

Second run: First shot is the woman who isn't the lead singer (Corina, I think) taking off her mask and walking about. Everyone's in white except Cristina's purple dress and the black mannequins. Male band members touch her dramatically and trying to keep an expression-less face. She's singing well. The white suits and back-head masks make the male Humans look like they're lab workers who try to contain Cristina with some kind of microbiological pandemic, and I'm not sure it's intended this way. But I like it.

Last run: Still sounding good, act however comes out a bit over-choreographed and feeling very much like a #2, unfortunately.


Norway

Pre-opinion: I have a love-hate relationship with this song - annoyed by the lyrics and infectiousness, but for all it's given us, I'm glad it's there. Perhaps I won't be so glad if it wins (and it can)... If they keep to the MGP concept, the first rehearsal will probably not look good, because they need to align the screen graphics.

First (visible) run-through: I say visible because it looks like they've done a few already. Colour scheme is similar to Finland (pink-purple and turquoise). About the same routine screen graphics we expected (with some added hearts I think?). Álvaro & co sound good. Rybak himself has obviously done this before, he's not giving it all and saves energy for the live shows.

Last run: We're getting pyro, apparently. Rybak takes off his jacket and throws it to the audience before the scatting part. Pyro fountains shoot when the violin goes 'wheeeeeh'. Another pyro coming from the arch at the last boom. Visually, this all makes sense as an opener.

A luta é alegria

The Portuguese take their worker's rights very seriously, a demonstration was setting up near our apartment and the security scanner at the press centre gates decided to protest too, causing a long queue. But Norway isn't starting on time either, so all is good.

[LIVE] Semi 2 : Dress Rehearsal 1 - live reporting

That's it for this rehearsal, people!
Was really fun to see how everything clicked together.

Me signing off!!

OUTRO
The 10 winning songs are being shown once more.

GOING THROUGH
-Israel
-Serbia
-Bulgaria
-Belarus
-Malta
-Ireland
-Austria
-Croatia
-Romania
and finally...
-Switzerland!

FAKE QUALIFIERS
Volodymyr announces Jon Ola Sand as the Mr. Miyagi of Eurovision. Does that also mean he can catch flies with his chopsticks? Before Eurovision once again turns into a cut-throat business, Volodymyr reminds the performers how amaaayzing they are and how great it is that they were allowed to perform in Kyiv.

INTERVAL ACT
The interval act is something dance-y. It's all very interpretative but looks slick because everyone is wearing black clothes with some red ribbon accent. In background of the predominantly percussion backtrack you can hear female voices singing Tatar-style melodic lines. Ukrainian horns warn us of Ruslana's arrival, but luckily for us, for the time being, she's not showing. Then it all ends.
Before we are officially introduced to the leftover finalists for next saturday, Timur gets to chat to Belarus.

VOTING COUNTDOWN
'They say time flies when you're having fun' Time was very slow today, I felt. Maybe there's a button to speed up time in a special app. The Eurovision App isn't the one though. After the countdown, they're talking to Macedonia.

VOTING REPRISE 2
Just before the second reprise Poland is being interviewed. Nothing earth shattering happening here...

VERKA II - The Rise
We now see Verka and mom live the independence of Ukraine, Dana International and eventually her taking part in Eurovision. Again, some of the years mentioned in the captions don't add up, but don't let that spoil your fun watching this.

VOTING REPRISE
Oleksandr and Volodymyr are bantering away as their life never depended on it. In any way the reprise soon follows.

HOST COUNTRY: UKRAINE
O.Torvald are bringing their show with gusto. They really enjoy performing out there. A bit screamy here and there, but I'm glad this type of song is in this year's final.

BIG FIVE: GERMANY
Same story for Germany in the camerawork department. But at least it starts really interesting enough. Sadly it quickly descends into dullness. Although I really like the stark architectural backdrop they've gone for, I feel a splash of ONE extra colour could've lifted it a bit. In this run there was new pyro too.

BIG FIVE: FRANCE
Alma is a bit breathy in the English bits during the first chorus. I feel that the camerawork could've been much tighter on Alma. The graphics are impressive in themselves, but do nothing to emphasize or help how amazing the song is. Instead it's almost off-staging the French entry.

ISRAEL
Imri's big hurdle throughout all of his rehearsals has been getting the vocals right. In this rehearsal he's much more in key. Occassionally 'just' getting away with sloppy singing. But dancing and singing at the same time is a challenge after all. If he repeats this in 6 hours, he'll be qualifying with ease.

ESTONIA-AH-A
What can I say, I love the 80s throwback. Koit seems to have finally mastered his cues and the entire thing is, to paraphrase mister Sofabet, a Telenovella fest. And they'll all repeat it on Saturday.

LITHUANIA
Victorija is wearing very long razorsharp white fingernails. If she would have a blackboard she could torture us all by scratching those of it. Instead she's singing her song. She sings it well though, and it's well performed. Well, as in, fully committed to annoy us for three minutes.

BULGARIA
I wish Kristian would stop hiding his mouth behind his microphone. Just keep it a tad lower. Still not sure of the line graphics that appear on-screen. I don't feel they add much. The more I hear the Bulgarian song, the more I feel it's a dull dirge. But he's quite good, being such a young singer.

BELARUS
The sound mix is off here once more. The male voice sounds much clearer. Kseniya is also a bit more shaky on the vocals. I would so love this to qualify, but they will need keep everything much tighter.

BREAK
Timur again singing his prepared script.

SWITZERLAND
That yellow... thing. Someone get me a bucket of anthracite gray paint now. Vocally she's fine, though in the high notes she clearly lacks power. Or confidence. I like this song in fact, but the dress isn't helping her. After the bridge, she tries channel Mariah, but sadly only Isaiah shows up. Luckily only us press center fanalists are the one subjected to it. Gosh. Not sure about this one.

NORWAY
Joust and his song 'Grab The Moment' is of course the streetcred that Eurovision has been craving ever since the mid 70s. However after Croatia it just seems a bit too mellow. The boys themselves are doing it fine, but I feel myself getting annoyed by the long fast sweeping cameracrane shots. Also not helping Norway's chances is the mumbling during the bridge. At this point in the show, it comes across as filler.

CROATIA
If San Marino was the appetizer in the car crash department, then Croatia is a full-on three course meal. But I adore it. Hope it qualifies, because I feel saturday night needs this. To be honest, I don't think Croatia's camerawork has improved since the last rehearsals. Still Jacques pulls it off. What 'it' is exactly, still remains to be determined.

SAN MARINO
They are very good! 'Nuff said.

IRELAND
Brendan is not doing well vocally. He sprinkles his performance with singing 'just' under the melody. The backing vocals are also all over the place. He was MUCH MUCH MUCH better during last rehearsal session. At least he's a way better body language performer than some of his age cohorts in this competition. It felt as something was wrong in the sound mix.

DENMARK
The backing vocals open the song a capella and the vocal balance is not there. The female voices in there just sound too shrill. Anja is moving professionally on stage, selling the song well. A bit slippery on some of the end-notes, but she's a great singer anyway. Songwise it's such a shame, just because she is so great. Pyro-curtain to end off the song.

HUNGARY
Joci Papai still looks a bit 'Blanche-y' when he starts his song. But I feel that he, just like Blanche, seems to have found his comfort zone on stage. And at the latest by the rap bit he's actually winning me over with his performance. Happy for him, but not feeling the song. But that's only me.

BREAK
Gosh. Timur's English is horrible. As he rambles off his Eurovision facts, he sings his phrases in a totally artificial manner. Luckily his bits are being kept to a minimum.

NETHERLANDS
Talking about vocal powerhousing. Although one of the sisters starts a bit early. The trio seem a bit more nervous than they have been throughout rehearsal week. And it's a bit audible in the voices. By the bridge they've all composed themselves and are vocally back on track. I seem to have noticed a few faintly flat notes. But nothing to be worried about.

ROMANIA
Finally! It's Romania. And nothing too soon. Not really fond of Alex's sleeveless jacket. Nor am I wild about the child letters that spell 'Y - o - d - e - l - i - t' on the big screen. It's harmless, unpretentious fun until the bridge, where they show that vocally they mean business. This is sailing through.

MALTA
We got the wrong credits. Those of Romania.
Claudia still has her breasts projected on the gigantic videowall behind her. This is Slovenia 2017 territory. Competent, yet somehow sleep inducing.

MACEDONIA
Macedonia's postcard has a bit 'NOT FOR AIR' message slapped over it, meaning this isn't the definitive version for the show tomorrow.
Backings aren't pitch perfect, but to the untrained ear they'll sound okay. I think Jana is doing well in this rehearsal. The entire package isn't in the top tier though.

AUSTRIA
Nathan is his impish self throughout the entire performance. I feel that he'll go full on energizer bunny once the arena is filled with a responsive audience. For now the rehearsal is almost faultless. A bit slidey on the wailing, but apart from that smiles all round.

SERBIA
Tijana starts and the sound mix in the press centre is off. The music sounds way too harsh. She looks great this rehearsal. I wonder if the hair will stay the same. Vocally on the cusp of being shouty, but still powerful enough. Ok, now she does cross that line into shouty territory. She ends her song with overemphasizing the last 'p' in deep.

INTRO
The host boys are on stage now. Oleksandr takes the word. And again the guys try to be funny. They'll get it right by tomorrow evening. Also, they're still heavily relying on their cue cards.

Next they 'freestyle' with some musical instruments. Oleksandr is quite good with his flute. Volodymyr likes to handle an accordeon.

Hahaha! They're Ukrainifying some of Eurovision's best known hits. :-)
Awww... a glitch in the sound tape and they have to restart. Volodymyr calls out for his accordeon. Henrik keeps his cool as always. They restart.

Oleksandr's flute is called sopilka. Whatever you say Oleksandr. But keep playing it please.
So, the Eurovision hits... first Euphoria, which is actually quite nice and epic in traditional music style. Next up is Fairytale, which already sounded quite folksy. So not too much of a stretch there. Third hit is 'My Number One'. Think the male choir in 'Moja Stikla'. That kind of singing.
Wow. Even 'Rise like a Phoenix' gets a treatment. It's nothing short of impressive! I like!

As this is the first dress rehearsal, they get to do this intro act a second time. As the production team sets everything up for the second go, Oleksander occupies himself with the logistics of swapping his musical instrument with the cue cards. Quite ingeniously he suggests that one of the Ukrainian grannies has them stuffed in their skirt. It sounds more ridiculous than it is, really.

During the second go, 'Rise like a Phoenix' gets pyro during the final.
A few more hiccups in the transitions - The choir has to leave the stage immediately. But that's what rehearsals are for. Did you know that you can vote using the Eurovision App? It's like a Eurovision party.

16:05
The show starts with traditional dressed young Ukrainian ladies similar to Semi 1. I 'think' they're different but I can't be sure.

16:02
Still waiting. What did I rush for?

15:57
Right. So a bit later than usual.
I'm by myself this afternoon, so it won't be a verbatim report. Only the stuff worth mentioning.
Think performance, camerawork and the likes. For a description of the postcards, well, you'll have to wait for a bit more than a day.

Day 7 - 2nd Run Through : CRO / NOR / CHE / BLR

BELARUS

Ksenija is wearing a different number to what she did on Tuesday but Arciom is wearing the same. Cameras are working well however wouldn't say excellent yet. The backdrop is still just a lot of random but that's not always a bad thing. Everything in me wants this to qualify however trying to take a balanced view on it, the likelihood is debatable. There are a few strong songs in this semi therefore what would make the people at home vote for this over something else?

2nd Run - This needs the crowd to be in the arena dancing and having fun together. It would be great if the audience wasn't packed like sardines in that standing area and actually had enough space to have a little boogie around. Still, the duo sing well and show that they are having the time of their life on that little boat on stage. This is what Eurovision should be about, artists knowing that this is probably the most that they will ever be able to achieve internationally, enjoying every moment they have on that stage, hoping and praying to bring pride to their nation. Belarus! I salute you!

3rd Run - Lovesh!! I know, I know, but there is something cathingly energetic about this song which just wants to make you get up off your seat and dance. Hopefully this gets conveyed to the audience at home since I doubt the juries will be very impressed by it. I guess we just have to wait and see until Thursday.


SWITZERLAND

The team stuck to the same wardrobe they did during the first rehearsal. Maybe they didn't watch it on video? Maybe they didn't read the comments? Maybe they forgot to bring another dress? Whatever the reason may be, it is not good enough. The rendition of the song itself is what we have been used to - mediocre. Miruna however decided not to sing the last chorus and instead lets the backing singers handle it. In the meantime she starts giving us an example of how she can't reach high notes. Maybe not the best time to start experimenting with these choices but let's see if she keeps them in a few moments time.

2nd Run - Well, the good news is that it didn't get any worse. But nope, the screaming is still there.

3rd Run - Well, no pyro but the wind machine makes a very strong comeback in this song. Wouldn't be surprised seeing the poor girl blown away! Or at least her dress. We do need to ask however; "Who though that this stage design was going to work well? When did someone think, 'Oh yes! Let's dress her up as Big Bird off Sesame Street and have yellow and pink backdrop! It will be totes amaze!" Whoever it was, please can we get the number of who is supplying you with your stuff?


NORWAY

We have more graphics projected on tv screens. Most of which are just harmless what could best be described as pink interference glitches but there are moments in the chorus where these digital heads appear to be screaming, assuming this is portraying the 'voice in [his] head'  however it does not work at all. No one is impressed by it. We're all in agreement however that the national final performance was much better and that something has been lost since then.

2nd Run - A respectable run but nothing to write home about still. Those graphics need to go since they distract rather than help anything. It's strange since visually this should be exactly like it was in MGP but it isn't. Two NQs in a row for Norway?

3rd Run - As with MGP, Joakim is not lit up for the bridge - not everyone is pleased at this. And there is no pyro for Norway further reducing it's chances.


CROATIA

We were supposed to have a run but Henrik asked to "cut the music" since the lighting didn't seem to work. He then said "it's a dark song!" to which we all laughed.

Take 2 - Well, that was an experience! The camera has been changed quite significantly from the first rehearsals, only sometimes working in their favour. The backing dancers were on stage for the whole song last Tuesday but now only appear from "Don't let go!" onward. Jacques is wearing a leather suit jacket and is delivering well. This did not get the reaction it did a few days ago however. May we have thought it better than it actually is? That never happens here in Eurovisionland does it?

2nd Run - Oh, so they are playing with cameras again. This time the beginning is back to as it was on the first rehearsal. Backing dancers are wearing dark grey suits with black t-shirts while the two guys playing instruments are also in dark grey suits but this time with white t-shirts. This worked better than the first run today. Still not sure about the shot with three Jacques - right head, left head and actual Jacques - but I guess they know what they're doing ...

3rd Run - We're playing with cameras still - something we can't really say much about since at the end of the day this is what rehearsals are for. It would be nice if they stuck to something though. Pyro is available in this song also and adds that little bit of fairy sparkleyness which was deeply missing up to this point! The laughter erupted when Henrik states "we're currently counting you as one person but we're looking into it". #croatiaskandal


LUNCH

The canteen upstairs is improving bit by bit - maybe due to the competition downstairs next to the male toilet. But today was a lovely dish of chicken drumsticks and rice. Tasty rice too. Gnam gnam!

Day 4 - SMR-CRO-NOR-SUI

SWITZERLAND

Yesterday was blue+white day, today is yellow+purple day.  In this case the yellow is the singer's dress and mic stand.  She's on a giant plinth with steps which she descends. This could get precarious with the long flowing dress.

Vocally just about adequate. We're back to the hidden backing singers.

They don't seem to want us to see very much in the press room today. We've only seen half a run-through of this after only one or two of the first three. We've usually had three or four of each song.


NORWAY

And back to normality and more or less a carbon copy of the MGP performance.

Lots of purple light and not a lot going on in the middle section. There's a risk everyone will spend these three minutes talking about Croatia.

There is some live backing vocal here, but also the digitalised voice thingies to some extent.

It's competent. But maybe a tad dull.


CROATIA

Long time since there has been so much laughter in the press room.

Let's get the vocals out the way first - they are perfect.

Jacques does the duet by looking left, looking right depending on which voice (and getting it the wrong way round at one point). It looks quite silly. And then there are some very camp hand movements.

Backdrop is sunflowers and rainbows. Strangely, no unicorn.

Three backing singers help out, both vocally and visually (particularly the one in the middle). It ends with a bit of Molitva-esque touching.


SAN MARINO

Valentina is in da club, wearing a baseball cap and with her little shoulder bag she didn't want to leave in the cloakroom. Jimmie removes his jacket for the final chorus to show us his arms.

Bright colourful staging, nice overhead shot near the start which sets the mood. Three backing singers on stage, they don't do any choreo but help out with the hand-clapping.

So the baseball cap has gone, but the handbag stayed. Yellow and purple lighting, excellent vocals and good chemistry. Still it feels like a very long three minutes.


***
Good morning!

Day 4 already, and today we'll get the rest of semi 2, starting with the double whammy of San Marino and Croatia. Technically that might be a quadruple whammy, I suppose.

Close to the borderline? A Semi 2 Prediction

I found Semi 1 quite difficult to predict, as my 'results' showed, with only seven correct out of ten. In Semi 2, however, I see far fewer surprises, and am quite in agreement with the bookies.

There are nine entries that are considered safe qualifiers by the bookies, and they're the nine I would put in without hesitation too. The only question that remains for me is around Georgia.

Until rehearsals, the Georgian song was considered a complete outsider, with no chance of qualifying. And despite really liking the song, I was fully on board with this. But rehearsal reports have suggested that it looks fantastic on stage, and several bloggers have placed it among their qualifiers for tonight.

I'm still not so sure. I still think it's just too difficult, too inaccessible, too 'not Eurovision' to get through a semi-final. A great visual performance can lift a song, but it's all too easy when watching rehearsals to forget to judge songs as just that - songs. We get so familiar with them, we end up evaluating them as 'better than before' or 'better than I expected', and losing sight of our initial impressions. And my initial impression of Georgia was 'great but doomed'.

So, on to my prediction

1. Ukraine - I never really saw this as a winner, but I've been talked around by the bloggers during the last week, and am now feeling it could pick up a big swell of votes during the semi (I still don't see it as a winner on Saturday though)
2. Australia - I always found this bland and overrated, and no doubt I'll be underwhelmed by it tonight, but it seems to be pressing the right buttons for people in Stockholm.

3. Belgium - a really tough prediction for 3rd, it could be any of Belgium and the three below it here.
4. Latvia
5. Serbia
6. Bulgaria - I don't quite think Bulgaria have Same Heart-ed this up, as much as anything because Poli has a lot more about her than Mei Feingold did, and a much less disjointed song in the first place
7. Israel - seems like an obvious qualifier now, so I'm pleased that I had faith in it when it was out at 3.1 to qualify
8. Poland - kinda predicted by default here, I'd be quite happy to see it miss out, and not shocked either
9. Lithuania - what I said for Poland
10. Norway - I'm still really curious to see if this works. I think it's great, and it should do well, bu it really could fall very flat, particularly if Agnete doesn't nail it vocally. And that then opens the door for Georgia or one of the others.

11. Denmark - hoping my instinct on their live performance will be right
12. Macedonia - it sounds like she's been nailing it through rehearsals, but I still doubt that's enough for such an old-fashioned (though amazing) song
13. Georgia
14. Albania - boring but has friends
15. Slovenia
16. Ireland - boring and doesn't have friends
17. Belarus - seriously, who's going to vote for this? Yes, it's got gimmicks, but when they're this ridiculous and the song this bad, do people vote for gimmicks, or just laugh at them and move on?

18. Switzerland - not so much the last of her kind, just last.

Day 6 - After Dinner: Denmark, Ukraine, Norway, Georgia, Albania, Belgium

Sum Up
And with this, we wrap up another long day at the press centre. Nothing left to do than pack our things, check our holes and go get food, glam up and go to the Euroclub! Good times!



BELGIUM
The sparkliness of that top!!! Laura is accompanied by her four backing vocalists/dancers who are dressed in white with a black sparkly line going down their arms and legs. The staging is like it was in the first rehearsal, although some of the camera angles have been improved. There is still one shot where the previously discarded 5 handkerchiefs are visible which is a bit random. Vocally I would say Laura was not as good as she was in the first rehearsal but still good enough to not need to doubt qualification on Saturday.


ALBANIA
LOOK AT THAT DRESS! You can see the videos/pics so take a moment to go and see them. Eneda is looking fierce in it - yes I know I had said I would not write that any more but I may have possibly lied. The issue however is that her staging used a lot of golden tones which in a way makes it too golden. Vocally, although she is decent enough, I would not say she is exceptional, nor would I say that the staging is anything to write home about. Neither would I say that we shall see this again on Saturday. The bookies agree.
 


GEORGIA
I think this has been one that has grown on me the most - song wise anyway. I don't hate it as much as I did before. But then again, I had not heard it much before coming to Stockholm. The presentation of the song however is still extremely visually confusing. Lots of strobe lighting and cut-away shots and mirror imaging. A bit too much I think - I never know where I'm supposed to be looking, no idea of what is going on on stage in full. Having said this however, there is usually that one random entry which completely blind-sides everyone. If this is the one I don't know but I do know a particular member of the ESCKaz team who will be ecstatic about it if it happens!



NORWAY
Did not hear this from the beginning since we were advised on the loud speaker of the delayed Danish press conference. When we do get to hear the audio in around line three of the first verse, the camera shot shows a cameraman. SVT really need to work on these, there shouldn't have been so many shots going wrong at this point - almost all of today's songs have had some technical or visual issue.

Agnete however is singing ok-ish, and is looking relatively pleased with herself. The dancer seems to be missing by the end of the show but that could just be my bad attention to detail. Nope, it is for sure, in the second run through I made sure to pay attention and can confirm the dancer is no longer there by the end of the song. In fact, she disappears after the bridge which is sung with a close up of Agenete.


UKRAINE
This one gave us goosebumps the first time round and we are just hoping that we get goosebumps again. Jamala is still favourite to qualify from semi final 2. Will we be just as affected by her performance this evening?

Well, dressed in a dark blue dress with trousers underneath, Jamala did not fail to impress us. Singing with much more passion that she did on the first rehearsal, the room was just captivated by her voice. Although there were still slight misjudgements of positioning on the stage, this is not something which cannot be overcome with the time that is left in order to preform. The effect with the tree of life coming out from the struggle and blood of the land is still an amazing effect - even for those who have seen it more than once. For those who will be watching it for the first time, and if the camera angles are on point, then the effect should captivate the breath of those who are watching it just like it did ours for the first time. I personally do not think that there is any other country who can beat this in the semifinal - this after thinking, before coming to Stockholm, that it could even possibly not qualify due to the difficulty, then perceived, of conveying the message which is trying to be told by the song.


DENMARK
What a difference a few days can make! This has improved a hell of a lot over since the previous failures we were watching on Thursday. Although Johannes is still the only one who drops his microphone stand, the rest of the song is quite flaw-free. Could we have been too quick to dismiss this song? Let us see how the other runs are!

Second tun through and all the microphone stands are still upright!! HURRAH!

Day 4 Afternoon - Norway, Georgia, Albania, Belgium

BELGIUM

Rehearsal
Laura and four backing singer/dancers come on stage waving hankies - eacg is single colour however there are black, yellow, and red. The stage is made to look very disco-ey. Laura is having the time of her life. Before the last chorus, she walks the bridge to the satellite stage where she is later joined by her crew. Very warm applause by those gathered. Qualifyng - YES.

Second run - The presentation really want you to join in. Unconsciously everyone is tapping along. Laura has improved a lot with her choreography and is now just part of the group. I admit I was one of those who scoffed this entry when it won eurosong 2016 but I must eat my words now - a great ending to the second semi final.


ALBANIA

Rehearsal
And Albania have decided to go for the instrumental version it seems! Even though Eneda is there, there is no audio coming from her mic. We stop.

And starting again. Eneda does not move much on stage, seems to standing in one place. There are visible backing vocals which is not so common this year. The stage starts off in blue tones which later turn golden. Very simplistic staging which might come as refreshing after the Georgians before. Unfortunately for Albania however, Elhaida she is not. In fact, for the gathered europress she seems to just be fading in the background, like the music you hear while having dinner and chatting with friends. You wouldn't notice it was there unless someone pointed it out.

Third run - it started but stopped quite quickly due to a clearly flustered Eneda. Issues with the in-ear it seems. We must start again. And again, it came, it was sung, it was forgotten.


GEORGIA

Rehearsal
There is lots going on in the staging for Georgia. Not sure it fully works but I will admit, for something which I did not like at all, it grabs my attention. Not sure what I am watching exactly but I am drawn to it. There is a lot of mirror-image usage and lots of fast changing camera shots, which could all be there just to distract you from the song. Vocally it did sound quite similar to the studio version, which could just mean that they did not do much work on the studio.

Second run - It apparently was on :) Did not notice any difference.


NORWAY

Before the Rehearsal
The question we seem to be having is - will she actually show up? Agnete has been having a few mental health issues and it is therefore also probably in a fragile state. We have been told that there will not be any interviews and it could be possible that the meet and greet will also not happen.

Rehearsal
Wearing the same costume as in MGP, Agnete starts singing. The dancer is no longer in some random box but is instead on a slightly elevated platform on stage. Staging as you can imagine is in blue tones and lots of ice visuals. Agnete herself is standing on what appears to be a large ice crystal. Vocally she appears to be ok, she is not belting out anything major but there are no traces that she is feeling uncomfortable on stage either.

Second run - The dry ice is heere now - a bit too much of it. One of the shots which should have been a close up of Agnete did not work since she was enveloped in the smoke. The CO2 columns are also making an appearance for the chorus. Again, a good performance but not lighting anything in the room. A solitary clap by one enthousiastic member of the gathered europress is all it achieved.

The not-press opinion - BUL, DEN, UKR, NOR, GEO, ALB, BEL

Quick overview
Two great rehearsals from Ukraine (already shows in the betting odds) and Belgium (biggest improvement). Bulgaria and Norway delivered with neither positive or negative surprises. I'm reading negative comments on Poli's outfit but in the actual performance it's quite okay. Georgia made a good impression and their camera effects allow them to keep their hope intact. Albania was mediocre and static and Denmark was overly boring and with vocal issues.

Belgium

Aha. Much dance. She appears with 4 dancers, 2 males 2 females and they walk towards us as the stage is filled with yellow circles and many colours, but not blue! The circles are more like small suns (red in the centre). There is a lot of things happening; the dancers stand on two pairs of stairs as Laura really rocks it! She is dancing either alone or together with the dancers in a pyramid shape. Vocally she manages to keep it going, with some few weak notes, because of being out of breath. The stage is yellow-orange the whole 3 minutes. She is great during the bridge ("Come on, Stockholm!"). The dancers recede to the left side of the screen and join her for a quick little dance move as it ends. Good reaction from the centre. She was really good. It was hard writing about this, there's really a lot going on, but it's not too much somehow.

Had to watch this closer to the screen carefully and update you after I organise my thoughts. The best parts are when she's singing and the backing singers&dancers are around her. It comes across very natural and fresh. This time she added another line to the bridge as she was walking down the catwalk to get her final position ("I want to see all of those hands!"). The camerawork is also well thought out, with all the important moves being captured and shown nicely. Vocally... she strains quite a lot of notes, she was worse than the first time. Maybe this won't play much role during the performance. I couldn't tell if they have another backing singer hidden somewhere.

Same again. Very up-lifting. The choreography is very complicated and she is doing around three quarters of what the dancers do. The little ending dance is really cool and should look great with the audience.

Summary: Great performance, making the small vocal problems secondary. Also, she doesn't really miss any notes or have any bad moments, the only issue is that she sounds very strained sometimes (and also looks that way in a few cases). It's a pity this comes after the similarly coloured Albania, because otherwise it would be even more obvious how much it stands out from the other very similar backgrounds. In conclusion, they 've really lifted this two classes above what it was and they are totally qualifying. One of the brightest rehearsals of the week, for sure.

Albania

Her mic is muted and the music stops after 10 seconds. She is wearing a white jacket, with a floral blouse underneath and black pants. Could that be the real outfit? She holds the mic in her right hand, standing in the centre of the stage interacting (well) with the camera. She's totally static. The floor has some yellow dots (stars?). The vocals seem to be an issue during the high notes in the first chorus. A quick shot of the backings (the stage position of which I can't really spot). Better but not flawless vocals in the second chorus, while the backings are doing some "ooh-ohh"s (or are they "moo-moo"s?). And then it ends. Meh.

I've come to like the outfit. Some (maybe too many) hand moves in the first verse. This time I spotted the backings on her right side. Again problems with the high notes in the chorus. She's all alone in those. Literally, she is standing in the same position at the centre of the stage for 3 minutes. The stage is also quite static, with just some minor parts regularly changing from the usual yellow/gold colour to purple/blue. Not much else to write about this.

Watched it closer this time. I don't understand why such a static performance was not matched with a microphone stand.

Summary: Similar staging to last year, a bit worse song, a bit better singer. She has her good camera interaction to go for her. But then, everything else about it is really toned-down. As vastly different from preceding Georgia as it may be, I doubt it will make an impact to the average viewer/jury member.

Georgia

There's something. They are using camera effects that deform the picture (imagine deforming mirrors in an amusement park). It is certainly interesting to say the least. Apart from that, black and white turning to pink and blue, a typical staging with three guitar players, one being the singer and a drummer. He throws the hat and nothing much happens during the faster part, except a total epilepsy alert with yellow, light blue and green beams of light all over the stage. More camera effects and then it suddenly ends in pink and light blue lights.

The deforming effect is better implemented this time. Serious epilepsy alert during the fast part. Then, for the instrumental, the camera turns to a pan from above, showing pink patterns (square and diamond shapes). The ending is extremely abrupt. I'm not sure it will look good with the audience, as the fast part gives in to a very slow and motionless ending.

Nothing different. A bit painful for the eyes to watch 3 times in a row.

Summary: They have come up with something interesting and that's progress. I don't think anything like this has ever happened on the ESC stage at least, so it is quite original. All the visual noise distracts from the audial noise, but I'm not sure that's enough for someone to vote for them. It's good that they are trying and they managed to at least not get ruled out after this rehearsal.

Norway

Here for her second run. I expected this to be the same as in the NF, but it's not. She starts in a white dress, slightly glowing in the bottom. A dancer is to her right, about 5 metres away. They are standing on square platforms. Agnete leaves her own at the end of the verse and sings the chorus in generally close shots, while the dancer is visible to her right in the background. Perfectly finds the camera every time. The stage is blue with white light beams filling it during the chorus. The bridge is really good, as the camera slowly approaches her before leaving her during the high note. More white light beams and a star pattern on the floor. Really good vocals. The end is simple, with just her in the middle of the stage. Missed when/if the dancer left the stage.

The squared platforms have small white lights on them. A small Georgia 2015 Final problem, as the dry ice drowns both Agnete and the dancer. I do believe that the act might be relevant to her condition, as the dancer acts weirdly, in response to Agnete's moves. More dry ice during the ending. She was a bit tired vocally this time, however she looks comfortable and it's very pleasant seeing her happily smiling after it's over.

Summary: I've liked it from the start and I'm positive to the change in the staging. Even though it's not as impressive from the first moment now, it is much classier and fits the song better. Also, no way this will come across as cheap, like an actual prop might have been. She's good with the camera and there doesn't seem to be any problem of different nature with her. I hope she does well, she both needs it and deserves it.

Ukraine

Wait, is this Zlata? Similar hair and pose for the beginning. After the first few lines in total black, some colour finally on-stage! She is standing on a flower-shaped graphic with yellow, green and other colours. For the second verse it turns red and the backdrop is black-blue with medium-large red shapes (supposedly blood drops). The camera moves really slowly. The wow moment comes for her shout. The red shape slowly goes colourful again and during the high note it quickly becomes white and rises, creating a tree/fountain effect in the backdrop. Very very impressive! The end shot is just her, as the backdrop has turned dark again. Vocals perfect, I have a feeling she held back for the high note though.

Second run and some more effects for the first few lines. It appears there is a watery effect behind her in a light shade of blue (almost turqoise). Not entirely fitting, but attractive to the eye from the first second. The way she slowly moves her body and the way the camera follows that move is magical. The high-note effect is clearly a tree (yellow branches with blue flowers at the very ends). End shot of her almost smiling and looking beautiful.

More of the same. The watery beginning is more like a square water box that she's walking out from. The flower pattern is yellow in the centre, blue-green points in the circumference and red endings (representing Ukraine bleeding, I may guess?). Not holding back vocally at all this time. The backings are good as well. The tree is visibly collapsing in the background towards the end, before the final shot.

Summary: This has reached the peak of what was expected from them. Graphics were stunning and she connected with them and the camera in an excellent way. Predictions are tough this year, but I can't see this missing top-5. Could be winning the semi as well.

Denmark

Everyone here is delighted, as the song first doesn't start and then gets cut exactly when the chorus kicked in! Well, it finally starts again and they are there with the white neon microphone stands. Vocally some problems in the chorus (at the high parts). Oh, the stage is as blue as it has ever been, by the way. Seems it is an identical performance to their NF, with roughly the same camera angles as well. For the last chorus they are using the catwalk, but totally not to the rhythm. Very weird dancing while on the final square of the catwalk which shows expanding squares. Very unimpressive and very similar to Ireland, bar the microphone stands and x3.

Second run and trying to find something more positive to right. Well, the vocals are getting better and the ending makes a bit more sense, though still very sudden. They smiled somewhat more as well.

Final chance for them to improve. Vocals keept getting better but they are still not convincing. At times they are covered by their backings. They are good at making all the camera angles. But then again they've been doing this since February. Some more jumping during the last part after the catwalk.

Summary: Really boring, identical to the NF performance and average vocals. This is pretty much everything about it. A huge downpoint after Bulgaria. They need to fix their dancing after the catwalk part, it's very out of rhythm and they are not synchronised at all. Lots of issues and lack of energy.

Bulgaria

Close up shot of her and she is wearing huge ear jewellery in her left ear that reminds me of the "accelerate" signs in racing games. She's dressed in black and her hair drops to her right side only. The shot widens and the backdrop is mainly blue/black but filled with little starry dots (think the 2010 logo) so it is lighter. Poli is all alone on stage, accompanied only by figures dancing on the backdrop during the chorus. She does a weird move with her legs every time the chorus starts (there must be a name for it, but the only thing I can compare it to is the Las Ketchup last move during the chorus of Asereje). Some close-up shots seem to work well on-screen, although she doesn't hit most of them. For the last chorus, the backings appear from the right side of the stage and join her as they sing together. What initially looked as knee protectors turns out to be white neon lights that are turned on for the last part. It ends a bit abruptly, but people here react very well.

The dancing is not "diva-esque" at all, rather comes across as simple and contemporary. Better camera-work and manages to hit all the shots. Vocals are really good as well, a bit breathy at parts, but that's reasonable. They are trying for the backings to be a bit lower in the mix (both in volume and in tone). Not sure this works that well, although it gives an interesting result. The end pose is left fist in the air for Poli and the five backings placed in a straight line.

The close-up shot a bit different this time, with her having closed eyes and not openin them until the shot changes. Don't like this change, cause it takes too much time for her to have the first eye-contact with the camera. Oops, a backing came in one sec too early. Some green lights this time, before and during the second verse (not sure if they were there before). It's impressive that the dress is that long and complicated and yet doesn't bother her dancing, actually helping her do some moves. The backings are again low in the mix in the last part, which is short but again I'm not really sure if it's correct, it steals some of its power.

Summary: Great first rehearsal, it appears they've managed all they wanted to achieve. Everything about it is very thought through and yet avoids coming across as too calculated. It lacks the 'wow' factor though. The lighting knee/shoulder/thigh-protectors thing is not so noticeable, certainly not after having seen it once already.

(A much more crowded fan zone at the press centre today. Sitting a bit farther away from the screen compared to other days, so expect me to miss even more!)

Preview rehearsals Day 4

Tomorrow we move into the last day of the semi-finalists' first rehearsals. With just eight countries left to rehearse on stage, we're getting a good impression of how this year’s contest is shaping up.

Highlights in this morning's session include Bulgaria, who take to the stage at 10:40, and we’re looking forward to seeing how they’ve managed to adapt the highly produced sound of their studio version to a live vocal. Malta’s first rehearsal was slightly controversial, as their backing track contained what sounds like processed vocals – will Bulgaria be the same?

Right before lunch we’ll have one of the contest's favourites, Ukraine. We’re never sure what to expect from Ukraine – they’d probably get along fine just repeating the national final performance, but we're talking about a country that in past years have brought a hell machine and a man in very tight trousers spinning in a hamster wheel (#hamsterbutt). Even when they last brought a ballad, Ukraine stuck a sand artist next to the singer, so who knows what we're going to get at 12:20.

Following lunch will be the rehearsal of Norway. As reported earlier this week, Agnete has been struggling with mental illness – she told Norwegian newspaper VG that she has struggled with the condition for a number of years, and it is this that has led her to pull out of all public appearances prior to the contest. Our thoughts are with her, and we hope that her recent problems won't affect her performance. 'Icebreaker' is seen by many here as a borderline qualifier, and NRK have told reporters they aren't repeating the MGP performance, so it'll be interesting to see what they have in store.

And after Norway we have what's looking like a long two hours, with the rehearsals from Georgia, Albania and Belgium. All three were looking like outsiders until the running order was announced, when Belgium climbed into a qualifying position with the bookies, but frankly we'll be glad of the early finish this afternoon. See you in Euroclub!